| Gertrude Hoffmann | |
| Birth Name: | Katherine Gertrude Hay |
| Nickname: | Kitty |
| Birth Date: | May 7, 1883 |
| Birth Place: | San Francisco, California, U.S. |
| Death Date: | October 21, 1966 (aged 83) |
| Death Place: | Los Angeles, California, U.S. |
| Occupation: | Performance dancer and choreographer |
| Yearsactive: | 1900 - 1929 |
| Children: | 1 |
Katherine Gertrude Hoffmann (née Hay, May 7, 1883 – October 21, 1966) was an American early 20th-century vaudeville dancer and choreographer.[1]
Katherine “Kitty” Gertrude Hay was born in San Francisco on May 7, 1883, the daughter of John and Katherine (née Brogan) Hay.[2] [3] Her father, who was born in Bangor, Maine, in 1843, came to California sometime before 1873. Katherine Brogan was born in Ireland around 1847 and came to America in the early 1860s. John and Katherine Hay moved to Portland, Oregon, where John died in 1914. Katherine Brogan Hay died in 1926 at the Long Island summer house of her daughter, Gertrude.[3] [4] [5] Gertrude received her early education at a San Francisco area Catholic convent.[6]
Katherine had been performing on stage for some time as Kitty Hayes before catching the eye of actress Florence Roberts playing a French dancer in Jules Massenet’s five-act opera Sapho at San Francisco’s Alcazar Theatre.[7] Not long after Robert's encouragement to pursue a career in dance, Gertrude signed on at the age of sixteen as a dancer with the vaudeville comedy team of Matthews and Bulger and began a tour that would eventually take her to New York City and the Paradise Roof Garden atop Oscar Hammerstein's Victoria Theatre.[4] [5] [8]
In 1903, Gertrude Hoffmann was hired as a rehearsal director at Oscar Hammerstein’s Victoria Theater, working with the sixty-member "Punch and Judy Co." shows and other vaudeville routines performing at the venue.[6] Willie Hammerstein persuaded her to appear on the stage.[9] Three years later she replaced an ill performer in Ziegfeld’s "The Parisian Dancer" and became a hit imitating Anna Held singing "I Just Can’t Make My Eyes Behave".[6] Over her career, Gertrude also did impersonations of various other performers, such as Eva Tanguay, Eddie Foy, and Ethel Barrymore.
Her choreography and special dance effects brought her high praise and rebuke. Her interpretive Salome dance, which she first performed in 1908, brought her fame while causing scandal at many theater houses nationwide. On several occasions, her suggestive Salome dance in scant costumes led to her arrest by local police.[10] Following Hoffman's success, dancers as diverse as Eva Tanguay, Vera Olcott, Lotta Faust, Ruth St. Denis, La Sylphe, and Ada Overton Walker offered a burlesque Salome dance as part of the popular craze known as "Salomania."[11]
Later in her career, she became manager and choreographer of the Gertrude Hoffmann Girls. Reminiscent of the Tiller Girls, her dancers used a type of athletic acrobatic transformation of the chorus girl with kicks, leaps, etc. The Gertrude Hoffmann Girls performed in the Shubert review Artists and Models that ran for the entire 1925-26 season at the Winter Garden and also had long runs over the following two seasons with A Night in Paris and A Night in Spain. In 1933, she resurrected the Hoffmann dancers and had some success touring America and Europe before the outbreak of the Second World War.[12] [13] Not much is known of her later life other than she may have at one time operated a dance studio or club in Southern California.[8]
In 2006 the social historian Armond Fields listed Gertrude Hoffmann in his book Women Vaudeville Stars: Eighty Biographical Profiles. The Gertrude Hoffmann Glide, a two-step or turkey-trot dance named after her in 1913, was recorded by the Victor Military Band and sold through Sears Catalogs.[1] [14] [15]
Gertrude married Max Hoffmann (1873–1963), a composer, songwriter and vaudeville orchestra leader, on April 8, 1901 in Baltimore.[16] [17] Her husband's full name and title was said to be “Baron” Adolph Eugene Victor Maximilian Hoffmann. Though born in Poland most likely of German descent, the title "Baron" is dubious since he was raised in St. Paul, Minnesota.[18] On most public records and travel documents, their surname was recorded as Hoffmann rather than Hoffman.[18] [19] Max Hoffmann throughout their marriage worked with Gertrude as her music director and manager. Their son, professionally known as Max Hoffmann Jr. (1902–1945), was born the year following their marriage at Norfolk, Virginia and would go on to be a musical-comedy performer on Broadway and in films. Max Jr. was, for a brief period, married to the noted Boop-Boop-a-Doop singer Helen Kane.[20]
Gertrude Hoffmann died on the 21 October 1966 in Los Angeles, California.