| Good Dog, Happy Man | |
| Type: | Album |
| Artist: | Bill Frisell |
| Cover: | frisell-good-dog-happy-man.jpg |
| Released: | 1999 |
| Studio: | O'Henry Sound (Burbank, California) |
| Genre: | Folk jazz, new acoustic, Americana |
| Length: | 61:51 |
| Label: | Elektra Nonesuch |
| Producer: | Lee Townsend |
| Prev Title: | Gone, Just Like a Train |
| Prev Year: | 1998 |
| Next Title: | The Sweetest Punch |
| Next Year: | 1999 |
Good Dog, Happy Man is the 11th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 1999 and features performances by Frisell, steel guitarist Greg Leisz, keyboardist Wayne Horvitz, bassist Viktor Krauss and drummer Jim Keltner with a guest appearance by Ry Cooder on slide guitar.[1]
JazzTimes called the album "the latest, logical extension in the saga of Frisell’s maturing voice." and summarized; "Triads galore, sweet tunes, organic funkiness, and a general laconic grace keep the music rooted, while also searching. What else could we ask for? Good Dog, Happy Man is a recording full of gentle things, bolstered by innate smarts and rugged musicality.[2] The Allmusic review by Richard S. Ginell awarded the album 4 stars, stating, "Again, Frisell often captures a loose, evolutionary jamming quality in these sessions, playing the country accents off of his jazz sensibilities. Unlike its predecessor, though, you can't imagine this being recorded on a backwoods front porch, for there are some production tricks and distant-sounding electronic loops that give away its Burbank studio origins. Purists on either side of the jazz/country divide are hereby warned to back off so that the rest of us can enjoy this".[3]
All compositions by Bill Frisell except as indicated.