| Hans Krieger | |
| Birth Date: | 13 March 1933 |
| Birth Place: | Frankfurt, Hesse-Nassau, Prussia, Germany |
| Death Place: | Landshut, Bavaria, Germany |
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Hans Krieger (13 March 1933 – 9 January 2023) was a German writer, essayist, journalist of influential weekly papers such as Die Zeit, broadcaster and poet.
Born in Frankfurt,[1] [2] Krieger studied German and Romance studies in Frankfurt, Munich and Dijon. From 1963 to 1998, he was cultural editor and director of the arts section of the weekly Bayerische Staatszeitung (Bavarian State newspaper). Krieger wrote poetry, essays, cultural criticism, theater and art reviews, translated books from French and taught theatre criticism at the University of Munich. He has authored numerous papers and radio journalism for the Bavarian radio, Bayerischer Rundfunk, and literary and nonfiction reviews in the newspapers Die Zeit[3] and the Süddeutsche Zeitung, among others. He was an influential reviewer of books and authors, such as Wilhelm Reich, Alice Miller, Arthur Janov, Arno Gruen and Otto Mainzer.
Krieger was married to the artist Christine Rieck-Sonntag. They lived in Landshut, where he died on 9 January 2023, at the age of 89.
Since 1963, Krieger was active in discussions to reform German orthography. He fought the German orthography reform of 1996. His book Der Rechtschreibschwindel – Zwischenrufe zu einem absurden Reformtheater ("The Orthography Fraud – Heckling in the Theater of Absurd Reform"),[4] first published in 1998 and expanded in 2000, is a collection of essays on the topic, in print and broadcast, from 1971 to 2000.[5] In 2003, he was co-author of the book Deutsch. Eine Sprache wird beschädigt ("German. A Language Gets Damaged"), illustrated by Paul Flora.[6] In 2004, he was a co-founder of the independent association "Rat für deutsche Rechtschreibung" (Council for German Orthography) and became its president.[7] [8] He was one of the 100 authors who signed an appeal to withdraw the 1996 orthography change, alongside Günter Grass, Martin Walser and Ralph Giordano.[9] Krieger was from 1999 to 2002 president of the Stiftung zur Förderung des Schrifttums (Foundation for the Advancement of Writing) in Munich, which was founded by Friedrich Märker and has awarded the Friedrich-Märker-Preis for essays since 1986. Krieger himself received the prize in 1997.
From 1993, Krieger published six volumes of poetry, commenting: "Gedichte sind Musik aus Worten" ("poems are music [made] from words"). A review of the Süddeutsche Zeitung called his poems "leicht und schwer zugleich" ("simultaneously light and heavy").[10] His collection of poems, Frei wie die Zäune – eine Saison in Virginia ("Free as Fences – A Season in Virginia"), reflects on his two-month stay in the United States. Topics are, among others, the treatment of Native American Indians, slavery and the wars of the 20th century, summarized by a review in the Nürnberger Nachrichten as "Die dunkle Seite der politischen US-Seele" (The dark side of the political U.S. soul).[11]
Krieger's poems inspired Christine Rieck-Sonntag to illustrations.[12] Composer Graham Waterhouse set a selection from Das Asphalt-Zebra. Animalphabetische Verse for cello and speaking voice, titled Animalia. He wrote Im Gebirg (In the mountains) on a poem of Krieger for mezzo-soprano, alto flute, cello and piano,[13] premiered at the Gasteig in 2010 by Martina Koppelstetter, Jens Josef, the composer and Christopher White.[14] Krieger wrote the text for a Christmas cantata which was first performed in Schloss Borbeck in Essen on 4 December 2011. The central idea of Der Anfang einer neuen Zeit (The beginning of a new time) is derived from the thought by Angelus Silesius: "Wird Christus tausendmal zu Bethlehem geborn / und nicht in dir; du bleibst noch ewiglich verlorn." ("If Christ were born in Bethlehem a thousand times and not in thee thyself; then art thou lost eternally", from The Cherubinic Pilgrim, I, 61).[15]