| Goodtime Charley | |
| Music: | Larry Grossman |
| Lyrics: | Hal Hackady |
| Basis: | Historical events surrounding the Dauphin of France |
| Productions: | 1975 Broadway 2008 Off-Broadway concert |
Goodtime Charley is a musical with a book by Sidney Michaels, music by Larry Grossman, and lyrics by Hal Hackady.
A humorous take on actual historical events, it focuses on the Dauphin of France, who evolves from a hedonistic young man enamored of women in general (and Joan of Arc in particular) into a regal king while Joan follows her voices to her tragic fate.
The show was originally announced under the title "Charley and Joan",[1] with Al Pacino and Barbara Harris as the intended leads. It underwent extensive changes throughout its development stage, especially when Joel Grey expressed interest in playing the lead. The script and score were rewritten significantly in order to tailor the piece to his personality and talents. The producers were so keen on casting Ann Reinking as Joan they put everything on hold while she recovered from a back injury she had sustained while performing in Over Here!. The delay would prove to be damaging, since Grey had been signed for the film Buffalo Bill and the Indians and had limited time to commit to the stage project.[2]
Set in 15th Century France, the main character is Charles the Dauphin, the bastard son of Queen Isabella and a dissolute ne'er-do-well. This so-called "Goodtime Charley" meets his match in the Maid of Orleans, Joan of Arc. With her prodding and inspiration, "Goodtime Charley" grows from a fun-loving woman-chaser into Charles the VII, King of France, while Joan follows her voices to a greater fate as martyr and saint.[3]
| Character | Broadway (1975)[4] | |
|---|---|---|
| Dauphin of France | Joel Grey | |
| Joan of Arc | Ann Reinking | |
| Agnès Sorel | Susan Browning | |
| The General | Louis Zorich | |
| Minguet | Richard B. Shull | |
| The Archbishop | Jay Garner | |
| Isabeau of Bavaria | Grace Keagy | |
| Yolande | Peggy Cooper | |
| Charles VI of France | Hal Norman |
An original cast recording was released by RCA.
The out-of-town tryout in Boston resulted in major cuts in order to trim the running time from three-and-a-half hours to a more reasonable ninety minutes before the show continued to Philadelphia, where the reviews were now "raves", and finally New York City.[1]
The musical opened on Broadway on March 3, 1975 at the Palace Theatre, where it ran for only 104 performances and twelve previews, closing on May 31 when the producers were unable to find a name star to replace the departing Grey. The director was Peter H. Hunt, original choreography and staging concepts, Dennis Nahat (who brought in designers Willa Kim and Rouben Ter-Arutunian), replaced after Philadelphia by choreographer Onna White, with scenic design by Rouben Ter-Arutunian, costume design by Willa Kim, lighting design by Feder and orchestrations by Jonathan Tunick.
42nd Street Moon, San Francisco, California, presented a staged concert version in its "Lost Musicals" series from June 5 to 23, 1996. This version, in consultation with Grossman and Hackady, restored three songs that were cut prior to the Broadway premiere: "All She Can Do is Say No", "Tomorrow's Good Old Days", and "There Goes the Country" and returned the show to its original concept.[1]
A New York City revival, starring Daniel Reichard, was presented at the Arclight Theatre in September 2001.
The York Theatre Company (New York) "Musicals in Mufti" series presented the musical as a staged concert from June 27, 2008 to June 29, featuring Jenn Colella (Joan) and Matt McGrath (Charley).[5] The Beautiful Soup Theatre Collective in New York presented it as a benefit reading in March 2012.[6]