Ginette Martenot Explained

Birth Date:January 27, 1902
Birth Place:Paris
Death Date:September 6, 1996 (aged 94)
Death Place:Neuilly-sur-Seine
Education:Conservatoire de Paris
Nationality:French
Known For:Ondes Martenot
Spouse:Didier Lazard

Ginette Martenot (1902–1996) was a French pianist, and an expert and leading performer[1] on the twentieth-century electronic instrument the ondes Martenot, which was invented by her brother Maurice. At the age of sixteen, she entered the Paris Conservatory, where she studied counterpoint and fugue with the composer Arthur Honegger. She gave the first performance (and subsequently made recordings) as solo ondist in Messiaen's Turangalîla-Symphonie, with Yvonne Loriod taking the solo piano part.

Martenot taught the composer Serge Nigg.[2]

Martenot composed and performed the score for the 1964 Canadian short documentary, Le Monde va nous prendre pour des sauvages. (English title: People Might Laugh at Us.) Directed by Françoise Bujold and Jacques Godbout, the film depicts Mi'kmaq children on a reserve in Maria, Quebec.

She was the sister of Madeleine Martenot, a pianist and pedagogue.[3]

Notable performances

On December 10, 1949, Ginette Martenot performed on the ondes Martenot in the premier of Messiaen's Turangalîla-Symphonie with the Boston Symphony Orchestra, conducted by Leonard Bernstein.[4] The part was written for Martenot herself, with Messiaen describing her as "the only possible ondiste" for his work, and "the perfect virtuoso," in a 1949 letter to Serge Koussevitzky.[5]

Awards

On April 20, 1995, Martenot was admitted to the Ordre des Arts et des Lettres at the rank of Commandeur.[6]

Martenot received a Grand Prix for conducting an ensemble of ondes Martenot in a performance of Messiaen's unpublished 1937 work, Fête des belles eaux.[7]

Publications

References

  1. Orton, Richard, and Davies, Hugh. "Ondes martenot". Grove Music Online (subscription access)
  2. [Brigitte Massin|Massin, Brigitte]
  3. Drazevener; Clarens (February 1910). "Les Concerts". Paris Musical & Dramatique. p. 6, https://gallica.bnf.fr/ark:/12148/bpt6k6110941r/f6.item.
  4. News: Music Notes . . The New York Times . 10 October 1949 .
  5. Simeone . Nigel . Messiaen, Koussevitzky and the USA . The Musical Times . 2008 . 149 . 1905 . 25–44 . . 10.2307/25434570 . 25434570 .
  6. Web site: 2002 . Cabinet et services rattachés au Ministre . April 6, 2023 . Archives Nationales.
  7. Simeone . Nigel . Music at the 1937 Paris Exposition: The Science of Enchantment . The Musical Times . Spring 2002 . 143 . 1878 . 9–17 . 10.2307/1004419 . 1004419 .
  8. Martenot . Ginette . January 1933 . Voies nouvelles pour présenter la musique à l'enfant . L'Ère Nouvelle . 84 . 155–159 . Internet Archive.
  9. Martenot . Ginette . Martenot . Maurice . July 1934 . Influence du rythme et du temps rythmique chez l'enfant . Pour l'Ère Nouvelle . 99 . 171–174 . Université de Caen.

External links