Grand Declaration of War explained

Grand Declaration of War
Type:studio
Artist:Mayhem
Cover:Grand Declaration of War.png
Released:6 June 2000
Recorded:November 1999 – January 2000
Studio:Fagerborg and Top Room
Genre:
Length:45:58
Label:
Producer:
  • Mayhem
  • Børge Finstad
Prev Title:De Mysteriis Dom Sathanas
Prev Year:1994
Next Title:European Legions
Next Year:2001

Grand Declaration of War is the second full-length studio album by the Norwegian black metal band Mayhem, released by Season of Mist and Necropolis Records on 6 June 2000.[1] A re-release of the album came out in December 2018, with Jaime Gomez Arellano overseeing the production.[2]

The album's title and some of the lyrics are taken from the writings of the German philosopher Friedrich Nietzsche, particularly his books Twilight of the Idols—Nietzsche called Twilight of the Idols "a grand declaration of war" („eine grosse Kriegserklärung“).[3]

Musical style

In his book Mean Deviation: Four Decades of Progressive Heavy Metal, Jeff Wagner wrote that Grand Declaration of War features "a variety of vocal shadings to match the multi-layered music", between "A Time to Die", described by Wagner as "one minute and forty-eight seconds of black calculus", "A Bloodsword and a Colder Sun" offering "squishy electronic groove, so close to trip-hop that it instantly became the album's most controversial track" and the "mesmerizing ten-minute sprawling landscape of doom" "Completion in Science of Agony". The album's "sonic clarity" was "a complete 180-degree turn" from the band's early "scuzzy 'necro' approach".[4] Parts of the black metal scene had hoped Mayhem would not reform after the murder of the original guitarist Øystein "Euronymous" Aarseth as "that would not be right",[5] or at least were "rather sceptical when it was known that [sic] MAYHEM should go on even without Dead or Euronymous".[6] Many longtime Mayhem fans despised Blasphemer because "he wasn't Aarseth".[4] Jeff Wagner calls Grand Declaration of War "Mayhem's own Into the Pandemonium, an album that had perverted and turned inside out the black metal genre as Celtic Frost's [''Into the''] Pandemonium had done to thrash metal".[4] Alex Henderson of AllMusic stated that the band "has outdone itself with the epic Grand Declaration of War, which could arguably be described as black metal's equivalent of Queensryche's ".

A remastered version of the album was released in December 2018; the original 'cold', 'sterile' production was swapped out for a more raw sound with the bass and drums made more prominent in the mix.

Critical reception

AllMusic critic Alex Henderson wrote: "Grand Declaration of War won't appeal to anyone with a short attention span, but for those who can sit down and really give this CD their undivided attention, the rewards are great."

Personnel

Technical

Credits

Artwork

Notes and References

  1. 15 May 2000. Grand Declaration of War review. CMJ New Music Report. 62. 666. 24. 0890-0795.
  2. Web site: Mayhem: Grand Declaration Of War (2018) album review. 13 December 2018. 13 June 2019. Dayal Patterson. Metal Hammer.
  3. [Friedrich Nietzsche]
  4. Jeff Wagner, Steven Wilson: Mean Deviation: Four Decades of Progressive Heavy Metal. Brooklyn, NY: Bazillion Points Books 2010, p. 252.
  5. De Mysteriis Dom Euronymous. In: Jon Kristiansen: Metalion: The Slayer Mag Diaries. Brooklyn, NY: Bazillion Points Books 2011, p. 282.
  6. Mayhem. In: Jon Kristiansen: Metalion: The Slayer Mag Diaries. Brooklyn, NY: Bazillion Points Books 2011, p. 477.