| Germfree Adolescents | |
| Type: | studio |
| Artist: | X-Ray Spex |
| Cover: | X-Ray Spex - Germfree Adolescents album cover.jpg |
| Recorded: | 1978 |
| Studio: | Essex Studios, Poland Street, London W1 |
| Length: | 35:51 |
| Label: | EMI |
| Next Title: | Conscious Consumer |
| Next Year: | 1995 |
Germfree Adolescents is the 1978 debut album of English punk rock band X-Ray Spex. It contained the UK hit singles "The Day the World Turned Dayglo" (No. 23 in April 1978), "Identity" (No. 24 in July 1978) and "Germ Free Adolescents" which reached No. 18 in November 1978. Upon release, the critics noted it was not all new material: five songs on the twelve tracks had already been released on A-sides and B-sides of singles.
From contemporary reviews, Charles Shaar Murray of NME praised the album, stating it "neatly avoids the weakness of previous Spex gigs and records (i.e. cacophony, ramshackle playing boosted by road-drill volume) while concentrating on the band's strengths (great lyrics, nifty chewns, energy and a winningly knowing innocence)." Tim Lott of Record Mirror declared the album to be "sounds for sophisticated head-bangers" and that it was "Bright music, glaring and kitsch as the pinks, greens and yellows that splash the colour. Taste in tastelessness, anarchy in tune. What did you expect from X-Ray Spex?" Jon Savage felt had too much already released material on it, noting that "The album is basically, the Spex set from early (Roxy/Man In The Moon) days and the first demo with a fair sprinkling of new additions: "Genetic Engineering", "Warrior in Woolworths", "Artificial" and the title track [...] the album features an unforgivable proportion of material already released and well-aired: five songs out of 12, three A-sides." but still concluded that "This doesn't detract from the album's playability. The sides are programmed symmetrically and sensibly [...] All the songs are built around catchy, deceptively simple riffs, often reminiscent of reggae in their jaunty lilt, and they're done full justice by the band and the production." Murray also was disappointed by the lack of new material, stating that "three A-sides (the title track, "Identity" and the immortal "The Day the World Turned Day-Glo") and one B-side ("I Am a Poseur") on an album makes for poor value in this man's supermarket." Lott critiqued some tracks, noting that "Plastic Bag" went "beyond the bounds of good kitsch". Savage echoed this statement, finding that "Plastic Bag" was the "one track that's actively annoying: the otherwise amusing "My Mind Is Like a Plastic Bag" is burdened by a cumbersome arrangement, nostalgia lyrics ("It's 1977 and we're all going mad") and Poly at her most unlistenable." Murray commented that "Plastic Bag" was "by no means as excellently realised as it was on the original X-Ray-Spex demo tapes of a year or so back (this allusion is not elitism: I just wish you could have heard that version)."
The NME ranked it the ninth best album of 1978.[1] In his February 1979 "Consumer Guide" column in The Village Voice, critic Robert Christgau bemoaned the fact that Germfree Adolescents had not been released in the US and praised Poly Styrene's "cheerfully moralistic nursery rhymes", the songs' strong melodies and the "irresistible color" of the band's "dubiously tuned one-sax horn section".[2] He also named the album one of the few import-only records from the 1970s he loved yet omitted from (1981).[3]
Robert Christgau later deemed Germfree Adolescents "one of British punk's strongest" albums.[4] Trouser Press declared it "a masterpiece!"[5] The Rough Guide to Rock calls it a "storming album".[6]
In 1994, The Guinness Encyclopedia of Popular Music named Germfree Adolescents the eighth best punk album of all time.[7] Seven years later, in May 2001, Spin magazine ranked the album at number five on its "50 Most Essential Punk Records" list.[8] In March 2003, Mojo magazine ranked the record at number 19 on its "Top 50 Punk Albums" list.[9] Germfree Adolescents is listed in the reference book 1001 Albums You Must Hear Before You Die.[10]
In 2020, Rolling Stone ranked the album at number 354 in their list of the 500 Greatest Albums of All Time.[11]
All tracks written by Poly Styrene.
Side A
Side B
Bonus tracks
The 1991 Caroline release features four additional tracks and a rearranged song order.
The 2005 CD reissue includes the original song order and the following bonus tracks not on the original release.
Additional personnel
| Chart (1978/79) | Peak position | |
|---|---|---|
| Australia (Kent Music Report)[14] | 56 | |
| United Kingdom (Official Charts Company) | 30 |