Gerald Wilkinson Explained

Gerald Sedgewick Wilkinson, (9 February 1926 – 10 March 1988[1] [2]) was a British illustrator, art historian, naturalist, photographer, artist and book-designer, known for his books on J. M. W. Turner's sketches and on British trees and woodlands. Though there had been many sections on the genus Ulmus in books and journals, Wilkinson's monograph, Epitaph for the Elm (1978), written for the general reader and illustrated in colour, was the first such book to be published in the UK.[3]

Life and work

Wilkinson was born 9 February 1926[4] in Wigan and attended Wigan Grammar School and Manchester School of Art, where he studied lettering (a subject on which he later lectured)[5] and took a Diploma in Art, specialising in Mural Painting (1947).[6] [5] [7] In the 1950s his illustrations were reproduced in Arts Council posters and in The Penrose Annual (1955). He turned to research on Turner's sketches, publishing studies in 1972, 1974, 1975 and 1981.[8] [9] [10] [11] Karl Kroeber listed Wilkinson's Turner's Early Sketchbooks (1972) as one of the best collections of reproductions of Turner's works.[12] Wilkinson, however, later described himself (1978) as "interested above all in landscape",[13] an interest that led to his second reputation, as a specialist in British trees and woodlands, a subject he treated in a number of books. These included a guide to the trees of Britain, Trees in the Wild (1975),[14] and a monograph on elms, elegiac in tone, published at the height of the Dutch elm disease pandemic, Epitaph for the Elm (1978), containing his own illustrations and photographs (one of the latter appeared on the cover of the Sunday Times Magazine, 14 May 1978). Epitaph ranged over literature, history, folklore and botany, and included chapters on the elm in art (among them paintings by John Constable) and poetry (with poems by John Clare, Edward Thomas and John Betjeman).[15] The book was also notable for its championing of Plot elm, which Wilkinson regarded as a beautiful tree neglected by conservationists: "Unhappily," he wrote, "the plumes of Ulmus plotii are no longer a common feature of the landscape of the Trent above Newark and the Witham above Lincoln. Elms are now [1978] few in these areas that were once the home of Plot elm. A wartime shortage of wood, altered drainage levels, land clearance for power stations, and machine farming have all combined into the familiar pattern of short-term efficiency and long-term degradation." He asked readers to let him know of any surviving specimens.[16]

Wilkinson's region-by-region guides to British Woodland Walks were published in association with the Ordnance Survey in the 1980s. He also contributed photographs and articles to The AA Book of the Countryside (1973).[17] The Turner books and Woodland Walks in Britain were also published in the US.[18]

Wilkinson was elected a Fellow of the Linnean Society of London on 17 May 1977.[5] He married the illustrator Jill Gardiner, who contributed line-drawings to his Trees in the Wild. They had two children and lived in Oxfordshire. After his death in a road accident a near Culham on 10 March 1988, the Reading Evening Post wrote, "His work as a painter was much appreciated and his paintings had been exhibited, sold and were sought after."[2]

Publications

Art history

Natural history

Notes and References

  1. England & Wales, Civil Registration Birth Index, 1916-2007
  2. Reading Evening Post, Tuesday 20 February 1990; p.9
  3. Richens, R. H., bibliography to Elm (Cambridge, 1983), p.307-315
  4. 1990 . The deaths of 27 members have been reported . . 6 . 1 . 37.
  5. Dust-wrapper, Gerald Wilkinson, A History of Britain's Trees (1981)
  6. Dolman, Bernard Who's Who in Art" (1956) Volume 8, p.765
  7. https://www.artbiogs.co.uk/1/artists/wilkinson-gerald-Gerald Gerald Sedgewick Wilkinson, artbiogs.co.uk
  8. Reviews of Turner's Early Sketchbooks:
    • Baridon . Michel . 6 . Dix-Huitième Siècle . fr . 425 . Compte-rendu . 1974.
    • Herrmann . Luke . Luke Herrmann . June 1975 . 867 . The Burlington Magazine . 878053 . 409–410 . none . 117.
  9. Reviews of The Sketches of Turner, 1802–20:
    • Ziff . Jerrold . Fall 1977 . 1 . Victorian Studies . 3825942 . 113–115 . none . 21.
    • Herrmann . Luke . Luke Herrmann . October 1976 . 883 . The Burlington Magazine . 878575 . 715–716 . none . 118.
  10. Reviews of Turner's Colour Sketches, 1820-34:
    • Herrmann . Luke . Luke Herrmann . October 1976 . 883 . The Burlington Magazine . 878575 . 715–716 . none . 118.
    • Wilton . Andrew . September 1975 . 5230 . Journal of the Royal Society of Arts . 41372216 . 676 . none . 123.
  11. Review of Turner on Landscape:
    • Money . Ernie . Contemporary Review . 52 . none . 242 . 1982.
  12. Experience as History: Shelley's Venice, Turner's Carthage . Karl . Kroeber . Karl Kroeber . ELH . 1974 . 41 . 3 . 321–339 . 10.2307/2872589 . 2872589 .
  13. Publisher's note, dustwrapper, Epitaph for the Elm (1978)
  14. Review of Trees in the Wild:
    • Freethy . Ron . 4 April 1974 . 892 . . 36 . Review . 62.
  15. Reviews of Epitaph for the Elm:
    • Elkington . John . 1 June 1978 . 1105 . . 604 . Review . 78.
    • Gibbs . John N. . 7 December 1978 . Tree appreciation . Nature . en . 276 . 5688 . 641–642 . 10.1038/276641a0 . 4247806 . 1476-4687.
  16. Wilkinson, Gerald (1978). Epitaph for the Elm. London. pp.72-74
  17. AA Book of the Countryside (1973, 1981), lists p.5, p.536
  18. Reviews of Woodland Walks in Britain:
  19. Review of A History of Britain's Trees:
    • Harris . J. A. . 2 . 136 . Quarterly Journal of Forestry . none . 76 . 1982.