Grace Potter and the Nocturnals (album) explained

Grace Potter and the Nocturnals
Type:studio
Artist:Grace Potter and the Nocturnals
Cover:Grace Potter & The Nocturnals - Grace Potter & The Nocturnals.jpg
Released:June 8, 2010
Studio:Westlake Recording Studios (Los Angeles)
Genre:Roots rock, hard rock, rock and roll
Length:51:09
Label:Hollywood
Producer:Mark Batson
Prev Title:Live in Skowhegan
Prev Year:2008
Next Title:Live from the Legendary Sun Studio
Next Year:2012

Grace Potter and the Nocturnals is the third studio album by American rock band Grace Potter and the Nocturnals, released on June 8, 2010. The album is the band's first release since the inclusion of two new members, rhythm guitarist Benny Yurco and bassist Catherine Popper.[1] The album was originally titled "Medicine" after the third track on the album, and was promoted as such in numerous interviews and early reviews,[2] [3] but was changed shortly after the replacement of producer T Bone Burnett in favor of Mark Batson.[4] [5]

The album debuted at #19 on the Billboard Top 200 Albums for the week ending June 13, 2010.

Critical reception

The album was released to generally favorable reviews, scoring a 63 on Metacritic.[6] Billboard magazine gave the album a positive review, stating that "Grace Potter & the Nocturnals' new self-titled release finds frontwoman Potter and her band in full bloom, hammering out hook-heavy rock tracks with a confident, natural sound."[7] Giving the album three out of five stars, Rolling Stone magazine comments, "Potter's youthfulness can make for flower-soup lyrics but backlit by a no-nonsense band that massages Memphis grooves, light rock and pinot-noir reggae, it all bursts with promise."[8] The Guardian enjoyed the band's harder rocking songs while criticizing some of the slower ones. The Guardian remarks that "[g]enerally, the bluesy, Southernised rockers (Medicine, Only Love) make more of an impression than the power balladry (Colors), while an anomalous wallow in country-rock sentimentality (Things I Never Needed) feels like it was tacked on because they realised they needed a slow one."[9]

Track listing

Personnel

Adapted credits from the booklet.[10]

The Nocturnals
Additional musicians
Production
Artwork

Charts

ChartPeak
position
U.S. Billboard 200[11] 19
U.S. Billboard Top Rock Albums3

Notes and References

  1. Web site: Brent's Notebook: More togetherness from Grace Potter. Burlington Free Press. 14 June 2010. https://archive.today/20120707213311/http://blogs.burlingtonfreepress.com/brent/2010/06/01/more-togetherness-from-grace-potter/. 7 July 2012. dead.
  2. Web site: An Interview with Grace Potter at Bonnaroo 2009. Weekly Dave Speak. 22 October 2009. 14 February 2015. https://web.archive.org/web/20150214230546/http://www.weeklydavespeak.com/wds_stuff/interviews/an_interview_with_grace_potter_at_bonnaroo_2009. dead.
  3. Web site: Grace Potter New Album Info . Brooklyn Vegan . 22 October 2009 . dead . https://web.archive.org/web/20100322194815/http://www.brooklynvegan.com/archives/2010/03/grace_pottter_-.html . 22 March 2010 .
  4. Web site: T Bone Burnett Out Mark Batson In. Weekly Dave Speak . 22 October 2009.
  5. Web site: Evolution Of Grace Potter and The Nocturnals debut . Avexa . 22 October 2009.
  6. Web site: Grace Potter & the Nocturnals . . . February 19, 2012.
  7. Web site: . Grace Potter & the Nocturnals, "Grace Potter & the Nocturnals" . June 25, 2010 . Ilya . Skripnikov . September 21, 2012.
  8. Jon. Dolan. Review: Grace Potter and the Nocturnals . https://web.archive.org/web/20100705124507/http://www.rollingstone.com/music/reviews/album/17385/110839 . dead . July 5, 2010 . Rolling Stone . 10 June 2010.
  9. News: . Grace Potter & the Nocturnals: Grace Potter & the Nocturnals . Caroline . Sullivan . June 29, 2010 . September 21, 2012.
  10. Grace Potter and the Nocturnals. Grace Potter and the Nocturnals. Hollywood. 2010. booklet. D000283202.
  11. V. Bogdanov, C. Woodstra, S. T. Erlewine, eds, All Music Guide to the Blues: The Definitive Guide to the Blues (Backbeat, 3rd edn., 2003),, pp. 700–2.