| Concert Tour Name: | Get Sleazy Tour |
| Type: | World |
| Location: | North America • Oceania • Europe • South America |
| Artist: | Kesha |
| Album: | Animal Cannibal |
| This Tour: | Get Sleazy Tour (2011) |
| Next Tour: | North American Tour 2013 (2013) |
| Number Of Legs: | 6 |
| Number Of Shows: | 66 in North America 10 in Oceania 12 in Europe 2 in South America 90 total |
The Get Sleazy Tour (stylized as Get $leazy Tour) was the first concert tour by American recording artist Ke$ha in support of both her first album, Animal, and first extended play, Cannibal. Officially announced on November 8, 2010, the tour visited the Americas, Australia and Europe. It was scheduled to visit Asia but due to the 2011 Tōhoku earthquake and tsunami, the tour was postponed indefinitely. Described by Kesha as "a ridiculously fun dance party", the concerts were presented as underground rave ups drawing inspiration from parties she would attend while growing up in Tennessee. The tour kicked off on February 15, 2011, in Portland, Oregon, and ended September 29, 2011, in Rio de Janeiro.
Critical reception to the tour has been generally mixed to positive. Kesha's vocals on the tour were generally praised although some critics noted the overuse of backtrack on some songs. Her charisma and stage presence was also generally met with positive reception. Despite Kesha receiving positive reviews her original opener, Beardo, was met with extremely negative reception with multiple critics calling him unfunny. After a successful sold out first run in North America, she extended her tour into the summer including dates in the United Kingdom and additional dates in the United States.
The tour was officially announced on November 8, 2010, via the artist's official website.[1] The tour comes months after Kesha toured the United States with Rihanna as the opening act on her Last Girl on Earth[2] and her own promotional tour in the United Kingdom during the Fall of 2010 to support her first studio album, Animal.[3] During an interview with Gary Graff (from Billboard) Kesha explained her inspiration for the tour, describing it as "a ridiculously fun dance party that will build on the energetic sets she played while opening for Rihanna last summer." She elaborated,
Five concerts in Asia were originally planned for March 2011.[4] Due to the 2011 Tōhoku earthquake and tsunami, the shows were postponed on March 15, 2011. The singer responded, "My heart is with Japan right now through this disaster and these hardships. I genuinely don't think right now would be appropriate timing for me to perform in Japan given the content and the spirit of my show, which is all about feeling exuberant, rowdy, and wild. I plan to bring my party there and to that part of the world when we are all ready to dance and Get $leazy together again. In the meantime I am going to do everything I can to help relief efforts and I encourage everyone in the world to do the same."[5] After a successful run in North America, the singer extended her tour into the summer including dates in the United Kingdom and additional dates in the United States. Kesha described the extension saying, "My spring tour sold out so fast, which is amazing, but I want to get to party with errryone. If you are part of my family, my cult of rowdy misfits, come join us! I’m pulling out an ass-ton more glitter with blue lipstick to spare and I’m ready to party with all y’all all summer long. Sh–'s gonna be hot as a mofo [...] Miss this and you be missing the biggest dance party of the year!"[6] The set list is mainly derived from Kesha's first album Animal, and follow-up extended play (EP) Cannibal. Besides tracks from those albums, Kesha incorporated covers of the Beastie Boys song, "(You Gotta) Fight for Your Right (To Party!)" to "give the show a more rock'n'roll edge."[7] She told Kevin O'Donnell of Spin, "I've been on this Iggy Pop kick — he's just so inspiring to watch as a performer, [...] I'm trying to do something like that, minus the heroin and the stabbing myself part."[7] The theme of the tour is "to bring the planet an epic dance party [...] That's my mentality with this tour — party as hard as we can and make it as infectious as possible. It's unlike anything anyone else in pop music is doing."[7] Visually, the theaters and auditoriums hosting the show will be transformed and presented as "basement rave-ups". The inspiration came from her earlier life when she was growing up in Tennessee where she would attend parties.[7] To achieve this look, the singer worked with the creative team responsible for Daft Punk's concerts. The look is described as Mad Max and "intergalactic spaceship" combination.[7]
Opening with the concert's title track "Sleazy", Kesha, wearing glasses outlined by an arrangement of lights, a black leotard encrusted with rhinestones and diamonds, appears in the middle of a large structure in the shape of a diamond where she acts as the night's DJ.[8] Surrounded by her band and background dancers, seen wearing clothing described as a blend between "Mad Max and [...] prehistoric birds", she remains in the structure while transitioning into the following song, "Take It Off". She performs the next two songs, "Fuck Him He's a DJ" and "Dirty Picture", in the structure as she presses buttons that set different synths into motion and plays on percussion boards. By the concert's fifth song, "Blow", she emerges from the structure and takes center stage, shooting glitter cannons at the audience.
During "Cannibal", Kesha, now wearing an American flag ensemble with black ripped fishnets, proceeds to tie up one of her male dancers to an X-shaped post. She then proceeds to pull a glowing red heart from the dancer's chest as fake blood covers herself and the man. For the final part of the evening, Kesha changes into a rhinestone infused skeleton bodysuit. The suit was also worn by Kesha when she kickstarted on the inaugural Conan Summer Concert Series.[9] She later asks for a "man who enjoys being abused" from the audience; she brings him onto the stage, then duct tapes him to a chair, giving him a lap dance as she sings her song "Grow a Pear". As she sings, a background dancer dressed as a penis joins Kesha and the man on stage, dancing and jumping around. The concert is ended with "Tik Tok" and an encore consisting of "We R Who We R" and the Beastie Boys track "(You Gotta) Fight for Your Right (To Party!)".
Stephan Lee from Entertainment Weekly was positive in the review of the concert. Lee was skeptical of the concert initially, citing her "less-than-stellar TV performances" as the reason for the apprehension but wrote that he was surprised at "how unexpectedly awesome the show was". Kesha's vocal performance was praised with Lee noting that her vocals sounded nearly identical to how her records sounded. The shows atmosphere was praised with Lee noting that "she packed infinitely more entertainment value and energy into the show by way of pure, unabashed silliness than Britney Spears did in her much more expensive and lavish Circus tour." Lee ended his review of the concert comparing Kesha to Lady Gaga, Katy Perry and Britney Spears stating that "I think Kesha doesn't get much respect because people have a hard time seeing what she brings to the table that other pop solo artists like Britney, Gaga, and Katy Perry don’t already, but her persona was fully on display last night, and it was all her own."[10] Mark Lore from Spin, referring to an earlier quote by Kesha, "I'm going to bring the planet an epic dance party", wrote that she lived up to her word calling the night "such good, sleazy fun". "Cannibal" and "Grow a Pear" were two highlights from the review, being called "well-executed" and for not taking herself too seriously. Lore complimented the choice of set-list and the nights overall atmosphere praising the humor present throughout the show.[11]
Jason MacNeil from the Toronto Sun wrote that the show's opening seemed a bit tame for someone like Kesha, writing that it was not until "Take It Off" "that stiffness slowly melted away." MacNeil's consensus for the show was, "It took her a little while to find that seedy, trashy animal magnetism she exudes so well, but when she did, pop singer Kesha was money in the bank." The review highlighted the show's theatrics, citing "Grow A Pear" as the strongest part of the show. MacNeil went on to give the concert three and a half stars out of five.[12] Megan Buerger of the Washington Post called the concert "an assaulting tribute to partying and debauchery." Buerger praised her charisma on her singles writing that she had consistent "unfaltering energy" on them. Her vocals on "Animal" and "The Harold Song" were called "startling" with Buerger writing that "despite her efforts to hide it, there seems to be a singer behind all that sleaze. Perhaps the most startling moment of the evening featured the lone Kesha on stage [...] she offered a fleeting glimpse at her under-utilized vocal talent." The review of the concert was ended with the consensus that "her refusal to take herself seriously is refreshing and even a little endearing. She may be rough around the edges, but boring, she's not."[13]
Bree Davies from Westword criticized the opening act, Beardo, calling him an unfunny and unbelievable version of "Weird-Al-meets-License-to-Ill-era-Beastie-Boys". Davies had a positive impression of the concert overall, praising her stage presence for "her ability to keep every pair of mostly-female eyes on her at all times" and for presenting an "expensive-looking big bang-up stage show combined with lowest common denominator pop".[14] David Burger from The Salt Lake Tribune criticized Kesha's stage presence and charisma blaming it on the venue. The review highlighted songs such as "Tik Tok" and "Your Love Is My Drug" but criticized the middle third of the show which featured ballads.[15] Matt Farley and Erica Boniface from KUSA gave credit to Kesha's performance and live band for "sticking to her R-rated guns". Her opener Beardo however, was deemed "possibly the worst act ever to perform at the Fillmore".[16] Lauren Carter from Boston Herald wrote that the show was "technically a success" praising her vocals on her songs that "all knocked appropriately." Carter was also negative in the review however, criticizing her on her insistence "on seeming wild, crazy and amoral, which for anyone not drunk or ensnared in the Ke$ha web, was simply draining."[17]
Jenelle Evans from Teen Mom 2 highly praised this tour in an episode where she refused to go to jail in order not to miss her concert. Evans had second row seats for the August 9, 2011 show in Raleigh. She told her lawyer "No, you don't understand. This is my idol...that's why I got all these feathers in my hair."[18]
Source:[22]
| Date | City | Country | Venue |
|---|---|---|---|
| North America – Leg 1[23] | |||
| February 15, 2011 | Portland | United States | Roseland Theater |
| February 16, 2011 | Seattle | Showbox SoDo | |
| February 18, 2011 | Salt Lake City | The Great Saltair | |
| February 19, 2011 | Denver | Fillmore Auditorium | |
| February 20, 2011 | Kansas City | The Midland by AMC | |
| February 22, 2011 | St. Louis | Pageant Nightclub | |
| February 24, 2011 | Chicago | House of Blues | |
| February 25, 2011 | Mount Pleasant | McGuirk Arena | |
| February 26, 2011 | Detroit | The Fillmore Detroit | |
| Oceania[24] | |||
| March 3, 2011 | Brisbane | Australia | Riverstage |
| March 5, 2011 | Ascot | Doomben Racecourse | |
| March 6, 2011 | Joondalup | Arena Joondalup | |
| March 7, 2011 | Perth | Challenge Stadium | |
| March 9, 2011 | Melbourne | Festival Hall | |
| March 10, 2011 | Sydney | Hordern Pavilion | |
| March 12, 2011 | Randwick | Randwick Racecourse | |
| March 13, 2011 | Flemington | Flemington Racecourse | |
| March 14, 2011 | Adelaide | Rymill Park | |
| March 16, 2011 | Adelaide Entertainment Centre | ||
| North America – Leg 2[25] | |||
| April 3, 2011 | Geneseo | United States | Kuhl Gymnasium |
| April 5, 2011 | Fairborn | Nutter Center | |
| April 6, 2011 | Toronto | Canada | Kool Haus |
| April 9, 2011 | Glassboro | United States | Rowan University |
| April 12, 2011 | Boston | House of Blues | |
| April 13, 2011 | New York City | Roseland Ballroom | |
| April 15, 2011 | Williamsport | LC Recreation Center | |
| April 16, 2011 | Clarion | Tippin Gym | |
| April 19, 2011 | Charlotte | The Fillmore Charlotte | |
| April 20, 2011 | Atlanta | The Tabernacle | |
| April 22, 2011 | Orlando | House of Blues | |
| April 23, 2011 | |||
| April 26, 2011 | Dallas | ||
| April 29, 2011 | Houston | Verizon Wireless Theater | |
| April 30, 2011 | Memphis | Tom Lee Park | |
| May 3, 2011 | Reno | Grand Theatre | |
| May 4, 2011 | San Francisco | Warfield Theatre | |
| May 6, 2011 | Los Angeles | Hollywood Palladium | |
| May 7, 2011 | Las Vegas | Pearl Concert Theater | |
| May 13, 2011 | Chula Vista | Cricket Wireless Amphitheatre | |
| May 14, 2011 | Los Angeles | Staples Center | |
| May 15, 2011 | West Sacramento | Raley Field | |
| Europe[26] [27] | |||
| June 23, 2011 | Pilton | England | Worthy Farm |
| June 24, 2011 | |||
| June 25, 2011 | Budapest | Hungary | Felvonulási Square |
| June 28, 2011 | Dublin | Ireland | The O2 |
| June 29, 2011 | Belfast | Northern Ireland | Odyssey Arena |
| July 1, 2011 | Rotselaar | Belgium | Werchter Festival Grounds |
| July 3, 2011 | Birmingham | England | O2 Academy Birmingham |
| July 5, 2011 | Oslo | Norway | Sentrum Scene |
| July 6, 2011 | Karlskoga | Sweden | Putte I Parken Festival Grounds |
| July 9, 2011 | Kinross | Scotland | Balado |
| July 11, 2011 | Manchester | England | Manchester Apollo |
| July 13, 2011 | London | HMV Hammersmith Apollo | |
| North America – Leg 3[28] | |||
| July 24, 2011 | Tulsa | United States | Brady Theater |
| July 26, 2011 | Harrington | Wilmington Trust Grandstand | |
| July 28, 2011 | Columbus | Celeste Center | |
| July 30, 2011 | Duluth | Arena at Gwinnett Center | |
| July 31, 2011 | Nashville | Nashville Municipal Auditorium | |
| August 2, 2011 | The Woodlands | Cynthia Woods Mitchell Pavilion | |
| August 3, 2011 | Cedar Park | Cedar Park Center | |
| August 4, 2011 | Dallas | Gexa Energy Pavilion | |
| August 7, 2011 | Miami | Bayfront Park Amphitheater | |
| August 9, 2011 | Raleigh | Raleigh Amphitheater | |
| August 10, 2011 | Charlotte | Time Warner Cable Music Pavilion | |
| August 12, 2011 | Uncasville | Mohegan Sun Arena | |
| August 13, 2011 | Saint-Jean-sur-Richelieu | Canada | Parc Pierre-Trahan |
| August 14, 2011 | Toronto | Molson Amphitheatre | |
| August 16, 2011 | Boston | United States | Bank of America Pavilion |
| August 17, 2011 | Philadelphia | Festival Pier at Penn's Landing | |
| August 19, 2011 | Holmdel | PNC Bank Arts Center | |
| August 20, 2011 | Wantagh | Nikon at Jones Beach Theater | |
| August 21, 2011 | Fairfax | Patriot Center | |
| August 23, 2011 | Indianapolis | The Lawn at White River State Park | |
| August 24, 2011 | Chicago | Charter One Pavilion | |
| August 25, 2011 | Mexico City | Mexico | National Auditorium |
| August 26, 2011 | Clarkston | United States | DTE Energy Music Theatre |
| August 30, 2011 | Saint Paul | Roy Wilkins Auditorium | |
| August 31, 2011 | Council Bluffs | Mid-America Center | |
| September 2, 2011 | Kansas City | Starlight Theatre | |
| September 3, 2011 | Broomfield | 1stBank Center | |
| September 6, 2011 | Calgary | Canada | Scotiabank Saddledome |
| September 7, 2011 | Edmonton | Rexall Place | |
| September 9, 2011 | Vancouver | Rogers Arena | |
| September 10, 2011 | Seattle | United States | WaMu Theater |
| September 11, 2011 | Portland | Theater of the Clouds | |
| September 13, 2011 | Davis | The Pavilion | |
| September 14, 2011 | San Francisco | Fox Oakland Theatre | |
| September 16, 2011 | Las Vegas | Planet Hollywood Theater | |
| September 18, 2011 | San Diego | SDSU Open Air Theatre | |
| September 20, 2011 | Phoenix | Comerica Theatre | |
| South America[29] [30] | |||
| September 28, 2011 | São Paulo | Brazil | Via Funchal |
| September 29, 2011 | Rio de Janeiro | Parque Olímpico Cidade do Rock | |
| < | --Date--> | < | --City, (State or Country)--> | < | --Venue--> | < | --Reason/Additional Info--> |
|---|---|---|---|---|---|---|---|
| March 22, 2011 | Nagoya, Japan | Zepp Nagoya | Postponed[31] | ||||
| March 23, 2011 | Osaka, Japan | Namba Hatch | Postponed | ||||
| March 25, 2011 | Tokyo, Japan | Studio Coast | Postponed | ||||
| March 26, 2011 | Tokyo, Japan | Zepp Tokyo | Postponed | ||||
| March 29, 2011 | Seoul, South Korea | Melon AX Hall | Postponed | ||||
| April 25, 2011 | Tulsa, Oklahoma | Brady Theater | Rescheduled for July 24, 2011[32] | ||||
| September 14, 2011 | San Francisco | Bill Graham Civic Auditorium | Moved to the Fox Oakland Theatre in Oakland, California[33] | ||||
| Venue | City | Tickets sold / available | Gross revenue |
|---|---|---|---|
| Hordern Pavilion | Sydney | 5,120 / 5,120 (100%) | $400,144[34] |
| Nutter Center | Fairborn | 5,077 / 5,141 (99%) | $337,804[35] |
| Cedar Park Center | Cedar Park | 4,472 / 4,708 (95%) | $202,813[36] |
| Patriot Center | Fairfax | 5,484 / 6,909 (79%) | $300,774[37] |
| DTE Energy Music Theatre | Clarkston | 13,495 / 13,495 (100%) | $770,368[38] |
| Rexall Place | Edmonton | 7,824 / 9,019 (87%) | $400,531 |
| Theater of the Clouds | Portland | 7,784 / 7,784 (100%) | $550,725 |
| Fox Oakland Theatre | Oakland | 2,472 / 2,800 (88%) | $202,477[39] |
| Via Funchal | São Paulo | 10,565 / 10,565 (100%) | $402,715 |