Hajra Waheed Explained
Hajra Waheed is a Montréal-based artist.[1] [2] Her multimedia practice includes works on paper, collage, sound, video, sculpture and installation. [3] Waheed uses news accounts, extensive research and personal histories to critically examine multiple issues including: covert power, mass surveillance, cultural distortion and the traumas of displacement caused by colonialism and mass migration.[4]
Waheed was born in 1980 in Canada.[5] She has complex ties and relationships to North America, the Middle East and South Asia. She grew up within the gated compound of Saudi ARAMCO in Dhahran.[1] She studied at the Art Institute of Chicago where she received her BFA in advanced painting and art history, in 2002.[6] She moved to Montréal in 2005 and completed her MA at McGill University in 2007. At 34, Waheed received the Victor Martyn Lynch-Staunton Award for Outstanding Achievement as a Canadian Mid-Career Visual Artist. [7] She was shortlisted for the Sobey Art Award in 2016. [8]
Waheed's works are in the collections of the Museum of Modern Art,[9] the British Museum, the Devi Art Foundation, Samdani Art Foundation, the Musée d'art contemporain de Montréal and the National Gallery of Canada.[10]
Exhibitions
- (In) The First Circle, Antoni Tàpies Foundation, Barcelona (2012)[11]
- Lines of Control, Herbert F. Johnson Museum of Art, Ithaca, (2012)[12]
- Field Notes and Other Backstories, Art Gallery of Windsor, Windsor, (2013)[13]
- Collages: Gesture and Fragments, Musée d'art contemporain de Montréal, Montréal, (2014)[14]
- Lines of Control, The Nasher Museum of Art, Duke University, (2014)[15]
- La Biennale de Montréal, Musée d'art contemporain de Montréal, Montréal, (2014)[16]
- Asylum in the Sea, Fonderie Darling, Montréal, 2015[17]
- Still Against the Sky, KW Institute for Contemporary Art, London, (2015)[18]
- The Missing One, Dhaka Art Summit, Dhaka, (2016)[19]
- Sobey Art Award Exhibition, National Gallery of Canada, Ottawa, (2016)[20]
- The Eighth Climate (What Does Art Do?), 11th Gwangju Biennale, Gwangju, (2016)[21]
- Sea Change - Chapter 1, Character 1: In the Rough, Mosaic Rooms, London (2016)
- The Cyphers, BALTIC Centre for Contemporary Art, Gateshead, (2016)[22]
- Farewell Photography, Biennale für aktuelle Fotografie, Kunstverein Ludwigshafen, Ludwigshafen, (2017)[23]
- Turbulent Landings: NGC Canadian Biennial, Art Gallery of Alberta, Edmonton, (2017)[24]
- Viva Arte Viva, Venice Biennale, Venice, (2017)[25]
- The Video Installation Project, Musée d'art contemporain de Montréal, Montréal, (2017)[26]
- Hold Everything Dear, The Power Plant, Toronto, (2019)[27]
Notes and References
- Web site: Interview with Hajra Waheed. Travis. Rebecca. February 2017. The White Review. 26 February 2018.
- Proctor. Rebecca Anne. September–October 2014. Finding Fragments. Harper's Bazaar. 26 February 2018. 24 August 2016. https://web.archive.org/web/20160824215933/http://hajrawaheed.com/wp-content/uploads/2015/05/HarpersBazaar_2014_HighRes_WriteUp.pdf. dead.
- Web site: Systems of Fragments. Bailey. Stephanie. 31 March 2017. Ibraaz. 26 February 2018.
- Spence. Rachel. 5 April 2016. 13. Hajra Waheed Interview: "I am Interested in the Space of Not Knowing". Financial Times. 27 February 2018. 21 December 2016. https://web.archive.org/web/20161221221312/http://hajrawaheed.com/wp-content/uploads/2016/04/FTARTICLE_HajraWaheed_2016.pdf. dead.
- News: Surveillance and secrecy in Gateshead and London. Martin. Richard. 6 April 2016. Apollo. 26 February 2018.
- News: Montreal Artist Hajra Waheed Traces a Rising Tide in Venice. Morgan-Feir. Caoimhe. 11 May 2017. Canadian Art. 26 February 2018.
- Web site: Asylum In the Sea. Fonderie Darling. 10 July 2021.
- News: Quebec - Hajra Waheed. CBC Radio. 7 November 2016. 26 February 2018.
- Web site: Hajra Waheed. The Museum of Modern Art. 5 January 2020.
- Web site: The Cyphers 1-18. National Gallery of Canada. 2016. 5 January 2020.
- Web site: In the First Circle. A Project by Imogen Stidworthy. Fundació Antoni Tàpies. 26 February 2018. 18 February 2012. https://web.archive.org/web/20120218142149/http://www.fundaciotapies.org/site/spip.php?article7045. dead.
- Web site: Lines of Control. Herbert F. Johnson Museum of Art. 26 February 2018.
- Book: Mitra, Srimoyee. Looking and Seeing with Hajra Waheed. The Art Gallery of Windsor. 2013.
- News: Collages. Musée d'art contemporain de Montréal. 26 February 2018.
- News: Lines of Control: Partition as a Productive Space . Nasher Museum of Art at Duke University. 26 February 2018.
- News: La Biennale de Montréal 2014 . Musée d'art contemporain de Montréal. 26 February 2018. fr.
- News: Watermarks: Hajra Waheed's Asylum in the Sea. Moser. Gabrielle. Fonderie Darling. 2015. Asylum in the Sea. 26 February 2018.
- News: Hajra Waheed. Still against the sky. 11 October 2015. KW Institute for Contemporary Art. 26 February 2018.
- Web site: The Missing One. 2016. Samdani Art Foundation. 26 February 2018. 11 December 2019. https://web.archive.org/web/20191211110700/https://www.samdani.com.bd/the-missing-one. dead.
- Web site: Traditional Practices and Alternate Realities: The 2016 Sobey Art Award Exhibition. National Gallery of Canada. 26 February 2018.
- News: The Eighth Climate (What does art do?). 11th Gwangju Biennale 2016. 26 February 2018.
- News: Review: Hajra Waheed, BALTIC Centre for Contemporary Art. Pritchard. David. February 2, 2016. Corridor8. 26 February 2018.
- Web site: Biennale für aktuelle Fotografie. Biennale für aktuelle Fotografie. de. 26 February 2018. 5 April 2019. https://web.archive.org/web/20190405190435/https://biennalefotografie.de/edition/ausstellungen. dead.
- Web site: Turbulent Landings. National Gallery of Canada. 26 February 2018.
- News: Artisti. 30 March 2017. La Biennale di Venezia. 26 February 2018. it.
- News: The Video Installation Project 1-10. Musée d'art contemporain de Montréal. 26 February 2018.
- Web site: Hold Everything Dear. The Power Plant. 24 July 2019.
- Web site: Constellations. Wilkinson. Jayne. Canadian Art. 5 January 2020.