The HPA Award for Outstanding Sound – Television is an annual award, given by the Hollywood Professional Association (HPA), to post-production workers in the film and television industry, in this case sound. It was first awarded in 2006 and has been presented every year since. From 2006 to 2009, the category was titled HPA Award for Outstanding Audio Post – Television.
Outstanding Audio Post – Television
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| 2006 [1] | Charmed | "Gone with the Witches" | Greg Stacy, Mark Petersen, Michael P. Cook, Craig A. Dellinger, Jeff Clark | The WB |
| Ned's Declassified School Survival Guide | "Substitute Teachers & The New Kid" | Greg Stacy, Mark Petersen, Michael P. Cook, Mike Hickey, Jeff Clark | Nickelodeon | |
| Squirrel Boy | Michael Geisler, Curt Hackney, Vince Colavitti, Glenn Aulepp | Cartoon Network | ||
| 2007 [2] | "Living Doll" | Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Chad J. Hughes, Mace Matiosian | CBS | |
| The Company | "Episode 2" | David B. Cohn, Nello Torri, Alan Decker | TNT | |
| The Sopranos | "The Blue Comet" | Kevin Patrick Burns, Todd Orr, Jason George, Tim Boggs, Jed M. Dodge | HBO | |
| 2008 [3] | "Cockroaches" | David F. Van Slyke, Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Mace Matiosian | CBS | |
| John Adams | "Don't Tread on Me" | Marc Fishman, Tony Lamberti, Stephen Hunter Flick, Vanessa Lapato | HBO | |
| Sam Kaufmann, Jon Schell | Cartoon Network | |||
| 2009 [4] | Fringe | "Unleashed" | Thomas A. Harris, Michael Ferdie, Christopher B. Reeves, Mark D. Fleming, Tom E. Dahl | Fox |
| "Mascara" | David F. Van Slyke, Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Mace Matiosian | CBS | ||
| Lost | "The Incident: Part 1" | ABC | ||
Outstanding Sound – Television
| Year | Program | Episode(s) | Nominees | Network |
|---|---|---|---|---|
| 2010 [5] | House | "Help Me" | Brad North (supervising sound editor), Luis Galdames (sound effects editor), Jackie Rodman (dialogue editor), Joe DeAngelis (re-recording mixer) | Fox |
| Fringe | "White Tulip" | Paul Curtis (supervising sound editor); Bruce Tanis (sound designer/sound effects editor); Rick Norman, Brian Harman (re-recording mixers) | Fox | |
| Glee | "Preggers" | John Benson, Gary Megregian (supervising sound editors); Todd Murakami (sound effects editor); Jason Krane, Christian Buenaventura (dialogue editors) | ||
| Lost | "The End" | Thomas DeGorter (supervising sound editor); Paula Fairfield, Carla Murray (sound designers/sound effects editors) Alex Levy (music editor); Maciek Malish (dialogue editor); Frank Morrone, Scott Weber (re-recording mixers) | ABC | |
| True Blood | "Beyond Here Lies Nothin'" | John Benson (supervising sound editor), Jason Krane (dialogue/adr editor), Christian Buenaventura (dialogue editor), Stuart Martin (sound effects editor), Bruno Coon (music editor) | HBO | |
| 2011 [6] | House | "Bombshells" | Brad North (supervising sound editor), Luis Galdames (sound effects editor), Jackie Rodman (dialogue editor), Joe DeAngelis (re-recording mixer) | Fox |
| Detroit 1-8-7 | "Legacy / Drag City" | Walter Newman (supervising sound editor); Darleen Stoker (dialogue editor); Kenneth Young (sound supervisor); Mark D. Fleming, Tom E. Dahl (re-recording mixers) | ABC | |
| Downton Abbey | "Episode One" | Adam Armitage (sound effects editor), Alex Sawyer (dialogue editor), Stuart Bagshaw (foley editor), Nigel Heath (re-recording mixer), Oliver Brierley (adr mixer) | PBS | |
| Falling Skies | "Prisoner of War" | G. Michael Graham (supervising sound editor); Mark D. Fleming, Tom E. Dahl (re-recording mixers) | TNT | |
| Too Big to Fail | Michael Kirchberger (supervising sound editor/dialogue editor); Chris Jenkins, Bob Beemer (re-recording mixers) | HBO | ||
| 2012 [7] [8] | Grimm | "Pilot" | Mark Lanza, Larry Mann (supervising sound editors); Alan Decker, Nello Torri (re-recording mixers) | NBC |
| Hatfields & McCoys | "Part 3" | Christian Cooke, Brad Zoern (re-recording mixers) | History | |
| Homeland | "Marine One" | Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Larry Goeb (dialogue editor); Alan Decker, Nello Torri (re-recording mixers) | Showtime | |
| Person of Interest | "Matsya Nyaya" | Thomas DeGorter, Matt Sawelson (supervising sound editors); Scott Weber, Keith Rogers (re-recording mixer) | CBS | |
| The Walking Dead | "Beside the Dying Fire" | Lou Thomas (sound designer/supervising sound editor); Jerry Ross (supervising sound editor); Tim Farrell, Phil Barrie (sound effects editors); Gary D. Rogers, Dan Hiland (re-recording mixers); Bartek Swiatek (production sound mixer) | AMC | |
| 2013 [9] [10] | Game of Thrones | "The Climb" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Jed M. Dodge (dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO |
| The Americans | "Mutually Assured Destruction" | Ken Hahn (supervising sound editor/re-recording mixer), Neil Cedar (supervising sound editor), James David Redding III (re-recording mixer) | FX | |
| Banshee | "Pilot" | Brad North (supervising sound editor); Luis Galdames (sound effects editor); Tiffany S. Griffith (dialogue editor); William Freesh, Elmo Ponsdomenech (re-recording mixers) | Cinemax | |
| Dexter | "A Beautiful Day" | Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Pete Elia, Kevin Roache (re-recording mixers) | Showtime | |
| Homeland | "Beirut Is Back" | Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Alan Decker, Nello Torri (re-recording mixers); Larry Long (production sound mixer) | ||
| 2014 [11] [12] | Toy Story of Terror! | Tom Myers (sound designer), Michael Silvers (supervising sound editor), Dustin Cawood (sound effects editor), Gary Summers (re-recording mixer), Axel Geddes (film editor) | ABC | |
| Banshee | "Homecoming" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, William Freesh (re-recording mixers) | Cinemax | |
| Game of Thrones | "The Children" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Jed M. Dodge (dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
| The Good Wife | "A Beautiful Day" | Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Larry Benjamin, Kevin Valentine (re-recording mixers) | CBS | |
| House of Cards | "Chapter 14" | Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers) | Netflix | |
| 2015 [13] | Homeland | "Redux" | Craig A. Dellinger (supervising sound editor); Alan Decker, Nello Torri (re-recording mixers) | Showtime |
| Banshee | "You Can't Hide from the Dead" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers) | Cinemax | |
| Black Sails | "XVIII." | Benjamin L. Cook (supervising sound editor); Stefan Henrix (adr supervisor); Jeffrey A. Pitts (sound effects editor); Susan Cahill (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | Starz | |
| Game of Thrones | "Hardhome" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
| Halt and Catch Fire | "SETI" | Susan Cahill (supervising sound editor); Mark Cleary, Kevin McCullough (sound effects editors); Jane Boegel (dialogue editor); Keith Rogers, Scott Weber (re-recording mixers) | AMC | |
| 2016 [14] | Outlander | "Prestonpans" | Vince Balunas (supervising sound editor); Alan Decker, Nello Torri (re-recording mixers); Brian Milliken (production sound mixer) | Starz |
| Game of Thrones | "Battle of the Bastards" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
| House of Cards | "Chapter 45" | Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers) | Netflix | |
| Marco Polo | "One Hundred Eyes" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | ||
| Preacher | "See" | Richard E. Yawn (supervising sound editor); Mark Linden, Tara A. Paul (re-recording mixers) | AMC | |
| 2017 [15] | American Gods | "The Bone Orchard" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers) | Starz |
| Stranger Things | "Chapter Eight: The Upside Down" | Craig Henighan (sound designer/supervising sound editor); Jordan Wilby (sound effects editor); Tiffany S. Griffith (dialogue editor); Joe Barnett, Adam Jenkins (re-recording mixers) | Netflix | |
| Game of Thrones | "The Spoils of War" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
| The Music of Strangers | Pete Horner (supervising sound editor/re-recording mixer); Dimitri Tisseyre, Dennis Hamlin (production sound mixers) | |||
| Underground | "Soldier" | Larry Goeb (supervising sound editor); Mark Linden, Tara A. Paul (re-recording mixers) | WGN | |
| 2018 [16] | Altered Carbon | "Out of the Past" | Brett Hinton (supervising sound editor); Mark Allen, Owen Granich-Young (sound effects editors); Andy King, Keith Rogers (re-recording mixers) | Netflix |
| Dark | "Secrets" | Alexander Würtz (supervising sound editor); Achim Hofmann, Jörg Elsner (sound editors); Ansgar Frerich, Christian Bischoff (re-recording mixers) | Netflix | |
| Waco | "Operation Showtime" | Kelly Oxford (supervising sound editor); Karen Vassar Triest (sound designer); David Brownlow (production sound mixer); Beau Borders, Craig Mann, Laura Wiest (re-recording mixers) | Paramount Network | |
| Yellowstone | "Daybreak" | Alan Robert Murray (supervising sound editor); Tim LeBlanc, Dean A. Zupancic (re-recording mixers) | ||
| "Kill the Messenger" | ||||
| 2019 [17] | The Haunting of Hill House | "Two Storms" | Trevor Gates (supervising sound editor), Jason Dotts (supervising dialogue editor), Paul B. Knox (sound effects editor), Walter Spencer (foley artist), Jonathan Wales (re-recording mixer) | Netflix |
| Chernobyl | "1:23:45" | Joe Beal (sound designer), Stefan Henrix (supervising sound editor), Michael Maroussas (dialogue editor), Harry Barnes (adr supervisor), Stuart Hilliker (re-recording mixer) | HBO | |
| Benjamin L. Cook (sound designer); Mandell Winter (sound supervisor); Daniel Colman (supervising sound effects editor); Micha Liberman (music editor); John W. Cook II, William Freesh (re-recording mixers) | ||||
| Game of Thrones | "The Bells" | Paula Fairfield (sound designer); Tim Kimmel (supervising sound editor); David Klotz (music editor); Onnalee Blank, Mathew Waters (re-recording mixers) | ||
| Homecoming | "Protocol" | Jeffrey A. Pitts (sound designer); Kevin W. Buchholz (supervising sound editor); Polly McKinnon (dialogue editor); Ben Zales (music editor); John W. Cook II, William Freesh (re-recording mixers) | Amazon | |