Hallelujah Junction Explained

Hallelujah Junction is a composition for two pianos written in 1996 by the American composer John Adams.[1] Adams titled his autobiography after this composition.[2] A two-CD retrospective album of works by Adams on the Nonesuch label is also entitled Hallelujah Junction, but does not include the composition.

Composition

The name comes from a small truck stop on US 395 which meets Alternate US 40, (now State Route 70) near the California–Nevada border. Adams said of the piece, "Here we have a case of a great title looking for a piece. So now the piece finally exists: the 'junction' being the interlocking style of two-piano writing which features short, highly rhythmicized motives bouncing back and forth between the two pianos in tightly phased sequences".[3]

The work centers around delayed repetition between the two pianos, creating an effect of echoing sonorities. There is a constant shift of pulse and meter, but the main rhythms are based on the rhythms of the word "Hal–le–LU–jah".

The work is in three unnamed movements, and generally takes about 16 minutes to perform. It was first performed by Grant Gershon and Gloria Cheng at the Getty Center in Brentwood, California, in 1998. It is dedicated to Ernest Fleischmann, long-time general manager of the Los Angeles Philharmonic.

In 2002 the composition was used for a ballet with choreography by Peter Martins.[4]

Recordings

In popular culture

The 2017 film Call Me by Your Name opens with an excerpt of the first movement.

An excerpt of the first movement was used in the pilot episode of FX's drama Pose.

Notes and References

  1. News: Allan Kozinn . Allan Kozinn . Beyond Minimalism: The Later Works of John Adams . . March 23, 2005 . 2011-09-22 .
  2. Web site: John Adams. John Adams. Hallelujah Junction: the book. John Adams' website. dead. https://web.archive.org/web/20120407192432/http://www.earbox.com/hallelujah_junction.html. 2012-04-07.
  3. Web site: John Adams. John Adams. Hallelujah Junction, for two pianos. Los Angeles Philharmonic. 18 April 2011.
  4. News: Anna Kisselgoff. Anna Kisselgoff. What's Black and White and Rhythmic All Over? Ask Peter Martins. The New York Times. January 24, 2002. 2011-09-22.