Gwendolyn Holbrow (born August 22, 1957), is an American artist. Primarily a sculptor, she works in a variety of media and addresses an eclectic array of topics, with exploration of boundaries a recurring theme: between the tangible and intangible worlds; between the genders; between the individual and society. Humor and satire abound in Holbrow's art.
Holbrow's career highlights demonstrate both the restlessness of her vision and her skill at executing her conceptions. She has won a Gold Medal at the Massachusetts Horticultural Society’s prestigious Annual Flower Show, with The Root-Children, which addressed that year’s show theme, “Deeply Rooted.” She won Best of Show at the Cambridge, MA Art Association's National Prize Show with Queen Kong, a 7adj=midNaNadj=mid Barbie contemplating a diminutive, apish Ken in her clutches. And Make Way for Calflings, a piece submitted for a citywide exhibition featuring cow-themed pieces from artists across America, earned $50,000 at an auction for Boston's Jimmy Fund – by far the highest value fetched by any of that project's many well-received pieces.
Other memorable pieces and exhibitions have included Keep it Clean, a table fountain featuring a nude Ken and Barbie together in a (working) miniature shower; It Was Here, a bronze and concrete “historical marker” that lures the observer into noting the infinite, overlooked value of the present moment; and River of Grass, a living sculpture at the Chesterwood Estate and Museum in Stockbridge, MA, in which Holbrow transforms a line of tall grass and wildflowers into a stream, waterfall and pool coursing through the estate's carefully manicured grounds.
Holbrow was born in New York City. Her physicist father's professional pursuits kept the family constantly on the move during her childhood, and she attended a large number of schools, public and private, before graduating from the George School in Newtown, PA, in 1975. She enrolled in the University of Wisconsin–Madison and earned a bachelor's degree in linguistics in 1980; she studied medicine for a year but found medical studies unfulfilling and left to begin a family. She is a mother of four.
Holbrow first studied commercial art in the mid-1980s, at the Madison Area Technical College in Madison, WI, but it would be some time before her creative focus turned strongly to art. In 1989, she and her husband moved their family to Frankfurt, Germany, and while there, Holbrow did professional graphic-arts work, received classical voice training, and involved herself in the local choral and opera community. During a visit to the Van Gogh Museum in Amsterdam in 1998, Holbrow realized Von Gogh's student art was as primitive and problematic, as the paintings on which she was then laboring; perhaps hers held some promise as well. Her serious study of fine art began at this point. Returning to America in 1998, Holbrow earned her Bachelor of Arts degree in Studio Art in 2001 from Framingham State College in Massachusetts, and soon after started teaching art herself at the Danforth Museum.
Holbrow's training reflects her quirky willingness to tackle a vast variety of media, subjects and issues: she lists auto-body training along with more conventional pursuits such as stone carving on her vitae.
Holbrow says her overarching motivation as an artist is “making people pay attention”: experientially as with It Was Here, or to social/political issues as with her extensive forays into Barbie art, which have won her frequent acclaim. Holbrow's take on the way Barbie, personifying women in America, is idealized in order to be vilified: “Barbie is our shadow and you have to embrace your shadow.” In her artist's statement accompanying Speech Balloons, a body of work that seeks to manifest communication in tangible form, Holbrow wrote: “My task as an artist is to serve as channel between the seen and unseen worlds, facilitating the flow, and creating or revealing connections which nourish the inner lives of individuals and the community.”