Gerard Horenbout Explained

Gerard Horenbout or Gerard Hourenbout (c. 1465 - c. 1541) was a Flemish miniaturist, a late example of the miniature tradition in Early Netherlandish painting. He is "likely and widely accepted" to be the Master of James IV of Scotland, a leading miniaturist of the period, responsible for the Spinola Hours and other major projects of the last flowering of the Flemish miniature tradition.[1]

Biography

Horenbout lived and worked in Ghent and is best known as a manuscript illustrator. He also made stained glass, tapestries, embroidery designs, ironworks and panel painting. First mentioned in 1487, when he joined the painters Guild of Saint Luke.[2] He was married to Margaret Svanders soon after joining the guild. They had six children, two of whom were the artists Lucas Horenbout and Susanna Hornebolt. There were also sons Eloy and Joris. Lucas, Susanna and at least one more of his sons were trained by Horenbout to be painters.

He had at least two apprentices, one in 1498, and one in 1502. In 1515, he was made painter to Archduchess Margaret of Austria, and also briefly worked at the court of Henry VIII in England. He was visited by Albrecht Dürer in 1521, when Dürer bought an illustrated manuscript made by his daughter Susanna Horenbout. His son Lucas Horenbout was also a well-known painter.[3]

His wife, Margaret Svanders, or van Saunders, died in 1529[4] [5] and he made the brass plaque found at All Saints' Church in Fulham, London.[6]

He died about 1540 or 1541.

Works

Major works attributed to the Master of James IV of Scotland include the Spinola Hours in the Getty Museum, "the most pictorially ambitious and original sixteenth-century Flemish manuscript",[10] the Grimani Breviary in Venice, the Holford Hours in Lisbon (1526, probably his last work), the "Rothschild Prayerbook" (or "Hours"), the "Vatican Hours" and two detached miniatures in the Cloisters Museum.[11] On large projects he often collaborated with other masters.[12] For example, in the Mayer van den Bergh Breviary, he was one of at least 12 artists who contributed to the decoration.

References

Notes and References

  1. Scot McKendrick. "Reviving the Past," in Illuminating the Renaissance: The Flemish Triumph of Manuscript Painting in Europe. Getty Publications; 1 July 2003. . pp. 411-413, 428
  2. Susan E. James. The Feminine Dynamic in English Art, 1485-1603: Women As Consumers, Patrons and Painters. Ashgate Publishing Company; 2009. . p. 242.
  3. Book: Richardson . Carol M. . Woods . Kim . Michael W. Franklin . Renaissance art reconsidered: an anthology of primary sources . 8 July 2009 . 2007 . Wiley-Blackwell . 978-1-4051-4641-8 . 10–11.
  4. Kathy Lynn Emerson, Wives and Daughters: The Women of Sixteenth Century England. Troy, NY: Whitston, 1984. p. 113.
  5. James Thorne. Handbook to the Environs of London: Alphabetically Arranged, Containing an Account of Every Town and Village, and of All Places of Interest, Within a Circle of Twenty Miles Round London. John Murray; 1876. p. 220.
  6. Susan E. James. The Feminine Dynamic in English Art, 1485-1603: Women As Consumers, Patrons and Painters. Ashgate Publishing Company; 2009. . pp. 242-243.
  7. Book: Hellinga . Lotte . Trapp . Joseph Burney . Donald Francis McKenzie, David McKitterick, John Barnard, Ian R.. Willison . The Cambridge History of the Book in Britain

    1400-1557

    . 1999 . Cambridge University Press . 978-0-521-57346-7 . 56.
  8. Web site: High quality version of the Sforza Hours . British Library . 8 July 2009 . dead . https://web.archive.org/web/20090525022101/http://www.bl.uk/collections/treasures/sforza/sforza_broadband.htm?middle . 25 May 2009 .
  9. Book: Wolf . Norbert . Hans Holbein the Younger, 1497/98-1543: the German Raphael . 8 July 2009 . 2004 . Taschen . 978-3-8228-3167-0 . 48.
  10. Kren & S McKendrick, 414, who also catalogue the Grimani Breviary and Vatican Hours.
  11. http://www.metmuseum.org/TOAH/HD/manu/hod_48.149.15.htm Image and commentary
  12. Kren & S McKendrick, 418-426