Hans-Jürgen Hufeisen Explained

Hans-Jürgen Hufeisen (born 10 February 1954) is a German recorder player and composer.

Life

Horseshoe was born in a hotel room in). His mother, a travelling saleswoman from the Allgäu, had kept the pregnancy a secret. Two days after the birth, she abandoned her son; the hotelier found the infant under a bedspread. On 12 February 1954, the Youth Welfare Office took care of the foundling and brought him to a Catholic baby home in Lobberich. On Boxing Day, he was baptised Protestant with the name Hans-Jürgen; the mother had instructed a midwife to do this before she left. Hufeisen went to live with a foster mother and in 1957 to the Protestant children's home Haus Sonneck of Neukirchen-Vluyn.[1] [2] There a governess discovered Hufeisen's musical talent and taught him Christian evening songs and how to play the recorder.

Hufeisen won prizes at regional competitions of "Jugend musiziert"; from 1972 to 1977 he studied recorder, music education and composition at the Folkwang University of the Arts. Meanwhile, from 1974 to 1978, he was employed as a lecturer at the International Children's and Young People's Book Fair in Duisburg, and from 1975 to 1977 as a lecturer at the Folkwang University of Music. From 1977 to 1991, he worked as a regional consultant for musical and cultural education at the Evangelical-Lutheran Church in Württemberg. During this time, he passed his concert exam at the Hochschule für Musik Karlsruhe with Gerhard Braun in 1981. Since 1991, he has worked as a freelance composer, producer and musician. The artist now lives in Zurich.[3] [4]

His interpretations and compositions for the recorder, in which he likes to engage with existing church music, are mostly meditative and melodic. In his solo pieces and concertante works, he draws mainly on classical models such as Johann Sebastian Bach or Baroque artists. But he also draws inspiration from folk songs and music from other cultures. In addition to various recorders, he also uses piano, percussion, string instruments and other instruments.

Hufeisen's works develop from the essence of Christian culture. His basic attitude leads him to a tolerant attitude. "All religions have a common goal: they want peace and love in the world." That is why he performs with musicians who belong to other religions and cultures.[5]

Since 1983, he has created large stage works (music, choreography and texts) for the German Evangelical Church Assembly, among others. In the process, he worked together with the theologians (Creation, The Song of the Four Elements), Walter Hollenweger from Switzerland (Bonhoeffer Requiem, Easter Dance of Women), Anselm Grün (Easter Joy, Divine Child), John O'Donohue from Ireland (Anam Cara), Zephania Kameeta from Namibia (Seasons of the Heart - A Dialogue with Africa), Ulrich Schaffer (The Journey into One's Heart), Margot Käßmann (Creation Time 2007 / Mothers of the Bible - Children of the Bible 2010 / The Wise Men 2011 / Longing for Life 2012, Message of the Angels 2012),, Kisses, Sweeter than Wine (2012) and as librettist for The Zwingli File - A Mystery Play 2016 in Zurich (director: Volker Hesse).[6] [7] Another significant work was performed in Wallis/Switzerland in 1999: "Der helle Morgenstern", a stage work on the Apocalypse.

In addition to the large stage works, Hufeisen composed a large number of Lieder that can be sung in church services and devotions. The theologian Jörg Zink wrote the texts for them. "We would like to encourage all those who see themselves as Christians or would like to, to take up what we offer here" write the two in the preface to the book "Wie wir feiern können".[8] In it they also encourage liturgical and meditative dances and thus, by their own admission, take up old Christian practice. "When we consider how poor our services are in movements and gestures, we are no longer surprised when they are simply shunned by many as boring and meaningless."[9]

According to Hufeisen, the dramatic circumstances of his birth contributed to his enormous musical creativity. "This start has forever brought a dark side into my life. I can't get rid of that. I have to carry that around with me and keep it inside me."[10] Music had "carried him out of this darkness into the light. For this reason he told the journalist his life story on the occasion of his 60th birthday. It was published under the title "Das unglaubliche Leben des Flötenspielers Hans-Jürgen Hufeisen" by Verlag Herder[11] and attracted great media attention.

The difficult relationship with his mother, who died in 2007, throughout his life also became an inspiration to him. "I have written a lot of music pieces where I know today: this has actually always had something to do with this mother, it always has something to do with birth and life. Music helps me to express the world of the soul within me - when I put it into an external form, namely into sound, then it's something like a liberation."

Students

Hufeisen also taught recorder. His students include Helge Burggrabe and .

Work

Discography

Audio books

Together with Anselm Grün
Together with Margot Käßmann

Books

Further reading

Notes and References

  1. https://www.sonntagsblatt.de/artikel/menschen/das-unglaubliche-leben-des-floetenspielers-hans-juergen-hufeisen Das unglaubliche Leben des Flötenspielers Hans-Jürgen Hufeisen
  2. https://www.br.de/mediathek/video/hans-juergen-hufeisen-vom-findelkind-zum-konzertfloetisten-av:5bfeb0860383f0001c0e0fe6 Hans-Jürgen Hufeisen: Vom Findelkind zum Konzertflötisten
  3. https://chrismon.evangelisch.de/artikel/2014/eine-mutter-braucht-doch-jeder-22482?page=all Eine Mutter braucht doch jeder
  4. https://www.pro-medienmagazin.de/kultur/musik/2014/12/11/ein-lied-der-trauer/ Ein Lied der Trauer
  5. https://www1.wdr.de/radio/wdr5/sendungen/neugier-genuegt/ng-rz-hufeisen-100.html
  6. https://www.nzz.ch/zuerich/reformationsjubilaeum-was-anna-noch-sagen-wollte-ld.1300516 Was Anna noch sagen wollte
  7. https://www.sonntagsblatt.de/artikel/kultur/die-akte-zwingli-ein-bildstarkes-mysterienspiel-im-zuercher-grossmuenster Die "Akte Zwingli"
  8. H.-J. Hufeisen/J. Zink: Wie wir feiern können, Freiburg/Brsg. 1992,,
  9. Vgl. Hufeisen/Zink 1992,
  10. https://www.publik-forum.de/Leben-Kultur/ich-bin-ein-hans-im-glueck "I'm a jack in the box."
  11. https://www.herder.de/leben-shop/das-unglaubliche-leben-des-floetenspielers-hans-juergen-hufeisen-gebundene-ausgabe/c-28/p-4061/
  12. https://www.worldcat.org/oclc/75566985 Wie wir feiern können.