Hans Sixt or Sixtein or Sigstein from Staufen (von Staufen (c.1490 – c.1550) was a 16th-century German wood sculptor in the tradition of Hans Wydyz, remembered for his ornate altarpieces.[1] Mid-20th century academics often (unhelpfully) refer to him simply as Staufen (his birthplace rather than his name).[2]
He lived in Staufen im Breisgau and worked nearby in Freiburg im Breisgau.
He appears to have trained under Tilman Riemenschneider, or his followers, in Würzburg. He then worked with under Hans Wydyz alongside Wydyz's sons, Hans Weiditz and Christoph Weiditz. He worked with Wydyz's partner, Hans Baldung, who painted Sixt's carvings.[3]
His signed works begin in 1515. His most important work, the Locherer chapel in Freiburg Minster was begun in 1521 and completed in 1524.[4] [5]
From 1534 he supplanted Wydyz as the principal sculptor in the area.
He died around 1550 in Staufen.[6]
Sixtgasse in Staufen is named after him.
In 1937 the playwright Hermann Ays wrote the play "Sixt von Stoufen".
In 1827 Johann Nepomuk Locherer commissioned Dominikus Glanz to alter the Locherer altarpiece including painting over the original paint scheme (probably by Hans Baldung in brown paint to better express the pure timber sculpture. This ill-advised change was partially reversed in a restoration of 1948.[7]