Greco-Persian art explained

Greco-Persian art

Greco-Persian art, also Graeco-Persian art or Anatolian-Persian is an artistic synthesis between Ancient Greek art and Achaemenid Persian art, which can mainly be seen in the archaeological finds of ancient Anatolia in present-day Turkey. It is part of the evidence of "the presence of Persians in the region". It has been defined as "a peculiar blend of Hellenistic and Achaemenid, or pseudo-Achaemenid, styles" in the Anatolian peninsula under Achaemenid rule.

The Gökçeler relief is an example of this type of art, showing a figure of uncertain ethnic origin, with gifts of "western Anatolian and Greek in origin", however, the clothing he wears are "clearly of Persian influence".[1]

The Lycian sarcophagus of Sidon is sometimes presented as an example of Greco-Persian art, although it can also be qualified more precisely as Greco-Anatolian art, since such examples are unknown in the wider Achaemenid Empire.[2]

In Greco-Persian art, the representation of gods is usually the result of an artistic syncretism, combining Greek and Achaemenid characteristics, such as "Zeus-Oromasdes" or "Herakles-Artagnes".

The term "Greco-Persian" applied to the art of Anatolian elite under the rule of Achaemenid Persian, remains a subject of debate, and has been described as too vague or imprecise, hiding the local complexities of the art of the region.[3]

Sources

Notes and References

  1. Book: Dusinberre . Elspeth R. M. (University of Colorado Boulder) . Empire, Authority, and Autonomy in Achaemenid Anatolia . 2013 . Cambridge University Press . 978-1-139-08755-1 . 164 . en . Dealing with the Dead.
  2. Web site: Greco-Persian Cultural Relations . iranicaonline.org.
  3. Book: Versluys . Miguel John . Visual Style and Constructing Identity in the Hellenistic World: Nemrud Dağ and Commagene under Antiochos I . Cambridge University Press . 978-1-108-21088-1 . 201-202 . en.