| The Girl with the Dragon Tattoo | |
| Title Orig: | Män som hatar kvinnor |
| Translator: | Reg Keeland, pseudonym of Steven T. Murray |
| Author: | Stieg Larsson |
| Country: | Sweden |
| Language: | Swedish |
| Series: | Millennium |
| Genre: | Crime, mystery, thriller |
| Publisher: | Norstedts Förlag (Swedish) |
| Pub Date: | August 2005 |
| English Pub Date: | January 2008 |
| Media Type: | Print (paperback, hardback) |
| Pages: | 544 (paperback) |
| Isbn: | 978-91-1-301408-1 |
| Isbn Note: | (Swedish) (English) |
| Oclc: | 186764078 |
| Followed By: | The Girl Who Played with Fire |
The Girl with the Dragon Tattoo (original title in Swedish: '''Män som hatar kvinnor''' |lit=Men who hate women) is a psychological thriller novel by Swedish author Stieg Larsson. It was published posthumously in 2005, translated into English in 2008, and became an international bestseller.[1]
The Girl with the Dragon Tattoo is the first book of the Millennium series. Originally a trilogy by Larsson, the series was expanded to another three books by David Lagercrantz, and as of 2021 rights had been sold for Karin Smirnoff to write three more.
Larsson spoke of an incident which he said occurred when he was 15: he stood by as three men gang raped an acquaintance of his named Lisbeth. Days later, wracked with guilt for having done nothing to help her, he begged her forgiveness—which she refused to grant. The incident, he said, haunted him for years afterward and in part inspired him to create a character named Lisbeth who was also a rape victim.[2] The veracity of this story has been questioned since Larsson's death, after a colleague from Expo magazine reported to Rolling Stone that Larsson had told him he had heard the story secondhand and retold it as his own.[3] The murder of Catrine da Costa was also an inspiration when he wrote the book.[4]
With the exception of the fictional Hedestad,[5] the novel takes place in actual Swedish towns. The magazine Millennium in the books has characteristics similar to that of Larsson's magazine, Expo, such as its leftist socio-political leanings, its exposés on Swedish Nazism and financial corruption and its financial difficulties.[6]
Both Larsson's longtime partner Eva Gabrielsson and English translator Steven T. Murray have said that Christopher MacLehose (who works for British publisher Quercus) "needlessly prettified" the English translation; as such, Murray requested he be credited under the pseudonym "Reg Keeland".[7] The English release also changed the title, even though Larsson specifically refused to allow the Swedish publisher to do so, and the size of Salander's dragon tattoo; from a large piece covering her entire back, to a small shoulder tattoo.[8]
Middle-aged journalist Mikael Blomkvist, who publishes the magazine Millennium in Stockholm, has lost a libel case involving damaging allegations about billionaire Swedish industrialist Hans-Erik Wennerström, and is sentenced to three months in prison. Facing jail time and professional disgrace, Blomkvist steps down from his position on the magazine's board of directors, despite strong objections from Erika Berger, Blomkvist's longtime friend, occasional lover, and business partner. At the same time, he is offered an unlikely freelance assignment by Henrik Vanger, the elderly former CEO of Vanger Enterprises. Blomkvist accepts the assignment, unaware that Vanger commissioned gifted private investigator Lisbeth Salander to comprehensively investigate Blomkvist's personal and professional history.
Blomkvist visits Vanger at his estate on the tiny island of Hedeby, several hours from Stockholm. The old man convinces Blomkvist to do the assignment, by promising not only financial reward but also solid evidence that Wennerström is truly the scoundrel Blomkvist suspects him to be. On this basis, Blomkvist agrees to spend a year writing the Vanger family history as a cover for the real assignment: solving the "cold case" of the disappearance of Vanger's great niece Harriet some 40 years earlier. Vanger expresses his suspicion that Harriet was murdered by a member of the vast Vanger family, many of whom were present in Hedeby on the day of her disappearance. Each year on his birthday Harriet gave Henrik a present of pressed flowers. Since her murder, each year on his birthday, the murderer torments him with a present of pressed flowers, explains Vanger.
Blomkvist begins to analyze the volumes of information that Vanger has obsessively compiled over 40 years about the circumstances of Harriet's disappearance. Hedeby is home to several generations of Vangers, all part-owners in Vanger Enterprises. Under the pretext of researching the family history, and because the island is small, Blomkvist soon becomes acquainted with the members of the extended family who are variously mad, uninterested, concerned, hostile, or aloof.
Blomkvist immerses himself in the case. Eventually Lisbeth Salander is brought in, now to assist him with research by using her skills as a computer hacker. Ultimately the two discover that Harriet's brother Martin, now CEO of Vanger Industries, has been systematically abusing and killing women for years. Moreover, the behavior was indoctrinated in him by his late father Gottfried who sexually abused Martin and Harriet as well. Blomkvist tries to confront Martin, but is captured and taken to a torture chamber hidden in Martin's house. Martin reveals that he is not responsible for Harriet's disappearance. Moments before Martin can kill Blomkvist, Lisbeth bursts in and frees him. Martin escapes but commits suicide by crashing his car into a truck on the highway.
Blomkvist and Lisbeth realize that Harriet was not murdered, but ran away to escape from her sadistic brother. They track her in Australia where she runs a sheep farming company. Confronted, she confirms their account of the case, and reveals that she was responsible for the presumed accidental death of her father. She returns to Sweden where she is happily reunited with Vanger and begins to take a leading role in the newly leaderless family company.
The evidence about Wennerström, which Vanger's promised, turns out to be weak, and the promises turn out to have been mostly a lure for Blomkvist. But Lisbeth breaks into Wennerström's computer and discovers that his crimes go beyond what Blomkvist had published. Using this evidence, Blomkvist publishes an article and a book which destroy Wennerström and raise Blomkvist and Millennium to national prominence.
Larsson refers to several classic forerunners in the same genre and comments on contemporary Swedish society.[9] Reviewer Robert Dessaix writes, "His favourite targets are violence against women, the incompetence and cowardice of investigative journalists, the moral bankruptcy of big capital and the virulent strain of Nazism still festering ... in Swedish society." Cecilia Ovesdotter Alm and Anna Westerstahl Stenport write that the novel "reflects—implicitly and explicitly—gaps between rhetoric and practice in Swedish policy and public discourse about complex relations between welfare state retrenchment, neoliberal corporate and economic practices, and politicised gender construction. According to one article, the novel endorses a pragmatic acceptance of a neoliberal world order that is delocalized, dehumanized and misogynistic."[10]
Alm and Stenport add, "What most international (and Swedish) reviewers overlook is that the financial and moral corruptibility at the heart of The Girl with the Dragon Tattoo is so profound as to indict most attributes associated with contemporary Sweden as democratic and gender-equal. The novel is in fact far from what American critic Maureen Corrigan calls an "unflinching ... commonsense feminist social commentary".[11]
Larsson further enters the debate as to how responsible criminals are for their crimes, and how much is blamed on upbringing or society. For instance, Salander has a strong will and assumes that everyone else does, too. She is portrayed as having suffered every kind of abuse in her young life, including an unnecessary commitment to a psychiatric clinic and subsequent instances of sexual assault suffered at the hands of her court-appointed guardian.
Maria de Lurdes Sampaio, in the journal Cross-Cultural Communication, asserts that, "Blomkvist, a modern Theseus, leads us to the labyrinth of the globalized world, while the series' protagonist, Lisbeth Salander, modeled on the Amazon, is an example of the empowerment of women in crime fiction by playing the role of the 'tough guy' detective, while also personifying the popular roles of the victim, the outcast and the avenger." In this context, she discusses "Dialogues with Greek tragedy... namely Salander's struggles with strong father figures." Sampaio also argues,
The novel was released to great acclaim in Sweden and later, on its publication in many other European countries. In the original language, it won Sweden's Glass Key Award in 2006 for best crime novel of the year. It also won the 2008 Boeke Prize, and in 2009 the Galaxy British Book Awards[12] for Books Direct Crime Thriller of the Year, and the prestigious Anthony Award[13] [14] for Best First Novel. The Guardian ranked The Girl with the Dragon Tattoo at 98 in its list of 100 Best Books of the 21st Century.[15] Larsson was awarded the ITV3 Crime Thriller Award for International Author of the Year in 2008.[16]
The Girl with the Dragon Tattoo received mixed reviews from American critics. According to Book Marks, the book received "positive" reviews based on 15 critic reviews with 6 being "rave" and 8 being "positive" and 1 being "mixed".[17] The book received a 79% from The Lit Review based on 27 critic reviews and the consensus of the reviews being," A dark, multi-layered crime story driven by its decidedly unconventional pair of sleuths and the late author’s political conscience."[18] On Bookmarks Magazine Nov/Dec 2008 issue, a magazine that aggregates critic reviews of books, the book received a (3.5 out of 5) based on critic reviews with the critical summary saying, "Critics’ responses varied to the late Stieg Larsson’s debut novel".[19] Globally, it was generally well received with Complete Review saying on the consensus "Some rough edges, but generally very impressed".[20]
It debuted at number four on The New York Times Best Seller list. Alex Berenson wrote in The New York Times, "The novel offers a thoroughly ugly view of human nature"; while it "opens with an intriguing mystery" and the "middle section of Girl is a treat, the rest of the novel doesn't quite measure up. The book's original Swedish title was Men Who Hate Women, a label that just about captures the subtlety of the novel's sexual politics."[21] The Los Angeles Times said "the book takes off, in the fourth chapter: From there, it becomes classic parlor crime fiction with many modern twists....The writing is not beautiful, clipped at times (though that could be the translation by Reg Keeland) and with a few too many falsely dramatic endings to sections or chapters. But it is a compelling, well-woven tale that succeeds in transporting the reader to rural Sweden for a good crime story."[22] Several months later, Matt Selman said the book "rings false with piles of easy super-victories and far-fetched one-in-a-million clue-findings."[23] Richard Alleva, in the Catholic journal,Commonweal, wrote that the novel is marred by "its inept backstory, banal characterizations, flavorless prose, surfeit of themes (Swedish Nazism, uncaring bureaucracy, corporate malfeasance, abuse of women, etc.), and—worst of all—author Larsson's penchant for always telling us exactly what we should be feeling."[24]
On the other hand, Dr. Abdallah Daar, writing for Nature, said, "The events surrounding the great-niece's disappearance are meticulously and ingeniously pieced together, with plenty of scientific insight."[25] The Pittsburgh Post-Gazette wrote, "It's a big, intricately plotted, darkly humorous work, rich with ironies, quirky but believable characters and a literary playfulness that only a master of the genre and its history could bring off."[26]
The Girl with the Dragon Tattoo sold more than 30 million copies by 2010.[27] In the United States, it sold more than 3.4 million copies in hardcover or ebook formats, and 15 million total by June 2011.[28]
Wiley published a collection of essays, edited by Eric Bronson, titled The Girl with the Dragon Tattoo and Philosophy (2011).[29]
See main article: article, The Girl with the Dragon Tattoo (2009 film) and The Girl with the Dragon Tattoo (2011 film).