| Gina Malo | |
| Birth Name: | Janet Flynn |
| Birth Date: | 1 June 1909 |
| Birth Place: | Cincinnati, Ohio, U.S. |
| Death Place: | New York City, U.S. |
| Occupation: | Actress |
| Children: | 1 |
| Years Active: | 1932–1940 |
Gina Malo (born Janet Flynn; June 1, 1909 – November 30, 1963) was an American film actress,[1] born Janet Flynn in Cincinnati, Ohio.[2] She appeared in a number of British films in the 1930s, often playing an American.
Though born in Cincinnati as Janet Flynn, Gina Malo[3] represented herself as a Parisian film actress when securing her first Broadway parts. After a stint with Florenz Ziegfeld as a showgirl, Malo's ambitions as a singer found vent when she secured the part of the prima dona in Sigmund Romberg's operetta 'The New Moon' (1928-1929). When a Paris production of Romberg's musical formed, she jumped at the chance to play the part again.
A capable French speaker, she obtained another stage role in Paris singing in Broadway. She returned to New York as a replacement for Lili Damita in "Sons o’Guns". Rumors of her American nativity were not laid to rest by her speaking in a heavy French accent to interviewers, but her singing, markedly superior to Damita's, won praise in 1930. After Ruby Keeler bailed out of 'The Gang's All Here' during its Philadelphia tryout in 1931, Malo took over as the singing lead. Keeler may have intuited something, for the show was being hijacked by Ted Healy, not a place for an ambitious leading lady to be. The musical died after 23 performances.
Assuaging her wounds by crossing the Atlantic, she appeared in the London production of Victoria and her Hussar. She remained in London for the production of Jerome Kern's The Cat and the Fiddle, a smash hit with Peggy Wood in the lead. When the British-Gaumont film company decided to adapt Johann Strauss's Fledermaus to the screen, they tapped Malo to play Adele, the singing maid. Waltz Time was a success in England and the United States.
Firmly established in the British entertainment world, Malo next starred in The Bride of the Lake, a nostalgic, tuneful rendering of Dion Boucicault's old Irish melodrama, The Colleen Bawn. After testing unsuccessfully for the role of Anna Held in The Great Ziegfeld in Hollywood, Malo returned to London to play in the French importation, Toi C’est Moi, followed in Spring 1935 with a turn in the musical Leave it to Love. She also appeared on screen in a Jan Kiepura vehicle, My Song for You.
Malo in the late 1930s was a fixture of the English stage, playing in a succession of hits: The Gang Show, On Your Toes, Diversion and The Gentle People. Her film career remained lively, with highlights such as The Private Life of Don Juan, Windbag the Sailor, Where There's a Will and the screen version of the stage hit The Gang Show.
In 1937, she married actor and dramatist Romney Brent.
In March 1940, the couple left London for New York as war loomed. She could only secure a role in a B-level scare flick, Chamber of Horrors. She played in American regional summer theater through World War II. Malo eventually found her way to Toronto and won praise there for her work in repertory work, such as the 1944 production of Hamlet. After the war, she toured in Brent's production of Merry Wives of Windsor.
J. Brooks Atkinson, 'Songs, Dances and Stooges,' NYT 2-19-1931, 28. NYT 1-19-1932, 13. Los Angeles Times 2-22,1934, 7. NYT 2-10-1935. Los Angeles Times 712–1935, A:11. NYT 3-19-1940, 34. Obituary NYT 12-3-1963, 43. Internet Broadway Database. Internet Movie Database. David S. Shields.
| Year | Title | Role | Notes | |
|---|---|---|---|---|
| 1932 | In a Monastery Garden | Nina | ||
| 1932 | Goodnight, Vienna | Frieda | ||
| 1932 | A Tight Corner | |||
| 1933 | King of the Ritz | Victoria | ||
| 1933 | Waltz Time | Adele | ||
| 1933 | Strike It Rich | Mary | ||
| 1934 | Lily of Killarney | Eileen O'Connor | ||
| 1934 | My Song for You | Kleeberg's Brunet | ||
| 1934 | The Private Life of Don Juan | Pepita, Another Dancer of Equal Temperament | ||
| 1936 | Where There's a Will | Goldie Kelly | ||
| 1936 | Southern Roses | Mary Rowland | ||
| 1936 | All In | Kay Slott | ||
| 1936 | Jack of All Trades | Frances Wilson | ||
| 1937 | Over She Goes | Dolly Jordan | ||
| 1937 | It's a Grand Old World | Joan | ||
| 1938 | His Lordship Regrets | Mabel van Morgan | ||
| 1938 | The Gang Show | Marie | ||
| 1940 | The Door with Seven Locks | Glenda Baker | (final film role) |