Hajime Ootani 大谷 肇 | |
Birth Date: | 22 September 1979 |
Birth Place: | Fukui Prefecture, Japan |
Known For: | Pretty Boy Detective Club |
Occupation: | Animator, director, storyboard artist |
Employer: | Imagin (2004–2011) |
Years Active: | 2004–present |
is a Japanese animator, director, and storyboard artist.
Ootani was born in Fukui Prefecture on September 22, 1979. He first became interested in animation while in high school after seeing Hayao Miyazaki's film Princess Mononoke.[1]
Ootani joined studio Imagin as an in-between animator around 2004. He mostly worked as a sub-contracting animator, and eventual episode director, for Madhouse and Imagin. He made his directorial debut with an OVA adaptation of Ayano Yamane's manga A Foreign Love Affair. Ootani's final projects with Imagin were Needless (2009) and Wolverine (2011), which the studio assisted under Madhouse for, where he was promoted to series assistant director.
After the dissolution of Imagin, former studio producer Yasuhiro Okada joined studio Shaft with Ootani, where the latter mainly did episodic direction and storyboard art. In 2020, he made his series directorial debut as the chief episode director on Assault Lily Bouquet with Shouji Saeki, and the following year debuted as director of Pretty Boy Detective Club under Akiyuki Shinbo. After Pretty Boy Detective Club, he decided that he wanted to try directing at a different studio since he had been working with Shaft for so long;[2] so, in the middle of the production for the series Dance Dance Danseur, produced by MAPPA, he was asked if he wanted to join the series as its "ballet director."[2]
In an interview between him and Shaft colleague Kenjirou Okada, the two were asked to describe each other's styles and processes as directors. Okada stated that Ootani didn't hesitate to put appealing art and animations first and foremost, and that he admired that about Ootani.[3] Akiyuki Shinbo also commented in a separate interview that he felt Ootani and himself had similar visual sensibilities. Shinbo also said that Ootani was particularly good at horror-esque work, referencing episode 12 of March Comes In like a Lion season 2 (episode 34 overall) and the similarities in atmosphere between it and parts of Pretty Boy Detective Club. Commenting on Ootani's work with Okada, who acted as assistant director for Pretty Boy Detective Club, Shinbo also said that the two complemented each other's weaknesses and strengths as directors. Despite originally being inspired by director Hayao Miyazaki, Ootani has commented that his style is much more eccentric and different from Miyazaki's, which he described was due to trying to survive and stand out in the industry.[1]
Highlights roles with series directorial duties.
Highlights roles with assistant director or supervising duties.
Year | Title | Director(s) | Studio | Roles | Ref(s) | |
---|---|---|---|---|---|---|
2005 | Strawberry 100% | Osamu Sekita | Madhouse | In-between animator | [4] | |
Oku-sama wa Joshi Kōsei | Jun Shishido | Madhouse | In-between animator Key animator | [5] [6] | ||
Eyeshield 21 | Masayoshi Nishida | Gallop | Episode director | [7] | ||
My-Otome | Masakazu Obara | Sunrise | Assistant episode director | [8] | ||
2006 | Strawberry Panic! | Masayuki Sakoi | Madhouse | Key animator Episode director | [9] [10] | |
Yume Tsukai | Kazuo Yamazaki | Madhouse | Episode director | [11] | ||
The Story of Saiunkoku | Jun Shishido | Madhouse | Episode director | [12] | ||
2007–2008 | Saiunkoku Monogatari Second Series | Jun Shishido | Madhouse | Episode director | [13] | |
2008 | Kamen no Maid Guy | Masayuki Sakoi | Madhouse | Episode director | [14] | |
Chaos;Head | Takaaki Ishiyama | Madhouse | Episode director | [15] | ||
2009 | Needless | Masayuki Sakoi | Madhouse | Assistant director Episode director Storyboard artist Unit director & storyboard artist | [16] [17] [18] [19] | |
2011 | Wolverine | Hiroshi Aoyama | Madhouse | Assistant director Episode director Storyboard artist | [20] [21] [22] | |
2012 | Nisemonogatari | Akiyuki Shinbo Tomoyuki Itamura | Shaft | Storyboard artist | [23] | |
2015 | Gourmet Girl Graffiti | Akiyuki Shinbo Naoyuki Tatsuwa | Shaft | Episode director | [24] [25] | |
Nisekoi | Akiyuki Shinbo Yukihiro Miyamoto | Shaft | Storyboard artist Episode director | [26] [27] | ||
Owarimonogatari | Akiyuki Shinbo Tomoyuki Itamura | Shaft | Episode director | [28] | ||
2016–2017 | March Comes In like a Lion | Akiyuki Shinbo Kenjirou Okada | Shaft | Episode director Storyboard artist Unit director & storyboard artist | [29] [30] | |
2017–2018 | March Comes In like a Lion 2nd Season | Akiyuki Shinbo Kenjirou Okada | Shaft | Storyboard artist Episode director Assistant episode director | [31] [32] [33] | |
2018 | Zoku Owarimonogatari' | Akiyuki Shinbo | Shaft | Episode director Storyboard artist | [34] | |
2020 | Magia Record: Puella Magi Madoka Magica Side Story | Doroinu Various | Shaft | Episode director Storyboard artist | [35] | |
Assault Lily Bouquet | Shouji Saeki Hajime Ootani | Shaft | Chief unit director Storyboard artist Episode director | [36] [37] [38] [39] [40] | ||
2021 | Pretty Boy Detective Club | Akiyuki Shinbo Hajime Ootani | Shaft | Director Storyboard artist Episode director | [41] [42] [43] [44] | |
2022 | Dance Dance Danseur | Munehisa Sakai | MAPPA | Ballet director Ballet part director Storyboard artist Episode director Ballet storyboard artist | [45] [46] | |
2024 | Bucchigiri?! | Hiroko Utsumi | MAPPA | Episode director Storyboard artist |
Highlights roles with series directorial duties.
Year | Title | Director(s) | Studio | Roles | Ref(s) |
---|---|---|---|---|---|
Saint Beast: Ikusen no Hiru to Yoru-hen | Masayuki Sakoi | Wonderfarm | In-between animator | [47] | |
A Foreign Love Affair | Hajime Ootani | Prime Time | Director Storyboard artist Episode director | [48] | |
2009 | Maiden Rose | Hidefumi Takagi | Prime Time | Storyboard artist | [49] |
2011 | Katteni Kaizō | Akiyuki Shinbo Naoyuki Tatsuwa | Shaft | Storyboard artist Episode director | [50] [51] |
2016–2017 | The Beheading Cycle: The Blue Savant and the Nonsense Bearer | Akiyuki Shinbo Yuki Yase | Shaft | Episode director Storyboard artist | [52] [53] |
Highlights roles with major directorial duties.