Globular Flute Explained

The Globular Flute (Macedonian: Топчеста Флејта; Latinic: Topchesta flejta) is a Neolithic ocarina-type flute found in 1989 at the Mramor archaeological site near Čaška village, 15 km north of Veles in North Macedonia.

The artifact is a roughly spherical object crafted from refined reddish clay, measuring 4.7 cm in diameter and featuring a hollow interior. Its surface lacks any decorative elements. Three holes puncture the object, each with varying diameters (0.4 cm and 0.6 cm), positioned in a triangular arrangement akin to the apexes of a triangle. The hole positioned at one corner of the triangle is wider than the other two, which are identical. The object has been identified as a musical instrument by the excavators, an ocarina-type[1] globular flute.[2]

The flute has no find context, having been discovered in a ploughed field, but the date of the Neolithic settlement at Mramor ranges from between 5000 and 4000 BC. Although a unique object, experts consider it to be a demonstration of the type of technology available in Neolithic Europe.[3] It is not known if the flute was for performing ritual music or for entertainment, but experiments have been carried out on the melodies produced by the instrument by musician Dragan Dautovski who has played a glass reproduction of the Mramor flute, revealing possible Neolithic melodic registers and scales.[4] Dautovski has said that the timbre of the flute is "almost shocking", and the instrument is "a testimonial to the divine power of music as the oldest cosmic language".[5]

Further reading

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Notes and References

  1. For a survey of prehistoric ocarina-type instruments and a linguistic analysis of the possible origins of the word ocarina, cf. Perono Cacciafoco, Francesco. (2019). A Prehistoric 'Little Goose': A New Etymology for the Word 'Ocarina'. Annals of the University of Craiova: Series Philology, Linguistics, XLI, 1-2: 356-369, Paper.
  2. Jovcevska, T., "Globular Flute". Skopje, 2007. (in Macedonian). A rough English translation version is here: http://uzkn.gov.mk/dokumenti/flejta/GLOBULAR_FLUTE.pdf, and the illustrations from the original book are here: http://uzkn.gov.mk/dokumenti/flejta/Ilustracii_Illustrations.pdf
  3. Simon Wyatt, "Soul Music: Instruments in an Animistic Age", page 13, in "The Sounds of Stonehenge". Stephen Banfield (ed.), BAR British Series 504, Oxford 2009. http://www.simonwyatt.webspace.virginmedia.com/SWigheard/pubs/Dr%20Simon%20Wyatt%202009%20SoulMusic.pdf
  4. Goce Naumov, "Embodied Houses: the Social and Symbolic Agency of Neolithic Architecture in the Republic of Macedonia", page 77, in "Tracking the Neolithic House in Europe", D. Hofmann, J. Smyth (eds.). New York, 2013.
  5. Dejan Trajkoski, "Dragan Dautovski: Music is the Oldest Language", 2011. http://www.southeast-europe.eu/features/music0/dragan-dautovski-music-is-the-oldest-language.html