Halo (Azonic album) explained

Halo
Type:studio
Artist:Azonic
Cover:Azonic - Halo.jpg
Released:July 1, 1994
Recorded:Greenpoint Studios
Genre:Drone, experimental rock
Length:46:03
Label:Strata
Producer:Bill Laswell
Next Title:Skinner's Black Laboratories
Next Year:1995

Halo is the debut album of guitarist and composer Andy Hawkins, issued under the moniker Azonic. It was released on July 1, 1994 by Strata Records. Marking a departure from his work with Blind Idiot God, the album comprises four lengthy improvised guitar drones accompanied by electronics. Hawkins described the music as a "violent ambiance, harnessing the resonant frequencies of the void to take you out of the here and now."[1]

Critical reception

In writing for Allmusic, critic Brian Olewnick praised Hawkins' passionate and inventive playing style, saying "Hawkins manages to wring some tasty juice from an area, post-Hendrix rock guitar, that most would have considered long since dry." In 2006, The Wire described Halo as "a criminally overlooked post-Metal masterpiece" and called Hawkins "a master of oceanic reverb and sustain, turning riffs from concrete slabs to gentle, body-caressing ripples."[2]

Personnel

Adapted from the Halo liner notes.[3]

Musicians
Production and additional personnel

Notes and References

  1. Lyll . Gamm . A Sampling of Subharmonic . . . September 23, 1994 . 128 . 3 . 18 . March 8, 2015.
  2. Blind Idiot God . . C. Parker . 2006 . 269–274 . 81 . March 8, 2015.
  3. Halo . . 1994 . booklet . . New York City, New York.