Gothic language explained

Gothic
Region:	Oium, Dacia, Pannonia, Dalmatia, Italy, Gallia Narbonensis, Gallia Aquitania, Hispania, Crimea, North Caucasus
Era:	attested 3rd–10th century; related dialects survived until 18th century in Crimea
Familycolor:	Indo-European
Fam2:	Germanic
Fam3:	East Germanic
Dia1:	Crimean Gothic †
Dia2:	Gepid? †
Script:	Gothic alphabet
Iso2:	got
Iso3:	got
Lingua:	52-ADA
Glotto:	goth1244
Glottorefname:	Gothic
Notice:	IPA

Gothic is an extinct East Germanic language that was spoken by the Goths. It is known primarily from the Codex Argenteus, a 6th-century copy of a 4th-century Bible translation, and is the only East Germanic language with a sizeable text corpus. All others, including Burgundian and Vandalic, are known, if at all, only from proper names that survived in historical accounts, and from loanwords in other, mainly Romance, languages.

As a Germanic language, Gothic is a part of the Indo-European language family. It is the earliest Germanic language that is attested in any sizable texts, but it lacks any modern descendants. The oldest documents in Gothic date back to the fourth century. The language was in decline by the mid-sixth century, partly because of the military defeat of the Goths at the hands of the Franks, the elimination of the Goths in Italy, and geographic isolation (in Spain, the Gothic language lost its last and probably already declining function as a church language when the Visigoths converted from Arianism to Nicene Christianity in 589).^[1] The language survived as a domestic language in the Iberian peninsula (modern-day Spain and Portugal) as late as the eighth century. Gothic-seeming terms are found in manuscripts subsequent to this date, but these may or may not belong to the same language.

A language known as Crimean Gothic survived in the lower Danube area and in isolated mountain regions in Crimea as late as the second half of the 18th century. Lacking certain sound changes characteristic of Gothic, however, Crimean Gothic cannot be a lineal descendant of the language attested in the Codex Argenteus.^[2]

The existence of such early attested texts makes Gothic a language of considerable interest in comparative linguistics.

History and evidence

Only a few documents in Gothic have survived – not enough for a complete reconstruction of the language. Most Gothic-language sources are translations or glosses of other languages (namely, Greek), so foreign linguistic elements most certainly influenced the texts. These are the primary sources:

• The largest body of surviving documentation consists of various codices, mostly from the sixth century, copying the Bible translation that was commissioned by the Arian bishop Ulfilas (Wulfila, 311–382), leader of a community of Visigothic Christians in the Roman province of Moesia (modern-day Serbia, Bulgaria/Romania). He commissioned a translation into the Gothic language of the Greek Bible, of which translation roughly three-quarters of the New Testament and some fragments of the Old Testament have survived. The extant translated texts, produced by several scholars, are collected in the following codices and in one inscription:

• Codex Argenteus (Uppsala), including the Speyer fragment: 188 leaves

The best-preserved Gothic manuscript, dating from the sixth century, it was preserved and transmitted by northern Ostrogoths in modern-day Italy. It contains a large portion of the four gospels. Since it is a translation from Greek, the language of the Codex Argenteus is replete with borrowed Greek words and Greek usages. The syntax in particular is often copied directly from the Greek.

• Codex Ambrosianus (Milan) and the Codex Taurinensis (Turin): Five parts, totaling 193 leaves

It contains scattered passages from the New Testament (including parts of the gospels and the Epistles), from the Old Testament (Nehemiah), and some commentaries known as Skeireins. The text likely had been somewhat modified by copyists.

• Codex Gissensis (Gießen): One leaf with fragments of Luke 23–24 (apparently a Gothic-Latin diglot) was found in an excavation in Arsinoë in Egypt in 1907 and was destroyed by water damage in 1945, after copies had already been made by researchers.

• Codex Carolinus (Wolfenbüttel): Four leaves, fragments of Romans 11–15 (a Gothic-Latin diglot).

• Codex Vaticanus Latinus 5750 (Vatican City): Three leaves, pages 57–58, 59–60, and 61–62 of the Skeireins. This is a fragment of Codex Ambrosianus E.

• Gothica Bononiensia (also known as the Codex Bononiensis or "Bologna fragment"), a palimpsest fragment, discovered in 2009, of two folios with what appears to be a sermon, containing besides non-biblical text a number of direct Bible quotes and allusions, both from previously attested parts of the Gothic Bible (the text is clearly taken from Ulfilas's translation) and from previously unattested ones (e.g., Psalms, Genesis).^[3]

• Fragmenta Pannonica (also known as the Hács-Béndekpuszta fragments or Tabella Hungarica), which consist of fragments of a 1 mm thick lead plate with remnants of verses from the Gospels.

• The Mangup Graffiti: five inscriptions written in the Gothic Alphabet discovered in 2015 from the basilica church of Mangup, Crimea. The graffiti all date from the mid-9th century, making this the latest attestation of the Gothic Alphabet and the only one from outside Italy or Pannonia. The five texts include a quotation from the otherwise unattested Psalm 76 and some prayers; the language is not noticeably different from Wulfila's and only contains words known from other parts of the Gothic Bible.^[4]
• A scattering of old documents: two deeds (the Naples and Arezzo deeds, on papyri), alphabets (in the Gothica Vindobonensia and the Gothica Parisina), a calendar (in the Codex Ambrosianus A), glosses found in a number of manuscripts and a few runic inscriptions (between three and 13) that are known or suspected to be Gothic: some scholars believe that these inscriptions are not at all Gothic.^[5] Krause thought that several names in an Indian inscription were possibly Gothic.^[6]

Reports of the discovery of other parts of Ulfilas's Bible have not been substantiated. Heinrich May in 1968 claimed to have found in England twelve leaves of a palimpsest containing parts of the Gospel of Matthew.

Only fragments of the Gothic translation of the Bible have been preserved. The translation was apparently done in the Balkans region by people in close contact with Greek Christian culture. The Gothic Bible apparently was used by the Visigoths in southern France until the loss of Visigothic France at the start of the 6th century,^[7] in Visigothic Iberia until about 700, and perhaps for a time in Italy, the Balkans, and Ukraine until at least the mid-9th century. During the extermination of Arianism, Trinitarian Christians probably overwrote many texts in Gothic as palimpsests, or alternatively collected and burned Gothic documents. Apart from biblical texts, the only substantial Gothic document that still exists – and the only lengthy text known to have been composed originally in the Gothic language – is the Skeireins, a few pages of commentary on the Gospel of John.

Very few medieval secondary sources make reference to the Gothic language after about 800. In De incrementis ecclesiae Christianae (840–842), Walafrid Strabo, a Frankish monk who lived in Swabia, writes of a group of monks who reported that even then certain peoples in Scythia (Dobruja), especially around Tomis, spoke a sermo Theotiscus ('Germanic language'), the language of the Gothic translation of the Bible, and that they used such a liturgy.^[8]

Many writers of the medieval texts that mention the Goths used the word Goths to mean any Germanic people in eastern Europe (such as the Varangians), many of whom certainly did not use the Gothic language as known from the Gothic Bible. Some writers even referred to Slavic-speaking people as "Goths". However, it is clear from Ulfilas's translation that – despite some puzzles – the Gothic language belongs with the Germanic language-group, not with Slavic.

Generally, the term "Gothic language" refers to the language of Ulfilas, but the attestations themselves date largely from the 6th century, long after Ulfilas had died.

Alphabet and transliteration

See main article: Gothic alphabet.

A few Gothic runic inscriptions were found across Europe, but due to early Christianization of the Goths, the Runic writing was quickly replaced by the newly invented Gothic alphabet.

Ulfilas's Gothic, as well as that of the Skeireins and various other manuscripts, was written using an alphabet that was most likely invented by Ulfilas himself for his translation. Some scholars (such as Braune) claim that it was derived from the Greek alphabet only while others maintain that there are some Gothic letters of Runic or Latin origin.

A standardized system is used for transliterating Gothic words into the Latin script. The system mirrors the conventions of the native alphabet, such as writing long pronounced as //iː// as ei. The Goths used their equivalents of e and o alone only for long higher vowels, using the digraphs ai and au (much as in French) for the corresponding short or lower vowels. There are two variant spelling systems: a "raw" one that directly transliterates the original Gothic script and a "normalized" one that adds diacritics (macrons and acute accents) to certain vowels to clarify the pronunciation or, in certain cases, to indicate the Proto-Germanic origin of the vowel in question. The latter system is usually used in the academic literature.

The following table shows the correspondence between spelling and sound for vowels:

Gothic letter or digraph	Roman equivalent	"Normalised" transliteration	Sound	Normal environment of occurrence (in native words)	Paradigmatically alternating sound in other environments	Proto-Germanic origin
Gothic:	a	a	pronounced as //a//	Everywhere	—	pronounced as //ɑ//
		ā	pronounced as //aː//	Before pronounced as //h//, pronounced as //hʷ//	Does not occur	pronounced as //ãː// (before pronounced as //h//)
Gothic:	ai	aí	pronounced as //ɛ//	Before pronounced as //h//, pronounced as //hʷ//, pronounced as //r//	i pronounced as //i//	pronounced as //e//, pronounced as //i//
		ai	pronounced as //ɛː//	Before vowels	ē pronounced as //eː//	pronounced as //ɛː//, pronounced as //eː//
		ái	pronounced as //ɛː//	Not before vowels	aj pronounced as //aj//	pronounced as //ɑi//
Gothic:	au	aú	pronounced as //ɔ//	Before pronounced as //h//, pronounced as //hʷ//, pronounced as //r//	u pronounced as //u//	pronounced as //u//
		au	pronounced as //ɔː//	Before vowels	ō pronounced as //oː//	pronounced as //ɔː//
		áu	pronounced as //ɔː//	Not before vowels	aw pronounced as //aw//	pronounced as //ɑu//
Gothic:	e	ē	pronounced as //eː//	Not before vowels	ai pronounced as //ɛː//	pronounced as //ɛː//, pronounced as //eː//
Gothic:	ei	ei	pronounced as //iː//	Everywhere	—	pronounced as //iː// pronounced as //ĩː// (before pronounced as //h//)
Gothic:	i	i	pronounced as //i//	Everywhere except before pronounced as //h//, pronounced as //hʷ//, pronounced as //r//	aí pronounced as //ɛ//	pronounced as //e//, pronounced as //i//
Gothic:	iu	iu	pronounced as //iu//	Not before vowels	iw pronounced as //iw//	pronounced as //eu// (and its allophone pronounced as /[iu]/)
Gothic:	o	ō	pronounced as //oː//	Not before vowels	au pronounced as //ɔː//	pronounced as //ɔː//
Gothic:	u	u	pronounced as //u//	Everywhere except before pronounced as //h//, pronounced as //hʷ//, pronounced as //r//	aú pronounced as //ɔ//	pronounced as //u//
		ū	pronounced as //uː//	Everywhere	—	pronounced as //uː// pronounced as //ũː// (before pronounced as //h//)

Notes:

• This "normalised transliteration" system devised by Jacob Grimm is used in some modern editions of Gothic texts and in studies of Common Germanic. It signals distinctions not made by Ulfilas in his alphabet. Rather, they reflect various origins in Proto-Germanic. Thus,
  • aí is used for the sound derived from the Proto-Germanic short vowels e and i before pronounced as //h// and pronounced as //r//.
  • ái is used for the sound derived from the Proto-Germanic diphthong ai. Some scholars have considered this sound to have remained as a diphthong in Gothic. However, Ulfilas was highly consistent in other spelling inventions, which makes it unlikely that he assigned two different sounds to the same digraph. Furthermore, he consistently used the digraph to represent Greek Greek, Ancient (to 1453);: αι, which was then certainly a monophthong. A monophthongal value is accepted by Eduard Prokosch in his influential A Common Germanic Grammar.^[9] It had earlier been accepted by Joseph Wright but only in an appendix to his Grammar of the Gothic Language.^[10]
  • ai is used for the sound derived from the Common Germanic long vowel ē before a vowel.
  • áu is used for the sound derived from Common Germanic diphthong au. It cannot be related to a Greek digraph, since Greek, Ancient (to 1453);: αυ then represented a sequence of a vowel and a spirant (fricative) consonant, which Ulfilas transcribed as aw in representing Greek words. Nevertheless, the argument based on simplicity is accepted by some influential scholars.^{[9] [10]}
• The "normal environment of occurrence" refers to native words. In foreign words, these environments are often greatly disturbed. For example, the short sounds pronounced as //ɛ// and pronounced as //i// alternate in native words in a nearly allophonic way, with pronounced as //ɛ// occurring in native words only before the consonants pronounced as //h//, pronounced as //hʷ//, pronounced as //r// while pronounced as //i// occurs everywhere else (nevertheless, there are a few exceptions such as pronounced as //i// before pronounced as //r// in hiri, pronounced as //ɛ// consistently in the reduplicating syllable of certain past-tense verbs regardless of the following consonant, which indicate that these sounds had become phonemicized). In foreign borrowings, however, pronounced as //ɛ// and pronounced as //i// occur freely in all environments, reflecting the corresponding vowel quality in the source language.
• Paradigmatic alterations can occur either intra-paradigm (between two different forms within a specific paradigm) or cross-paradigm (between the same form in two different paradigms of the same class). Examples of intra-paradigm alternation are Gothic: gawi pronounced as //ɡa.wi// "district " vs. Gothic: gáujis pronounced as //ɡɔː.jis// "district "; Gothic: mawi pronounced as //ma.wi// "maiden " vs. Gothic: máujōs pronounced as //mɔː.joːs// "maiden "; Gothic: þiwi pronounced as //θi.wi// "maiden " vs. Gothic: þiujōs pronounced as //θiu.joːs// "maiden "; Gothic: taui pronounced as //tɔː.i// "deed " vs. Gothic: tōjis pronounced as //toː.jis// "deed "; Gothic: náus pronounced as //nɔːs// "corpse " vs. Gothic: naweis pronounced as //na.wiːs// "corpses "; Gothic: triu pronounced as //triu//?? "tree " vs. Gothic: triwis pronounced as //tri.wis// "tree "; Gothic: táujan pronounced as //tɔː.jan// "to do" vs. Gothic: tawida pronounced as //ta.wi.ða// "I/he did"; Gothic: stōjan pronounced as //stoː.jan// "to judge" vs. Gothic: stauida pronounced as //stɔː.i.ða// "I/he judged". Examples of cross-paradigm alternation are Class IV verbs Gothic: qiman pronounced as //kʷiman// "to come" vs. Gothic: baíran pronounced as //bɛran// "to carry, to bear", Gothic: qumans pronounced as //kʷumans// "(having) come" vs. Gothic: baúrans pronounced as //bɔrans// "(having) carried"; Class VIIb verbs Gothic: lētan pronounced as //leː.tan// "to let" vs. Gothic: saian pronounced as //sɛː.an// "to sow" (note similar preterites Gothic: laílōt pronounced as //lɛ.loːt// "I/he let", Gothic: saísō pronounced as //sɛ.soː// "I/he sowed"). A combination of intra- and cross-paradigm alternation occurs in Class V Gothic: sniwan pronounced as //sni.wan// "to hasten" vs. Gothic: snáu pronounced as //snɔː// "I/he hastened" (expected *snaw, compare Gothic: qiman "to come", Gothic: qam "I/he came").
• The carefully maintained alternations between iu and iw suggest that iu may have been something other than pronounced as //iu//. Various possibilities have been suggested (for example, high central or high back unrounded vowels, such as pronounced as /[ɨ] [ʉ] [ɯ]/); under these theories, the spelling of iu is derived from the fact that the sound alternates with iw before a vowel, based on the similar alternations au and aw. The most common theory, however, simply posits pronounced as //iu// as the pronunciation of iu.
• Macrons represent long ā and ū (however, long i appears as ei, following the representation used in the native alphabet). Macrons are often also used in the case of ē and ō; however, they are sometimes omitted since these vowels are always long. Long ā occurs only before the consonants pronounced as //h//, pronounced as //hʷ// and represents Proto-Germanic nasalized pronounced as //ãː(h)// < earlier pronounced as //aŋ(h)//; non-nasal pronounced as //aː// did not occur in Proto-Germanic. It is possible that the Gothic vowel still preserved the nasalization, or else that the nasalization was lost but the length distinction kept, as has happened with Lithuanian Lithuanian: ą. Non-nasal pronounced as //iː// and pronounced as //uː// occurred in Proto-Germanic, however, and so long ei and ū occur in all contexts. Before pronounced as //h// and pronounced as //hʷ//, long ei and ū could stem from either non-nasal or nasal long vowels in Proto-Germanic; it is possible that the nasalization was still preserved in Gothic but not written.

The following table shows the correspondence between spelling and sound for consonants:

Gothic Letter	Roman	Sound (phoneme)	Sound (allophone)	Environment of occurrence	Paradigmatically alternating sound, in other environments	Proto-Germanic origin
Gothic:	b	pronounced as /link/	pronounced as /link/	Word-initially; after a consonant	–	pronounced as //b//
			pronounced as /link/	After a vowel, before a voiced sound	pronounced as //ɸ// (after a vowel, before an unvoiced sound)
Gothic:	d	pronounced as /link/	pronounced as /link/	Word-initially; after a consonant	–	pronounced as //d//
			pronounced as /link/	After a vowel, before a voiced sound	pronounced as //θ// (after a vowel, before an unvoiced sound)
Gothic:	f	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	pronounced as //b// pronounced as /[β]/	pronounced as //ɸ// pronounced as //b//
Gothic:	g	pronounced as /link/	pronounced as /link/	Word-initially; after a consonant	–	pronounced as //g//
			pronounced as /link/	After a vowel, before a voiced sound	pronounced as //ɡ// pronounced as /[x]/ (after a vowel, not before a voiced sound)
			pronounced as /link/	After a vowel, not before a voiced sound	pronounced as //ɡ// pronounced as /[ɣ]/ (after a vowel, before a voiced sound)
		pronounced as /link/	pronounced as /link/	Before k pronounced as //k//, g pronounced as //ɡ/ [ɡ]/, gw pronounced as //ɡʷ// (such usage influenced by Greek, compare gamma)	–	pronounced as //n//
	gw	pronounced as /link/	pronounced as /link/	After g pronounced as //n// pronounced as /[ŋ]/	–	pronounced as //ɡʷ//
Gothic:	h	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	pronounced as //ɡ// pronounced as /[ɣ]/	pronounced as //x//
Gothic:	ƕ	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	–	pronounced as //xʷ//
Gothic:	j	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //j//
Gothic:	k	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	–	pronounced as //k//
Gothic:	l	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //l//
Gothic:	m	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //m//
Gothic:	n	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //n//
Gothic:	p	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	–	pronounced as //p//
Gothic:	q	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	–	pronounced as //kʷ//
Gothic:	r	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //r//
Gothic:	s	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	pronounced as //z//	pronounced as //s// pronounced as //z//
Gothic:	t	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	–	pronounced as //t//
Gothic:	þ	pronounced as /link/	pronounced as /link/	Everywhere except before a voiced consonant	pronounced as //d// pronounced as /[ð]/	pronounced as //θ// pronounced as //d//
Gothic:	w	pronounced as /link/	pronounced as /link/	Everywhere	–	pronounced as //w//
Gothic:	z	pronounced as /link/	pronounced as /link/	After a vowel, before a voiced sound	pronounced as //s//	pronounced as //z//

• pronounced as //hʷ//, which is written with a single character in the native alphabet, is transliterated using the symbol ƕ, which is used only in transliterating Gothic.
• pronounced as //kʷ// is similarly written with a single character in the native alphabet and is transliterated q (with no following u).
• pronounced as //ɡʷ//, however, is written with two letters in the native alphabet and hence Gothic: (gw). The lack of a single letter to represent this sound may result from its restricted distribution (only after pronounced as //n//) and its rarity.
• pronounced as //θ// is written þ, similarly to other Germanic languages.
• Although pronounced as /[ŋ]/ is the allophone of pronounced as //n// occurring before pronounced as //ɡ// and pronounced as //k//, it is written g, following the native alphabet convention (which, in turn, follows Greek usage), which leads to occasional ambiguities, e.g. Gothic: saggws pronounced as /[saŋɡʷs]/ "song" but Gothic: triggws pronounced as /[triɡɡʷs]/ "faithful" (compare English "true").

Phonology

It is possible to determine more or less exactly how the Gothic of Ulfilas was pronounced, primarily through comparative phonetic reconstruction. Furthermore, because Ulfilas tried to follow the original Greek text as much as possible in his translation, it is known that he used the same writing conventions as those of contemporary Greek. Since the Greek of that period is well documented, it is possible to reconstruct much of Gothic pronunciation from translated texts. In addition, the way in which non-Greek names are transcribed in the Greek Bible and in Ulfilas's Bible is very informative.

Vowels

Short vowels Front Back Close pronounced as /i (y)/ pronounced as /u/ Close-mid Open-mid pronounced as /ɛ/ pronounced as /ɔ/ Open pronounced as /a/

Long vowels Front Back Close pronounced as /iː/ pronounced as /uː/ Close-mid pronounced as /eː/ pronounced as /oː/ Open-mid pronounced as /ɛː/ pronounced as /ɔː/ Open pronounced as /aː/

• pronounced as //a//, pronounced as //i// and pronounced as //u// can be either long or short.^[11] Gothic writing distinguishes between long and short vowels only for pronounced as //i// by writing i for the short form and ei for the long (a digraph or false diphthong), in an imitation of Greek usage (ει = pronounced as //iː//). Single vowels are sometimes long where a historically present nasal consonant has been dropped in front of an pronounced as //h// (a case of compensatory lengthening). Thus, the preterite of the verb briggan pronounced as /[briŋɡan]/ "to bring" (English bring, Dutch brengen, German bringen) becomes brahta pronounced as /[braːxta]/ (English brought, Dutch bracht, German brachte), from Proto-Germanic *branhtē. In detailed transliteration, when the intent is more phonetic transcription, length is noted by a macron (or failing that, often a circumflex): brāhta, brâhta. This is the only context in which pronounced as //aː// appears natively whereas pronounced as //uː//, like pronounced as //iː//, is found often enough in other contexts: brūks "useful" (Dutch gebruik, German Gebrauch, Icelandic brúk "use").
• pronounced as //eː// and pronounced as //oː// are long close-mid vowels. They are written as e and o: neƕ pronounced as /[neːʍ]/ "near" (English nigh, Dutch nader, German nah); fodjan pronounced as /[foːdjan]/ "to feed".
• pronounced as //ɛ// and pronounced as //ɔ// are short open-mid vowels.^[12] They are noted using the digraphs ai and au: taihun pronounced as /[tɛhun]/ "ten" (Dutch tien, German zehn, Icelandic tíu), dauhtar pronounced as /[dɔxtar]/ "daughter" (Dutch dochter, German Tochter, Icelandic dóttir). In transliterating Gothic, accents are placed on the second vowel of these digraphs aí and aú to distinguish them from the original diphthongs ái and áu: taíhun, daúhtar. In most cases short pronounced as /[ɛ]/ and pronounced as /[ɔ]/ are allophones of pronounced as //i, u// before pronounced as //r, h, ʍ//.^[13] Furthermore, the reduplication syllable of the reduplicating preterites has ai as well, which was probably pronounced as a short pronounced as /[ɛ]/.^[14] Finally, short pronounced as /[ɛ]/ and pronounced as /[ɔ]/ occur in loan words from Greek and Latin (aípiskaúpus pronounced as /[ɛpiskɔpus]/ = Greek, Ancient (to 1453);: ἐπίσκοπος "bishop", laíktjo pronounced as /[lɛktjoː]/ = lectio "lection", Paúntius pronounced as /[pɔntius]/ = Pontius).
• The Germanic diphthongs pronounced as //ai// and pronounced as //au// appear as digraphs written and in Gothic. Researchers have disagreed over whether they were still pronounced as diphthongs pronounced as //ai̯// and pronounced as //au̯// in Ulfilas's time (4th century) or had become long open-mid vowels: pronounced as //ɛː// and pronounced as //ɔː//: ains pronounced as /[ains] / [ɛːns]/ "one" (German eins, Icelandic einn), augo pronounced as /[auɣoː] / [ɔːɣoː]/ "eye" (German Auge, Icelandic auga). It is most likely that the latter view is correct, as it is indisputable that the digraphs and represent the sounds pronounced as //ɛː// and pronounced as //ɔː// in some circumstances (see below), and and were available to unambiguously represent the sounds pronounced as //ai̯// and pronounced as //au̯//. The digraph is in fact used to represent pronounced as //au// in foreign words (such as Pawlus "Paul"), and alternations between / and / are scrupulously maintained in paradigms where both variants occur (e.g. taujan "to do" vs. past tense tawida "did"). Evidence from transcriptions of Gothic names into Latin suggests that the sound change had occurred very recently when Gothic spelling was standardized: Gothic names with Germanic au are rendered with au in Latin until the 4th century and o later on (Austrogoti > Ostrogoti). The digraphs and are normally written with an accent on the first vowel (ái, áu) when they correspond to Proto-Germanic pronounced as //ai̯// and pronounced as //au̯//.
• Long pronounced as /[ɛː]/ and pronounced as /[ɔː]/ also occur as allophones of pronounced as //eː// and pronounced as //uː, oː// respectively before a following vowel: waian pronounced as /[wɛːan]/ "to blow" (Dutch waaien, German wehen), bauan pronounced as /[bɔːan]/ "to build" (Dutch bouwen, German bauen, Icelandic búa "to live, reside"), also in Greek words Trauada "Troad" (Gk. Greek, Ancient (to 1453);: Τρῳάς). In detailed transcription these are notated ai, au.
• The existence of a vowel pronounced as //y// in Gothic is unclear. It is derived from the use of w to transcribe Greek υ (y) or the diphthong οι (oi), both of which were pronounced pronounced as /[y]/ in the Greek of the time. W is otherwise used to denote the consonant pronounced as //w//). It may have been pronounced pronounced pronounced as /[i]/.
• pronounced as //iu// is usually reconstructed as a falling diphthong (pronounced as /[iu̯]/: diups pronounced as /[diu̯ps]/ "deep" (Dutch diep, German tief, Icelandic djúpur), though this has been disputed (see alphabet and transliteration section above).
• Greek diphthongs: In Ulfilas's era, all the diphthongs of Classical Greek had become simple vowels in speech (monophthongization), except for αυ (au) and ευ (eu), which were probably pronounced pronounced as /[aβ]/ and pronounced as /[ɛβ]/ (they evolved into pronounced as /[av~af]/ and pronounced as /[ev~ef]/ in Modern Greek.) Ulfilas notes them, in words borrowed from Greek, as aw and aiw, probably pronounced pronounced as /[au̯, ɛu̯]/: Pawlus pronounced as /[pau̯lus]/ "Paul" (Gk. Greek, Ancient (to 1453);: Παῦλος), aíwaggelista pronounced as /[ɛwaŋɡeːlista]/ "evangelist" (Gk. Greek, Ancient (to 1453);: εὐαγγελιστής, via the Latin evangelista).
• All vowels (including diphthongs) can be followed by a pronounced as /[w]/, which was likely pronounced as the second element of a diphthong with roughly the sound of pronounced as /[u̯]/. It seems likely that this is more of an instance of phonetic juxtaposition than of true diphthongs (such as, for example, the sound pronounced as //aj// in the French word paille ("straw"), which is not the diphthong pronounced as //ai̯// but rather a vowel followed by an approximant): alew pronounced as /[aleːw]/ "olive oil" (< Latin oleum), snáiws pronounced as /[snɛːws]/ ("snow"), lasiws pronounced as /[lasiws]/ "tired" (English lazy).

Consonants

	Labial		Dental		Alveolar		Palatal		Velar		Labiovelar		Glottal
Nasal	m pronounced as //m//				n pronounced as //n//				g, n pronounced as //ŋ//
Stop	p pronounced as //p//	b pronounced as //b//			t pronounced as //t//	d pronounced as //d//	ddj pronounced as //ɟː//?		k pronounced as //k//	g pronounced as //ɡ//	q pronounced as //kʷ//	gw pronounced as //ɡʷ//
Fricative	f pronounced as //ɸ//	b pronounced as //β//	þ pronounced as //θ//	d pronounced as //ð//	s pronounced as //s//	z pronounced as //z//			g, h pronounced as //x//	g pronounced as //ɣ//			h pronounced as //h//
Approximant					l pronounced as //l//		j pronounced as //j//				ƕ pronounced as //ʍ//	w pronounced as //w//
Trill					r pronounced as //r//

In general, Gothic consonants are devoiced at the ends of words. Gothic is rich in fricative consonants (although many of them may have been approximants; it is hard to separate the two) derived by the processes described in Grimm's law and Verner's law and characteristic of Germanic languages. Gothic is unusual among Germanic languages in having a pronounced as //z// phoneme, which has not become pronounced as //r// through rhotacization. Furthermore, the doubling of written consonants between vowels suggests that Gothic made distinctions between long and short, or geminated consonants: atta pronounced as /[atːa]/ "dad", kunnan pronounced as /[kunːan]/ "to know" (Dutch kennen, German kennen "to know", Icelandic kunna).

Stops

• The voiceless stops pronounced as //p//, pronounced as //t// and pronounced as //k// are regularly noted by p, t and k respectively: paska pronounced as /[paska]/ "Easter" (from the Greek Greek, Ancient (to 1453);: πάσχα), tuggo pronounced as /[tuŋɡoː]/ "tongue", kalbo pronounced as /[kalboː]/ "calf".
• The letter q is probably a voiceless labiovelar stop, pronounced as //kʷ//, comparable to the Latin qu: qiman pronounced as /[kʷiman]/ "to come". In later Germanic languages, this phoneme has become either a consonant cluster pronounced as //kw// of a voiceless velar stop + a labio-velar approximant (English qu) or a simple voiceless velar stop pronounced as //k// (English c, k)
• The voiced stops pronounced as //b//, pronounced as //d// and pronounced as //ɡ// are noted by the letters b, d and g. Like the other Germanic languages, they occurred in word-initial position, when doubled and after a nasal. In addition, they apparently occurred after other consonants,: arbi pronounced as /[arbi]/ "inheritance", huzd pronounced as /[huzd]/ "treasure". (This conclusion is based on their behavior at the end of a word, in which they do not change into voiceless fricatives, unlike when they occur after a vowel.)
• There was probably also a voiced labiovelar stop, pronounced as //ɡʷ//, which was written with the digraph gw. It occurred after a nasal, e.g. saggws pronounced as /[saŋɡʷs]/ "song", or long as a regular outcome of Germanic *ww: triggws pronounced as /[triɡʷːs]/ "faithful" (English true, German treu, Icelandic tryggur). The existence of a long [ɡʷː] separate from [ŋɡʷ], however, is not universally accepted.^[15]
• Similarly, the letters ddj, which is the regular outcome of Germanic *jj, may represent a voiced palatal stop, pronounced as //ɟː//: waddjus pronounced as /[waɟːus]/ "wall" (Icelandic veggur), twaddje pronounced as /[twaɟːeː]/ "two (genitive)" (Icelandic tveggja).

Fricatives

• pronounced as //s// and pronounced as //z// are usually written s and z. The latter corresponds to Germanic *z (which has become r or silent in the other Germanic languages); at the end of a word, it is regularly devoiced to s. E.g. saíhs pronounced as /[sɛhs]/ "six", máiza pronounced as /[mɛːza]/ "greater" (English more, Dutch meer, German mehr, Icelandic meira) versus máis pronounced as /[mɛːs]/ "more, rather".
• pronounced as //ɸ// and pronounced as //θ//, written f and þ, are voiceless bilabial and voiceless dental fricatives respectively. It is likely that the relatively unstable sound pronounced as //ɸ// became pronounced as //f//. f and þ are also derived from b and d at the ends of words and then are devoiced and become fricatives: gif pronounced as /[ɡiɸ]/ "give (imperative)" (infinitive giban: German geben), miþ pronounced as /[miθ]/ "with" (Old English mid, Old Norse með, Dutch met, German mit). The cluster pronounced as //ɸl// became pronounced as //θl// in some words but not others: þlauhs "flight" from Germanic *flugiz; þliuhan "flee" from Germanic *fleuhaną (but see flōdus "river", flahta "braid"). This sound change is unique among Germanic languages.
• pronounced as //h// is written as h: haban "to have". It was probably pronounced pronounced as /[h]/ in word-final position and before a consonant as well (not pronounced as /[x]/, since pronounced as //ɡ// > pronounced as /[x]/ is written g, not h): jah pronounced as /[jah]/ "and" (Dutch, German, Scandinavian ja "yes").
• pronounced as /[x]/ is an allophone of pronounced as //ɡ// at the end of a word or before a voiceless consonant; it is always written g: dags pronounced as /[daxs]/ "day" (German Tag). In some borrowed Greek words is the special letter x, which represents the Greek letter χ (ch): Xristus pronounced as /[xristus]/ "Christ" (Gk. Greek, Ancient (to 1453);: Χριστός).
• pronounced as /[β]/, pronounced as /[ð]/ and pronounced as /[ɣ]/ are voiced fricative found only in between vowels. They are allophones of pronounced as //b//, pronounced as //d// and pronounced as //ɡ// and are not distinguished from them in writing. pronounced as /[β]/ may have become pronounced as //v//, a more stable labiodental form. In the study of Germanic languages, these phonemes are usually transcribed as ƀ, đ and ǥ respectively: haban pronounced as /[haβan]/ "to have", þiuda pronounced as /[θiu̯ða]/ "people" (Dutch Diets, German Deutsch, Icelandic þjóð > English Dutch), áugo pronounced as /[ɔːɣoː]/ "eye" (English eye, Dutch oog, German Auge, Icelandic auga). When occurring after a vowel at the end of a word or before a voiceless consonant, these sounds become unvoiced pronounced as /[ɸ]/, pronounced as /[θ]/ and pronounced as /[x]/, e.g. hláifs pronounced as /[hlɛːɸs]/ "loaf" but genitive hláibis pronounced as /[hlɛːβis]/ "of a loaf", plural hláibōs pronounced as /[hlɛːβoːs]/ "loaves".
• ƕ (also transcribed hw) is the labiovelar equivalent of pronounced as //x//, derived from Proto-Indo-European *kʷ. It was probably pronounced pronounced as /[ʍ]/ (a voiceless pronounced as /[w]/), as wh is pronounced in certain dialects of English and in Scots: ƕan pronounced as //ʍan// "when", ƕar pronounced as //ʍar// "where", ƕeits pronounced as /[ʍiːts]/ "white".

Sonorants

Gothic has three nasal consonants, one of which is an allophone of the others, all found only in complementary distribution with them. Nasals in Gothic, like most other languages, are pronounced at the same point of articulation as the consonant that follows them (assimilation). Therefore, clusters like pronounced as /[md]/ and pronounced as /[nb]/ are not possible.

• pronounced as //n// and pronounced as //m// are freely distributed and so can be found in any position in a syllable and form minimal pairs except in certain contexts where they are neutralized: pronounced as //n// before a bilabial consonant becomes pronounced as /[m]/, while pronounced as //m// preceding a dental stop becomes pronounced as /[n]/, as per the principle of assimilation described in the previous paragraph. In front of a velar stop, they both become pronounced as /[ŋ]/. pronounced as //n// and pronounced as //m// are transcribed as n and m, and, in writing, neutralisation is marked: sniumundo pronounced as //sniu̯mundoː// ("quickly").
• pronounced as /[ŋ]/ is not a phoneme and cannot appear freely in Gothic. It is present where a nasal consonant is neutralised before a velar stop and is in a complementary distribution with pronounced as //n// and pronounced as //m//. Following Greek conventions, it is normally written as g (sometimes n): þagkjan pronounced as /[θaŋkjan]/ "to think", sigqan pronounced as /[siŋkʷan]/ "to sink" ~ þankeiþ pronounced as /[θaŋkiːθ]/ "thinks". The cluster ggw sometimes denotes pronounced as /[ŋɡʷ]/, but sometimes pronounced as /[ɡʷː]/ (see above).
• pronounced as //w// is transliterated as w before a vowel: weis pronounced as /[wiːs]/ ("we"), twái pronounced as /[twai]/ "two" (German zwei).
• pronounced as //j// is written as j: jer pronounced as /[jeːr]/ "year", sakjo pronounced as /[sakjoː]/ "strife".
• pronounced as //l// and pronounced as //r// occur as in other European languages: laggs (possibly pronounced as /[laŋɡs]/, pronounced as /[laŋks]/ or pronounced as /[laŋɡz]/) "long", mel pronounced as /[meːl]/ "hour" (English meal, Dutch maal, German Mahl, Icelandic mál). The exact pronunciation of pronounced as //r// is unknown, but it is usually assumed to be a trill pronounced as /[r]/ or a flap pronounced as /[ɾ]/): raíhts pronounced as /[rɛxts]/ "right", afar pronounced as /[afar]/ "after".
• pronounced as //l//, pronounced as //m//, pronounced as //n// and pronounced as //r// may occur either between two other consonants of lower sonority or word-finally after a consonant of lower sonority. It is probable that the sounds are pronounced partly or completely as syllabic consonants in such circumstances (as in English "bottle" or "bottom"): tagl pronounced as /[taɣl̩]/ or pronounced as /[taɣl]/ "hair" (English tail, Icelandic tagl), máiþms pronounced as /[mɛːθm̩s]/ or pronounced as /[mɛːθms]/ "gift", táikns pronounced as /[tɛːkn̩s]/ or pronounced as /[tɛːkns]/ "sign" (English token, Dutch teken, German Zeichen, Icelandic tákn) and tagr pronounced as /[taɣr̩]/ or pronounced as /[taɣr]/ "tear (as in crying)".

Accentuation and intonation

Accentuation in Gothic can be reconstructed through phonetic comparison, Grimm's law, and Verner's law. Gothic used a stress accent rather than the pitch accent of Proto-Indo-European. This is indicated by the shortening of long vowels pronounced as /[eː]/ and pronounced as /[oː]/ and the loss of short vowels pronounced as /[a]/ and pronounced as /[i]/ in unstressed final syllables.

Just as in other Germanic languages, the free moving Proto-Indo-European accent was replaced with one fixed on the first syllable of simple words. Accents do not shift when words are inflected. In most compound words, the location of the stress depends on the type of compound:

• In compounds in which the second word is a noun, the accent is on the first syllable of the first word of the compound.
• In compounds in which the second word is a verb, the accent falls on the first syllable of the verbal component. Elements prefixed to verbs are otherwise unstressed except in the context of separable words (words that can be broken in two parts and separated in regular usage such as separable verbs in German and Dutch). In those cases, the prefix is stressed.

For example, with comparable words from modern Germanic languages:

• Non-compound words: marka pronounced as /[ˈmarka]/ "border, borderlands" (English march, Dutch mark); aftra pronounced as /[ˈaɸtra]/ "after"; bidjan pronounced as /[ˈbiðjan]/ "pray" (Dutch, bidden, German bitten, Icelandic biðja, English bid).
• Compound words:
  • Noun first element: guda-láus pronounced as /[ˈɡuðalɔːs]/ "godless".
  • Verb second element: ga-láubjan pronounced as /[ɡaˈlɔːβjan]/ "believe" (Dutch geloven, German glauben < Old High German g(i)louben by syncope of the unaccented i).

Grammar

Morphology

Nouns and adjectives

See main article: Gothic declension. Gothic preserves many archaic Indo-European features that are not always present in modern Germanic languages, in particular the rich Indo-European declension system. Gothic had nominative, accusative, genitive and dative cases, as well as vestiges of a vocative case that was sometimes identical to the nominative and sometimes to the accusative. The three genders of Indo-European were all present. Nouns and adjectives were inflected according to one of two grammatical numbers: the singular and the plural.

Nouns can be divided into numerous declensions according to the form of the stem: a, ō, i, u, an, ōn, ein, r, etc. Adjectives have two variants, indefinite and definite (sometimes indeterminate and determinate), with definite adjectives normally used in combination with the definite determiners (such as the definite article sa/þata/sō) while indefinite adjectives are used in other circumstances.,^{[16] [17]} Indefinite adjectives generally use a combination of a-stem and ō-stem endings, and definite adjectives use a combination of an-stem and ōn-stem endings. The concept of "strong" and "weak" declensions that is prevalent in the grammar of many other Germanic languages is less significant in Gothic because of its conservative nature: the so-called "weak" declensions (those ending in n) are, in fact, no weaker in Gothic (in terms of having fewer endings) than the "strong" declensions (those ending in a vowel), and the "strong" declensions do not form a coherent class that can be clearly distinguished from the "weak" declensions.

Although descriptive adjectives in Gothic (as well as superlatives ending in -ist and -ost) and the past participle may take both definite and indefinite forms, some adjectival words are restricted to one variant. Some pronouns take only definite forms: for example, sama (English "same"), adjectives like unƕeila ("constantly", from the root ƕeila, "time"; compare to the English "while"), comparative adjective and present participles. Others, such as áins ("some"), take only the indefinite forms.

The table below displays the declension of the Gothic adjective blind (English: "blind"), compared with the an-stem noun guma "man, human" and the a-stem noun dags "day":

Number	Case	Definite/an-stem					Indefinite/a-stem
		Noun	Adjective				Noun	Adjective
			root					root
Singular		guma	blind-	-a	-o		dags	blind-	-s	— / -ata	-a
		guman		-an	-o	-on	dag		-ana
		gumin		-in			daga		-amma		-ái
		gumins		-ins		-ons	dagis		-is		áizos
Plural		gumans		-ans	-ona		dagos		-ái	-a	-os
							dagans		-ans
		gumam		-am		-om	dagam		-áim
		gumane		-ane		-ono	dage		-áize		-áizo

This table is, of course, not exhaustive. (There are secondary inflexions of various sorts not described here.) An exhaustive table of only the types of endings that Gothic took is presented below.

• vowel declensions:
  • roots ending in -a, -ja, -wa (masculine and neuter): equivalent to the Greek and Latin second declension in ‑us / ‑ī and ‑ος / ‑ου;
  • roots ending in -ō, -jō and -wō (feminine): equivalent to the Greek and Latin first declension in ‑a / ‑ae and ‑α / ‑ας (‑η / ‑ης);
  • roots ending in -i (masculine and feminine): equivalent to the Greek and Latin third declension in ‑is / ‑is (‑ī, -ium) and ‑ις / ‑εως;
  • roots ending in -u (all three genders): equivalent to the Latin fourth declension in ‑us / ‑ūs and the Greek third declension in ‑υς / ‑εως;
• n-stem declensions, equivalent to the Greek and Latin third declension in ‑ō / ‑inis/ōnis and ‑ων / ‑ονος or ‑ην / ‑ενος:
  • roots ending in -an, -jan, -wan (masculine);
  • roots ending in -ōn and -ein (feminine);
  • roots ending in -n (neuter): equivalent to the Greek and Latin third declension in ‑men / ‑minis and ‑μα / ‑ματος;
• minor declensions: roots ending in -r, -nd and vestigial endings in other consonants, equivalent to other third declensions in Greek and Latin.

Gothic adjectives follow noun declensions closely; they take same types of inflection.

Pronouns

Gothic inherited the full set of Indo-European pronouns: personal pronouns (including reflexive pronouns for each of the three grammatical persons), possessive pronouns, both simple and compound demonstratives, relative pronouns, interrogatives and indefinite pronouns. Each follows a particular pattern of inflection (partially mirroring the noun declension), much like other Indo-European languages. One particularly noteworthy characteristic is the preservation of the dual number, referring to two people or things; the plural was used only for quantities greater than two. Thus, "the two of us" and "we" for numbers greater than two were expressed as wit and weis respectively. While proto-Indo-European used the dual for all grammatical categories that took a number (as did Classical Greek and Sanskrit), most Old Germanic languages are unusual in that they preserved it only for pronouns. Gothic preserves an older system with dual marking on both pronouns and verbs (but not nouns or adjectives).

The simple demonstrative pronoun sa (neuter: þata, feminine: so, from the Indo-European root *so, *seh₂, *tod; cognate to the Greek article ὁ, ἡ, τό and the Latin istud) can be used as an article, allowing constructions of the type definite article + weak adjective + noun.

The interrogative pronouns begin with ƕ-, which derives from the proto-Indo-European consonant *kʷ that was present at the beginning of all interrogatives in proto-Indo-European, cognate with the wh- at the beginning of many English interrogative, which, as in Gothic, are pronounced with pronounced as /[ʍ]/ in some dialects. The same etymology is present in the interrogatives of many other Indo-European languages: w- pronounced as /[v]/ in German, hv- in Danish, the Latin qu- (which persists in modern Romance languages), the Greek τ- or π-, the Slavic and Indic k- as well as many others.

Verbs

See main article: Gothic verbs. The bulk of Gothic verbs follow the type of Indo-European conjugation called 'thematic' because they insert a vowel derived from the reconstructed proto-Indo-European phonemes *e or *o between roots and inflexional suffixes. The pattern is also present in Greek and Latin:

• Latin – leg-i-mus ("we read"): root leg- + thematic vowel -i- (from *o) + suffix -mus.
• Greek – λύ-ο-μεν ("we untie"): root λυ- + thematic vowel -ο- + suffix -μεν.
• Gothic – nim-a-m ("we take"): root nim- + thematic vowel -a- (from *o) + suffix -m.

The other conjugation, called 'athematic', in which suffixes are added directly to roots, exists only in unproductive vestigial forms in Gothic, just like in Greek and Latin. The most important such instance is the verb "to be", which is athematic in Greek, Latin, Sanskrit, and many other Indo-European languages.

Gothic verbs are, like nouns and adjectives, divided into strong verbs and weak verbs. Weak verbs are characterised by preterites formed by appending the suffixes -da or -ta, parallel to past participles formed with -þ / -t. Strong verbs form preterites by ablaut (the alternating of vowels in their root forms) or by reduplication (prefixing the root with the first consonant in the root plus aí) but without adding a suffix in either case. This parallels the Greek and Sanskrit perfects. The dichotomy is still present in modern Germanic languages:

• weak verbs ("to have"):
  • Gothic: haban, preterite: habáida, past participle: habáiþs;
  • English: (to) have, preterite: had, past participle: had;
  • German: haben, preterite: hatte, past participle: gehabt;
  • Icelandic: hafa, preterite: hafði, past participle: haft;
  • Dutch: hebben, preterite: had, past participle: gehad;
  • Swedish: ha(va), preterite: hade, supine: haft;
• strong verbs ("to give"):
  • Gothic: infinitive: giban, preterite: gaf;
  • English: infinitive: (to) give, preterite: gave;
  • German: infinitive: geben, preterite: gab;
  • Icelandic: infinitive: gefa, preterite: gaf;
  • Dutch: infinitive: geven, preterite: gaf;
  • Swedish: infinitive: giva (ge), preterite: gav.

Verbal conjugation in Gothic have two grammatical voices: the active and the medial; three numbers: singular, dual (except in the third person) and plural; two tenses: present and preterite (derived from a former perfect); three grammatical moods: indicative, subjunctive (from an old optative form) and imperative as well as three kinds of nominal forms: a present infinitive, a present participle, and a past passive. Not all tenses and persons are represented in all moods and voices, as some conjugations use auxiliary forms.

Finally, there are forms called 'preterite-present': the old Indo-European perfect was reinterpreted as present tense. The Gothic word wáit, from the proto-Indo-European *woid-h₂e ("to see" in the perfect), corresponds exactly to its Sanskrit cognate véda and in Greek to ϝοἶδα. Both etymologically should mean "I have seen" (in the perfect sense) but mean "I know" (in the preterite-present meaning). Latin follows the same rule with nōuī ("I have learned" and "I know"). The preterite-present verbs include áigan ("to possess") and kunnan ("to know") among others.

Syntax

Word order

The word order of Gothic is fairly free as is typical of other inflected languages. The natural word order of Gothic is assumed to have been like that of the other old Germanic languages; however, nearly all extant Gothic texts are translations of Greek originals and have been heavily influenced by Greek syntax.

Sometimes what can be expressed in one word in the original Greek will require a verb and a complement in the Gothic translation; for example, διωχθήσονται (diōchthēsontai, "they will be persecuted") is rendered:

wrakos	winnand	(2 Timothy 3:12)
persecution--	suffer-
"they will suffer persecution"

Likewise Gothic translations of Greek noun phrases may feature a verb and a complement. In both cases, the verb follows the complement, giving weight to the theory that basic word order in Gothic is object–verb. This aligns with what is known of other early Germanic languages.^[18]

However, this pattern is reversed in imperatives and negations:^[19]

waírþ	hráins	(Matthew 8:3, Mark 1:42, Luke 5:13)
become-	clean
"become clean			"

ni	nimiþ	arbi	(Galatians 4:30)
not	take-	inheritance
"he shall not become heir"

And in a wh-question the verb directly follows the question word:^[19]

ƕa	skuli	þata	barn	waírþan	(Luke 1:66)
what	shall--	the-	child	become-
"What shall the child become?"

Clitics

Gothic has two clitic particles placed in the second position in a sentence, in accordance with Wackernagel's Law.

One such clitic particle is -u, indicating a yes–no question or an indirect question, like Latin -ne:

ni-u	taíhun	þái	gahráinidái	waúrþun?	(Luke 17:17)
not-	ten	that--	cleanse---	become--
"Were there not ten that were cleansed?"

ei	saíƕam	qimái-u	Helias	nasjan	ina	(Matthew 27:49)
that	see-	come---	Elias	save-	he-
"that we see whether or not Elias will come to save him"

The prepositional phrase without the clitic -u appears as af þus silbin: the clitic causes the reversion of originally voiced fricatives, unvoiced at the end of a word, to their voiced form; another such example is wileid-u "do you want" from wileiþ "you want". If the first word has a preverb attached, the clitic actually splits the preverb from the verb: ga-u-láubjats "do you both believe...?" from galáubjats "you both believe".

Another such clitic is -uh "and", appearing as -h after a vowel: ga-h-mēlida "and he wrote" from gamēlida "he wrote", urreis nim-uh "arise and take!" from the imperative form nim "take". After iþ or any indefinite besides sums "some" and anþar "another", -uh cannot be placed; in the latter category, this is only because indefinite determiner phrases cannot move to the front of a clause. Unlike, for example, Latin -que, -uh can only join two or more main clauses. In all other cases, the word jah "and" is used, which can also join main clauses.

More than one such clitics can occur in one word: diz-uh-þan-sat ijōs "and then he seized them " from dissat "he seized" (notice again the voicing of diz-), ga-u-ƕa-sēƕi "whether he saw anything" from gasēƕi "he saw".^[20]

Comparison to other Germanic languages

For the most part, Gothic is known to be significantly closer to Proto-Germanic than any other Germanic language except for that of the (scantily attested) Ancient Nordic runic inscriptions, which has made it invaluable in the reconstruction of Proto-Germanic. In fact, Gothic tends to serve as the primary foundation for reconstructing Proto-Germanic. The reconstructed Proto-Germanic conflicts with Gothic only when there is clearly identifiable evidence from other branches that the Gothic form is a secondary development.

Distinctive features

Gothic fails to display a number of innovations shared by all Germanic languages attested later:

• lack of Germanic umlaut,
• lack of rhotacism.

The language also preserved many features that were mostly lost in other early Germanic languages:

• dual inflections on verbs,
• morphological passive voice for verbs,
• reduplication in the past tense of Class VII strong verbs,
• clitic conjunctions that appear in second position of a sentence in accordance with Wackernagel's Law, splitting verbs from pre-verbs.

Lack of umlaut

Most conspicuously, Gothic shows no sign of morphological umlaut. Gothic Gothic: fotus, Gothic: fotjus, can be contrasted with English foot : feet, German German: Fuß : German: Füße, Old Norse Norse, Old: fótr : Norse, Old: fœtr, Danish Danish: fod : Danish: fødder. These forms contain the characteristic change pronounced as //u// > pronounced as //iː// (English), pronounced as //uː// > pronounced as //yː// (German), pronounced as //oː// > pronounced as //øː// (ON and Danish) due to i-umlaut; the Gothic form shows no such change.

Lack of rhotacism

Proto-Germanic *z remains in Gothic as z or is devoiced to s. In North and West Germanic, *z changes to r by rhotacism:

• Gothic Gothic: dius, Gothic: diuzis ≠
• Old English English, Old (ca.450-1100);: dēor, English, Old (ca.450-1100);: dēores "wild animal" (Modern English deer).

Passive voice

Gothic retains a morphological passive voice inherited from Indo-European but unattested in all other Germanic languages except for the single fossilised form preserved in, for example, Old English hātte or Runic Norse haitē "am called", derived from Proto-Germanic *haitaną "to call, command".

The morphological passive in North Germanic languages (Swedish gör "does", görs "is being done") originates from the Old Norse middle voice, which is an innovation not inherited from Indo-European.

Dual number

Unlike other Germanic languages, which retained dual numbering only in some pronoun forms, Gothic has dual forms both in pronouns and in verbs. Dual verb forms exist only in the first and second person and only in the active voice; in all other cases, the corresponding plural forms are used. In pronouns, Gothic has first and second person dual pronouns: Gothic and Old English wit, Old Norse vit "we two" (thought to have been in fact derived from *wi-du literally "we two").

Reduplication

Gothic possesses a number of verbs which form their preterite by reduplication, another archaic feature inherited from Indo-European. While traces of this category survived elsewhere in Germanic, the phenomenon is largely obscured in these other languages by later sound changes and analogy. In the following examples the infinitive is compared to the third person singular preterite indicative:

• Gothic saian "to sow" : saiso
• Old Norse sá : seri < Proto-Germanic *sezō
• Gothic laikan "to play" : lailaik
• Old English lācan : leolc, lēc

Classification

The standard theory of the origin of the Germanic languages divides the languages into three groups: East Germanic (Gothic and a few other very scantily-attested languages), North Germanic (Old Norse and its derivatives, such as Swedish, Danish, Norwegian, Icelandic, and Faroese) and West Germanic (all others, including Old English, Old High German, Old Saxon, Old Dutch, Old Frisian and the numerous modern languages derived from these, including English, German, and Dutch). Sometimes, a further grouping, that of the Northwest Germanic languages, is posited as containing the North Germanic and West Germanic languages, reflecting the hypothesis that Gothic was the first attested language to branch off.

A minority opinion (the so-called Gotho-Nordic hypothesis) instead groups North Germanic and East Germanic together. It is based partly on historical claims: for example, Jordanes, writing in the 6th century, ascribes to the Goths a Scandinavian origin. There are a few linguistically significant areas in which Gothic and Old Norse agree against the West Germanic languages.

Perhaps the most obvious is the evolution of the Proto-Germanic *-jj- and *-ww- into Gothic ddj (from Pre-Gothic ggj?) and ggw, and Old Norse ggj and ggv ("Holtzmann's Law"), in contrast to West Germanic where they remained as semivowels. Compare Modern English true, German treu, with Gothic triggws, Old Norse tryggr.

However, it has been suggested that these are, in fact, two separate and unrelated changes.^[21] A number of other posited similarities exist (for example, the existence of numerous inchoative verbs ending in -na, such as Gothic ga-waknan, Old Norse vakna; and the absence of gemination before j, or (in the case of old Norse) only g geminated before j, e.g. Proto-Germanic *kunją > Gothic kuni (kin), Old Norse kyn, but Old English cynn, Old High German kunni). However, for the most part these represent shared retentions, which are not valid means of grouping languages. That is, if a parent language splits into three daughters A, B and C, and C innovates in a particular area but A and B do not change, A and B will appear to agree against C. That shared retention in A and B is not necessarily indicative of any special relationship between the two.

Similar claims of similarities between Old Gutnish (Gutniska) and Old Icelandic are also based on shared retentions rather than shared innovations.

Another commonly-given example involves Gothic and Old Norse verbs with the ending -t in the 2nd person singular preterite indicative, and the West Germanic languages have -i. The ending -t can regularly descend from the Proto-Indo-European perfect ending *-th₂e, while the origin of the West Germanic ending -i (which, unlike the -t-ending, unexpectedly combines with the zero-grade of the root as in the plural) is unclear, suggesting that it is an innovation of some kind, possibly an import from the optative. Another possibility is that this is an example of independent choices made from a doublet existing in the proto-language. That is, Proto-Germanic may have allowed either -t or -i to be used as the ending, either in free variation or perhaps depending on dialects within Proto-Germanic or the particular verb in question. Each of the three daughters independently standardized on one of the two endings and, by chance, Gothic and Old Norse ended up with the same ending.

Other isoglosses have led scholars to propose an early split between East and Northwest Germanic. Furthermore, features shared by any two branches of Germanic do not necessarily require the postulation of a proto-language excluding the third, as the early Germanic languages were all part of a dialect continuum in the early stages of their development, and contact between the three branches of Germanic was extensive.

Polish linguist Witold Mańczak argued that Gothic is closer to German (specifically Upper German) than to Scandinavian and suggested that their ancestral homeland was located in the southernmost part of the Germanic territories, close to present-day Austria, rather than in Scandinavia. Frederik Kortlandt has agreed with Mańczak's hypothesis, stating: "I think that his argument is correct and that it is time to abandon Iordanes' classic view that the Goths came from Scandinavia."

Influence

The reconstructed Proto-Slavic language features several apparent borrowed words from East Germanic (presumably Gothic), such as Slavic languages: *xlěbъ, "bread", vs. Gothic Gothic: hlaifs.^[22]

The Romance languages also preserve several loanwords from Gothic, such as Portuguese Portuguese: agasalho (warm clothing), from Gothic Gothic: * (*, "companion, comrade"); Portuguese: ganso (goose), from Gothic Gothic: * ("goose"); Portuguese: luva (glove), from Gothic Gothic: ("palm of the hand"); and Portuguese: trégua (truce), from Gothic Gothic: ("treaty; covenant"). Other examples include the French broder (to embroider), from Gothic * (*bruzdon, "to embroider"); gaffe (gaffe), from Gothic (gafāh, "catch; something which is caught"); and the Italian bega (quarrel, dispute), from Gothic * (*bēga, "quarrel").

Use in Romanticism and the Modern Age

J. R. R. Tolkien

Several linguists have made use of Gothic as a creative language. The most famous example is "" ("Flower of the Trees") by J. R. R. Tolkien, part of Songs for the Philologists. It was published privately in 1936 for Tolkien and his colleague E. V. Gordon.^[23] Tolkien's use of Gothic is also known from a letter from 1965 to Zillah Sherring. When Sherring bought a copy of Thucydides' History of the Peloponnesian War in Salisbury, she found strange inscriptions in it; after she found his name in it, she wrote him a letter and asked him if the inscriptions were his, including the longest one on the back, which was in Gothic. In his reply to her he corrected some of the mistakes in the text; he wrote for example that should be and ("of those books"), which he suggested should be ("of this book"). A semantic inaccuracy of the text which he mentioned himself is the use of for read, while this was . Tolkien also made a calque of his own name in Gothic in the letter, which according to him should be .^[24]

Gothic is also known to have served as the primary inspiration for Tolkien's invented language, Taliska^[25] which, in his legendarium, was the language spoken by the race of Men during the First Age before being displaced by another of his invented languages, Adûnaic., Tolkien's Taliska grammar has not been published.

Others

On 10 February 1841, the German: Bayerische Akademie für Wissenschaften published a reconstruction in Gothic of the Creed of Ulfilas.^[26]

The Thorvaldsen museum also has an alliterative poem, "", from 1841 by Massmann, the first publisher of the Skeireins, written in the Gothic language. It was read at a great feast dedicated to Thorvaldsen in the Gesellschaft der Zwanglosen in Munich on July 15, 1841. This event is mentioned by Ludwig von Schorn in the magazine German: Kunstblatt from the 19th of July, 1841.^[27] Massmann also translated the academic commercium song Latin: [[Gaudeamus]] into Gothic in 1837.^[28]

In 2012, professor Bjarne Simmelkjær Hansen of the University of Copenhagen published a translation into Gothic of Latin: [[Adeste Fideles]] for Roots of Europe.^[29]

In French: Fleurs du Mal, an online magazine for art and literature, the poem Dutch; Flemish: Overvloed of Dutch poet Bert Bevers appeared in a Gothic translation.^[30]

Alice in Wonderland has been translated into Gothic by David Carlton in 2015 and is published by Michael Everson.^{[31] [32]}

Examples

The Lord's Prayer in Gothic:

See also

• Geats
• Gutes
• List of Germanic languages
• Modern Gutnish
• Name of the Goths
• Old Gutnish
• Thurneysen's law
• Vandalic language

Sources

• G. H. Balg: A Gothic grammar with selections for reading and a glossary. New York: Westermann & Company, 1883 (archive.org).
• G. H. Balg: A comparative glossary of the Gothic language with especial reference to English and German. New York: Westermann & Company, 1889 (archive.org).
• Book: Bennett, William Holmes. 1980. An Introduction to the Gothic Language. New York. Modern Language Association of America.
• W. Braune and E. Ebbinghaus, Gotische Grammatik, 17th edition 1966, Tübingen
  • 20th edition, 2004. (hbk), (pbk)
• Fausto Cercignani, "The Development of the Gothic Short/Lax Subsystem", in Zeitschrift für vergleichende Sprachforschung, 93/2, 1979, pp. 272–278.
• Fausto Cercignani, "The Reduplicating Syllable and Internal Open Juncture in Gothic", in Zeitschrift für vergleichende Sprachforschung, 93/1, 1979, pp. 126–132.
• Fausto Cercignani, "The Enfants Terribles of Gothic 'Breaking': hiri, aiþþau, etc.", in The Journal of Indo-European Studies, 12/3–4, 1984, pp. 315–344.
• Fausto Cercignani, "The Development of the Gothic Vocalic System", in Germanic Dialects: Linguistic and Philological Investigations, edited by Bela Brogyanyi and Thomas Krömmelbein, Amsterdam and Philadelphia, Benjamins, 1986, pp. 121–151.
• N. Everett, "Literacy from Late Antiquity to the early Middle Ages, c. 300–800 AD", The Cambridge Handbook of Literacy, ed. D. Olson and N. Torrance (Cambridge, 2009), pp. 362–385.
• Carla Falluomini, "Traces of Wulfila's Bible Translation in Visigothic Gaul", Amsterdamer Beiträge zur älteren Germanistik 80 (2020) pp. 5–24.
• Kortlandt . Frederik . The origin of the Goths . Amsterdamer Beiträge zur älteren Germanistik . 2001 . 55 . 21–25 . 10.1163/18756719-055-01-90000004 .
• W. Krause, Handbuch des Gotischen, 3rd edition, 1968, Munich.
• Thomas O. Lambdin, An Introduction to the Gothic Language, Wipf and Stock Publishers, 2006, Eugene, Oregon.
• Book: Miller . D. Gary . The Oxford Gothic Grammar . 2019 . Oxford University Press . Oxford . 978-0198813590.
• F. Mossé, Manuel de la langue gotique, Aubier Éditions Montaigne, 1942
• E Prokosch, A Comparative Germanic Grammar, 1939, The Linguistic Society of America for Yale University.
• Irmengard Rauch, Gothic Language: Grammar, Genetic Provenance and Typology, Readings, Peter Lang Publishing Inc; 2nd Revised edition, 2011
• C. Rowe, "The problematic Holtzmann’s Law in Germanic", Indogermanische Forschungen, Bd. 108, 2003. 258–266.
• Book: Skeat, Walter William. Walter William Skeat. 1868. A Moeso-Gothic glossary. London. Asher & Co..
• Book: Stearns. MacDonald. Crimean Gothic. Analysis and Etymology of the Corpus. 1978. Anma Libri. Saratoga, California. 0-915838-45-1.
• Wilhelm Streitberg, Die gotische Bibel , 4th edition, 1965, Heidelberg
• Joseph Wright, Grammar of the Gothic language, 2nd edition, Clarendon Press, Oxford, 1966
  • 2nd edition, 1981 reprint by Oxford University Press,

External links

• Gotisch im WWW Portal for information on Gothic (in German)
• Germanic Lexicon Project – early (Public Domain) editions of several of the references.
• Texts:
  • The Gothic Bible in Latin alphabet
  • The Gothic Bible in Ulfilan script (Unicode text) from Wikisource
  • Titus has Streitberg's Gotische Bibel and Crimean Gothic material after Busbecq.
  • Wulfila Project
  • Skeireins Project A website with the Skeireins including translations in Latin, German, French, Swedish, English, Dutch, Greek, Italian and Icelandic.
• Gothic Online by Todd B. Krause and Jonathan Slocum, free online lessons at the Linguistics Research Center at the University of Texas at Austin
• Gothic Readings Video clips in Gothic language
• Gothic basic lexicon at the Global Lexicostatistical Database
• Gotica Bononiensa A page with information about the discovered Bononiensa fragment from 2013
• glottothèque – Ancient Indo-European Grammars online, an online collection of introductory videos to Ancient Indo-European languages produced by the University of Göttingen

Notes and References

1. Strategies of Distinction: Construction of Ethnic Communities, 300–800 (Transformation of the Roman World, vol. 2) by Walter Pohl, (pp. 119–121)
2. MacDonald Stearns, Das Krimgotische. In: Heinrich Beck (ed.), Germanische Rest- und Trümmersprachen, Berlin/New York 1989, p. 175–194, here the chapter Die Dialektzugehörigkeit des Krimgotischen on p. 181–185
3. Carla Falluomini, 'Zum gotischen Fragment aus Bologna II: Berichtigungen und neue Lesungen', Zeitschrift für deutsches Altertum und Literatur 146.3 (2017) pp. 284–294.
4. • Andrey . Vinogradov . Maksim . Korobov . Gothic graffiti from the Mangup basilica . NOWELE. North-Western European Language Evolution . 71 . 2 . 2018 . 223–235 . 10.1075/nowele.00013.vin.
5. Braune/Ebbinghaus, Gotische Grammatik, Tübingen 1981
6. Book: Krause. Wolfgang. Handbuch des Gotischen. Niemeyer.
7. Carla Falluomini, "Traces of Wulfila's Bible Translation in Visigothic Gaul", Amsterdamer Beiträge zur älteren Germanistik 80 (2020) pp. 5–24.
8. Alice L. Harting-Correa, "Walahfrid Strabo's libellus de exordiis et incrementis quarundam in observationibus ecclesiasticis rerum. A translation and liturgical commentary", Leiden-New York-Köln: Brill, 1996, pp. 72–73. Discussion between W. Haubrichs and S. Barnish in D. H. Green (2007), "Linguistic and Literary Traces of the Ostrogoths", The Ostrogoths from the Migration Period to the Sixth Century: An Ethnographic Perspective, Sam J. Barnish and Federico Marazzi, eds., part of Studies in Historical Archaeoethnology, Volume 7, Giorgio Ausenda, series ed. (Oxford: Boydell Press, .), p. 409 and n1.
9. Prokosch p. 105
10. Wright (1910 edition) p. 362
11. See also Book: Cercignani, Fausto . Fausto Cercignani . The Development of the Gothic Vocalic System . Germanic Dialects: Linguistic and Philological Investigations . Bela . Brogyanyi . Thomas . Krömmelbein . Amsterdam and Philadelphia . Benjamins . 1986 . 121–151 . 90-272-3526-0 .
12. For the Gothic short vowels see also Fausto . Cercignani . The Development of the Gothic Short/Lax Subsystem . Zeitschrift für vergleichende Sprachforschung . 93 . 2 . 1979 . 272–278 .
13. But see Fausto . Cercignani . The Enfants Terribles of Gothic "Breaking": hiri, aiþþau, etc. . The Journal of Indo-European Studies . 12 . 3–4 . 1984 . 315–344 .
14. See also Fausto . Cercignani . The Reduplicating Syllable and Internal Open Juncture in Gothic . Zeitschrift für vergleichende Sprachforschung . 93 . 1 . 1979 . 126–132 .
15. Magnús . Snædal . Gothic . Studia Linguistica Universitatis Iagellonicae Cracoviensis . 128 . 2011 . 145–154 . 10.2478/v10148-011-0019-z .
16. Ratkus . Artūras . Weak adjectives need not be definite . Indogermanische Forschungen . 1 August 2018 . 123 . 1 . 27–64 . 10.1515/if-2018-0002. 172125588 .
17. Ratkus . Artūras . This is not the same: the ambiguity of a Gothic adjective . Folia Linguistica Historica . 25 October 2018 . 39 . 2 . 475–494 . 10.1515/flih-2018-0017. 150114192 .
18. Book: Eythórsson, Thórhallur . Thráinsson . Höskuldur . Epstein . Samuel David . Peter . Stever . Studies in Comparative Germanic Syntax . II . Kluwer Academic Publishers . 2001 . 109–10 . Functional Categories, Cliticization, and Verb Movement in the Early Germanic Languages . 978-1-402-00294-6 . amp.
19. Book: Eythórsson, Thórhallur . Thráinsson . Höskuldur . Epstein . Samuel David . Peter . Stever . Studies in Comparative Germanic Syntax . II . Kluwer Academic Publishers . 2001 . 110 . Functional Categories, Cliticization, and Verb Movement in the Early Germanic Languages . 978-1-402-00294-6 . amp.
20. Book: Eythórsson, Thórhallur . Thráinsson . Höskuldur . Epstein . Samuel David . Peter . Stever . Studies in Comparative Germanic Syntax . II . Kluwer Academic Publishers . 2001 . 117–18, 122 . Functional Categories, Cliticization, and Verb Movement in the Early Germanic Languages . 978-1-402-00294-6 . amp.
21. Book: Voyles, J. B. . Early Germanic Grammar . 1992 . San Diego . Academic Press . 25–26 . 0-12-728270-X.
22. Holzer. Georg. Georg Holzer. Germanische Lehnwörter im Urslavischen: Methodologisches zu ihrer Identifizierung. Germanic word-borrowings in proto-slavic: towards a methodology of their identiification. Croatica, Slavica, Indoeuropaea. de. Verlag der Österreichischen Akademie der Wissenschaften. 1990. 8. Ergänzungsband. 59–67. 9783700117742. 2014-01-07.
23. Book: Shippey. Tom. The road to Middle-earth: Revised and Expanded edition. 2003. Houghton Mifflin Company. 0-618-25760-8. 26.
24. Web site: Bellet. Bertrand. Babut. Benjamin. Apostil to Thucydides. Glæmscrafu.
25. J.R.R. Tolkien, "The Comparative Tables", Parma Eldalamberon 19, p. 22
26. Book: Gelehrte Anzeigen . 1841 . Munich . Bayerisch Akademie für Wissenschaften.
27. Web site: Massmann. Hans Ferdinand. Thunravalds Sunau. Thorvaldsen museum.
28. Web site: 'Das gothische Gaudeamus' – Digitalisat | MDZ. www.digitale-sammlungen.de.
29. Web site: Simmelkjær Hansen. Bjarne. qimandau triggwai. Roots of Europe. 2016-09-29. 2017-10-11. https://web.archive.org/web/20171011141627/http://rootsofeurope.ku.dk/streaming/f2012/gotisk/Gotiske_sange.pdf. dead.
30. Web site: Fleurs du Mal Magazine » BERT BEVERS: OVERVLOED (TRANSLATION 6).
31. Web site: The Mad Challenge of Translating "Alice's Adventures in Wonderland".
32. Web site: Lewis Carroll's Alice's Adventures in Wonderland – in Gothic.