Happily N'Ever After | |
Director: | Paul J. Bolger Yvette Kaplan |
Producer: | John H. Williams |
Music: | Paul Buckley |
Cinematography: | David Dulac |
Editing: | Ringo Hess |
Starring: |
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Studio: |
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Distributor: | Lionsgate |
Runtime: | 87 minutes |
Country: |
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Language: | English |
Budget: | $47 million[3] |
Gross: | $38 million |
Happily N'Ever After is a 2006 animated fantasy adventure comedy film directed by Paul J. Bolger, produced by John H. Williams, and written by Rob Moreland. It is inspired by fairy tales of the Brothers Grimm and Hans Christian Andersen and loosely based on the 1999 animated German television series Simsala Grimm.[4] [5] The title is the opposite of a stock phrase, happily ever after; the name is contracted with an apostrophe between the N and the E. The film stars the voices of Sarah Michelle Gellar, Freddie Prinze, Jr., Andy Dick, Wallace Shawn, Patrick Warburton, George Carlin, and Sigourney Weaver. This film was one of Carlin's final works before he died.
Lionsgate theatrically released Happily N'Ever After in the United States on January 5, 2007. The film was panned by critics and grossed $38 million worldwide against a production budget of $47 million, becoming a box-office bomb. Despite its negative reviews and poor performance, it was followed by a direct-to-video sequel in 2009 called .
The story begins with the idea that the Wizard controls all of the fairy tales and governs the Scales of Good and Evil, an artifact that maintains the balance of all good and evil in Fairy Tale Land. With the help of his assistants, the uptight Munk and the rascally Mambo, the Wizard checks to make sure that all the fairy tales under his care are "on track" to have their traditional happy endings. However, the Wizard announces his leave for Scotland for a little vacation, so he leaves the kingdom and its stories in the hands of Munk and Mambo. Though Munk intends to have the stories go by their traditional endings, Mambo desires for the characters to break free of their pre-destined fates and choose different endings.
Right after the Wizard's leave, both Mambo and Munk fulfill their duties by watching over the story of Cinderella taking place. As per tradition, known as Ella, the character lives as a servant to her haughty stepmother, Frieda, and her equally mean stepsisters. Too fearful to stand up for herself, Ella often dreams of the Prince who will rescue her from her life and sweep her off her feet. However, unknown to Ella, she is pined after by her best friend Rick, a servant of the Prince, and the Prince in question is buffoonish and chauvinistic. As a result of Rick's efforts, Ella is invited alongside her stepfamily to the ball, but Frieda refuses to let the girl go. Fortunately, the Fairy Godmother arrives and grants Ella a gorgeous dress, as well as glass slippers to wear, on the condition she returns home before midnight. However, the fairy tale suddenly falls off-track during the ball when Munk and Mambo’s shenanigans attract Freida to the Wizard's lair, leading to her stealing his Staff and discover his book of fairy tales. Once she realizes what will happen to her if Ella succeeds in marrying the Prince, she unbalances the Scales, causing multiple fairy tales to go wrong and have unhappy endings, including Ella’s. She summons an army of Trolls, evil witches, three Big Bad Wolves, the Giant, and Rumpelstiltskin to her castle. Ella finds out and tries to enlist Rick's help, but Rick, frustrated with her affection for the Prince, refuses, so she escapes to the woods where she meets the exiled Munk and Mambo. They both explain the situation to her and decide to find the Prince (who, unaware of Ella's identity, is searching for his "mystery maiden"), in hopes that he will defeat Frieda. Meanwhile, Frieda sets her villainous army out to capture Ella, causing Rick to have a change of heart and go rescue her.
The trio find the Seven Dwarfs' home, only to discover Frieda's army waiting there for an attack. The Seven Dwarfs help the trio defend themselves from the attackers, and they successfully escape with the help of Rick. Unfortunately, after the battle, Rick and Ella have another falling-out over the Prince, with Rick insisting the Prince is not the hero they need. Ella refuses to believe his claims and leaves him so she can find the Prince herself, but after listening to Munk and Mambo's retelling of her original story, Ella grows uncertain if that is what she wants in life, suddenly realizing Rick’s feelings for her. With some encouragement from Mambo, Ella decides to go after Rick. However, Frieda, angered by her army's inability to capture Ella, decides to go after her herself. Frieda succeeds in kidnapping Ella, but Rick, Mambo, and Munk manage to sneak into the castle to rescue Ella, and together the foursome enter a battle with Frieda over the staff.
During the struggle, Frieda knocks Rick out with a blast from the staff, but she accidentally creates a portal and loses the staff as she struggles to fight against Ella. Ella, finally fed up with Frieda's treatment of her, punches her in the rift, banishing her from Fairy Tale Land forever and setting the stories back in place. After Rick wakes up, he and Ella both confess their feelings for each other, while the imprisoned fairy tale characters (including the Prince) drive out the villains.
With the Scales tipped back into balance and the kingdom regained, Ella and Rick decide to choose their own destinies in a world of happy endings and get married, while a few other fairy tale characters (including the reformed Rumplestiltskin) start to follow suit. Finally, the Wizard returns from vacation, and both Munk and Mambo agree not to tell him about the events that occurred.
In the mid-credits, Frieda is shown trapped in the Arctic surrounded by love-struck elephant seals.
The film had a premiere in Westwood, California on December 16, 2006, followed by its North American release on January 5, 2007.[6] The film was released on DVD and Blu-ray on May 1, 2007. The film was theatrically released in Australia on March 29, 2007.
On Rotten Tomatoes the film has an approval rating of 6% based on reviews from 81 critics. The site's critical consensus is: "Happily N'Ever After has none of the moxy, edge or postmodern wit of the other fairy-tales-gone-haywire CG movie it so blatantly rips off."[7] On Metacritic, the film has a weighted average score of 28 out of 100, based on 22 critics, indicating "generally unfavorable reviews".[8] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.
Matt Zoller Seitz of The New York Times wrote that "Anyone who dismisses the 'Shrek' movies as lowbrow junk should see Happily N'Ever After, a cartoon feature that apes those films' visuals, soundtrack choices and rude jokes, while throwing away their sweetness and conviction[...] the filmmakers are content to repeat fairy-tale tropes in a smug directorial voice."[9] Writing for Empire, Simon Braund felt that "[The film] comes up severely wanting, a perfectly workable premise[...] hamstrung by lazy plotting and limp dialogue that ill-serves a solid voice cast. It looks good, but lacks the essential wit, sophistication and invention to make it fly."[10]
Variety's Peter Debruge was more mixed on the feature, praising the film's voice acting and dialogue, but criticized "...its insincere love story" and "over-sexualized character design".[11] Writing for Los Angeles Times, Alex Ching found that a few of the vocal performances were enjoyable, but criticized the romance between the two main characters and felt the celebrity voice cast was "[...] not nearly enough to shake the feeling that 'Happily N'Ever After' is the last hangover from the animation glut that was 2006."[12]
The film opened #6 behind Dreamgirls, Freedom Writers, Children of Men, The Pursuit of Happyness, and Night at the Museum, which was at its third week at the #1 position. The film made $6,608,244 during its opening weekend. The film made a total of $15,589,393 at the North America box office. On a $47 million budget, the movie grossed $38.1 million worldwide.[3] It made $16.7 million in DVD sales in the United States.[3]
Ruth Lambert was nominated for Best Animated Voice-Over Feature Casting at the 23rd Artios Awards for her work on this movie.[13]
See main article: Happily N'Ever After 2: Snow White—Another Bite @ the Apple. A direct-to-video sequel, titled , was released on DVD on March 24, 2009 by Lionsgate Home Entertainment.