Gerald B. Greenberg Explained

Gerald Bernard "Jerry" Greenberg (July 29, 1936 – December 22, 2017)[1] was an American film editor with more than 40 feature film credits. Greenberg received both the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film The French Connection (1971). In the 1980s, he edited five films with director Brian De Palma.

Greenberg began his career as an assistant to Dede Allen on the film America America (1963), directed by Elia Kazan. Allen has been called "the most important film editor in the most explosive era of American film".[2] She helped develop the careers of several editors known as "Dede's boys", and Greenberg was the first.[3]

Greenberg was Allen's assistant again on Bonnie and Clyde (1967), which was directed by Arthur Penn. The editing of the ambush scene in this film in which Bonnie and Clyde are killed has been very influential, and Allen credited Greenberg with its actual "cutting".[4] [5] Greenberg was the associate editor for Alice's Restaurant (1969), again directed by Penn and edited by Allen. By that time Greenberg's independent editing career had commenced with Bye Bye Braverman (1968), which was directed by Sidney Lumet. Greenberg later co-edited Penn's The Missouri Breaks (1976) with Allen and Stephen A. Rotter.

Early career

A native of New York, as a youth, Greenberg learned to edit music and began familiarizing himself with the moviola, splicers, synchronizers and recorders.[1] In 1960, he was offered an apprenticing job for Dede Allen on Elia Kazan’s America America (1963).[1] By 1967, when he and Allen were on Bonnie and Clyde, he was given the task of editing a couple of the shootout scenes, working closely with Allen and director Arthur Penn. He cut his first solo feature, Bye Bye Braverman, for director Sidney Lumet in 1968.[1]

Collaboration with William Friedkin

Greenberg edited two films with director William Friedkin, The Boys in the Band (1970) and The French Connection (1971). The French Connection was a success at the box-office and won the Academy Award for Best Picture. Friedkin attributed much of the film's success to its editing, writing "I can't say too much about the importance of editing. When I looked at the first rough cut of the chase, it was terrible. It didn't play. It was formless, in spite of the fact that I had a very careful shooting plan that I followed in detail. It became a matter of removing a shot here or adding a shot there, or changing the sequence of shots, or dropping one frame, or adding one or two frames. And here's where I had enormous help from Jerry Greenberg, the editor. As I look back on it now, the shooting was easy. The cutting and the mixing were enormously difficult. It was all enormously rewarding."[6]

The car chase sequence in The French Connection has been called "the finest example of montage editing since Battleship Potemkin (1925)";[7] this early film, directed and edited by Sergei Eisenstein, was seminal in the development of film editing.[8] Greenberg won the Academy Award for Best Film Editing and the BAFTA Award for Best Editing for the film. In 2012, The French Connection was selected as the tenth best edited film of all time in a listing compiled by the Motion Picture Editors Guild.[9]

Apocalypse Now (1979)

Francis Ford Coppola produced, directed, and co-wrote Apocalypse Now, which was released in 1979. Filming had taken over a year in 1976 and 1977. Editing took place over two years prior to its release, and involved several editors; the supervising editor was Richard Marks, another of "Dede's boys".[10] Greenberg described his own role in an interview with Vincent LoBrutto.[11] The film is now remembered as one of the most important to have emerged from American involvement in the long Vietnam War that had ended in 1975. Writing in 1999, critic Roger Ebert said "Apocalypse Now is the best Vietnam film, one of the greatest of all films, because it pushes beyond the others, into the dark places of the soul. It is not about war so much as about how war reveals truths we would be happy never to discover".[12] In the 2012 critics' poll conducted by the British Sight & Sound magazine, Apocalypse Now was rated the fourteenth best film ever made.[13] The editing of Apocalypse Now was rated third best of all films in the 2012 listing of the Motion Picture Editors Guild. With Marks, Walter Murch, and Lisa Fruchtman, Greenberg shared in the film's nominations for the Academy Award, the BAFTA Award, and the ACE Eddie.

Collaboration with Brian De Palma

With the film Dressed to Kill (1980), Greenberg began a 7-year collaboration with director Brian De Palma. Greenberg edited five films with De Palma, with the last being The Untouchables (1987). Greenberg's assistant editor on Dressed to Kill, Bill Pankow, worked on all these films, and was his co-editor for The Untouchables; Pankow subsequently became De Palma's principal editor.

The period of De Palma's collaboration with Greenberg has been described as follows: De Palma's "early lower-budget thrillers, although superbly manufactured, were too bloody and garish for the average taste and infuriated many critics. But De Palma began gaining respectability with Dressed to Kill (1980) and following several critical setbacks, reached the apex in the late 80s with such high-powered productions as The Untouchables (1987) and Casualties of War (1989). A superb technician, he was finally crafting material worthy of his bold, often dazzling, visual flair."[14]

Honors and influence

Greenberg won the Oscar and the BAFTA awards for The French Connection (1971), and was nominated for the ACE Eddie. With his co-editors, he was nominated again for the Oscar, BAFTA, and Eddie for Apocalypse Now (1979). In the same year, he was nominated for the Oscar and BAFTA for Kramer vs. Kramer (1979), which was the first of his two films with director Robert Benton.

Greenberg has been elected to membership in the American Cinema Editors,[15] and in 2015 that organization honored him with its Career Achievement Award.[16] Writing after the ceremony at which Greenberg received the Career Achievement Ward, Ross Lincoln and Erik Pedersen said, "if editing is the most important part of completing a film, he is one of the most quantifiably influential people in the past 40 years."[17] On the 2012 list of "best edited films of all time", Greenberg worked on three of the top ten: Bonnie and Clyde, The French Connection, and Apocalypse Now.

Death

Greenberg died on December 22, 2017, at the age of 81

Partial filmography (editor)

This filmography of feature films is based on the listing at the Internet Movie Database.

Editor
YearFilmDirectorNotes
1966The StepsLeonard Hirschfield
1968Bye Bye BravermanSidney Lumet
The Subject Was RosesUlu Grosbard
1970The Boys in the BandWilliam FriedkinFirst collaboration with William Friedkin
1971They Might Be GiantsAnthony Harvey
The French ConnectionWilliam FriedkinSecond collaboration with William Friedkin
1972Come Back, Charleston BlueMark Warren
The Stoolie
1973Electra Glide in BlueJames William Guercio
1974The Taking of Pelham One Two ThreeJoseph Sargent
1975The Happy HookerNicholas Sgarro
1976The Missouri BreaksArthur Penn
1979Apocalypse NowFrancis Ford Coppola
Kramer vs. KramerRobert BentonFirst collaboration with Robert Benton
1980Dressed to KillBrian De PalmaFirst collaboration with Brian De Palma
Heaven's GateMichael Cimino
1982Still of the NightRobert BentonSecond collaboration with Robert Benton
1983ScarfaceBrian De PalmaSecond collaboration with Brian De Palma
1984Body DoubleThird collaboration with Brian De Palma
1985Savage DawnSimon Nuchtern
1986Wise GuysBrian De PalmaFourth collaboration with Brian De Palma
No MercyRichard Pearce
1987The UntouchablesBrian De PalmaFifth collaboration with Brian De Palma
1988The AccusedJonathan Kaplan
1989Collision CourseLewis Teague
Christmas VacationJeremiah S. Chechik
1990AwakeningsPenny Marshall
1991For the BoysMark Rydell
1992School TiesRobert Mandel
1998American History XTony Kaye
Reach the RockWilliam Ryan
1999Inspector GadgetDavid Kellogg
2000DuetsBruce Paltrow
Get CarterStephen Kay
2001Angel EyesLuis MandokiFirst collaboration with Luis Mandoki
2002TrappedSecond collaboration with Luis Mandoki
2003Bringing Down the HouseAdam Shankman
2005HavocBarbara Kopple
2006InvincibleEricson CoreFirst collaboration with Ericson Core
2009The Answer ManJohn Hindman
2015Point BreakEricson CoreSecond collaboration with Ericson Core
Editorial department
YearFilmDirectorRole
1969Alice's RestaurantArthur PennAssociate film editor
1973The Seven-UpsPhilip D'AntoniSupervising editor
1981RedsWarren BeattyAdditional film editor
1998GunshyJeff CelentanoAdditional editor

Direct-to-video films

Shorts

TV movies

Editor
YearFilmDirector
1976The Disappearance of AimeeAnthony Harvey
2007The Bronx Is BurningJeremiah S. Chechik

TV series

TV specials

Notes and References

  1. Web site: Jerry Greenberg, Oscar-Winning Editor Of 'The French Connection,' Dies at 81. The Hollywood Reporter. December 22, 2017. December 23, 2017. Giardina. Carolyn.
  2. News: Carlson . Michael . Dede Allen: Pioneering film editor who worked with Sidney Lumet and Arthur Penn . June 3, 2010 . The Independent .
  3. See Greenberg's remarks in Dede Allen to Receive Guild's Fellowship and Service Award . Motion Picture Editors Guild . Editors Guild Magazine . January 2008 . June 2, 2016 . https://web.archive.org/web/20161007030859/http://www.editorsguild.com/v2/magazine/archives/0108/dede.htm . October 7, 2016 . dead .
  4. News: Claudia . Luther . Dede Allen dies at 86; editor revolutionized imagery, sound and pace in U.S. films . The Los Angeles Times . April 18, 2010 .
  5. Book: Biskind, Peter . Star: How Warren Beatty Seduced America . Peter Biskind . Simon and Schuster . 2010 . 9780743246583 . 305 .
  6. Web site: Anatomy of a Chase . Friedkin . William . Fall 2006 . DGA Quarterly . Directors Guild of America .
  7. Book: LoBrutto, Vincent . The Art of Motion Picture Editing: An Essential Guide to Methods, Principles, Processes, and Terminology . Landmark Films in the Art of Motion Picture Editing . Skyhorse Publishing . 2012 . 9781581158816 . 91 . https://books.google.com/books?id=0QRrCgAAQBAJ&pg=PA91.
  8. Web site: Potemkin (aka Battleship Potemkin, 1925) . May 5, 2011 . Emanuel . Levy . Emanuel Levy .
  9. The 75 Best Edited Films . Editors Guild Magazine . May 2012 . 1 . 3 . https://web.archive.org/web/20150317101140/https://www.editorsguild.com/magazine.cfm?ArticleID=1102 . March 17, 2015.
  10. Book: Crittenden, Roger . Film and Video Editing . 1995 . 162 . Routledge . 978-1-85713-011-9 . Perhaps the outstanding graduate of the Dede Allen Academy is Richard Marks..
  11. Book: LoBrutto, Vincent . The Art of Motion Picture Editing: An Essential Guide to Methods, Principles, Processes, and Terminology . Landmark Films in the Art of Motion Picture Editing . Skyhorse Publishing . 2012 . 9781581158816 . 108 . https://books.google.com/books?id=0QRrCgAAQBAJ&pg=PA108.
  12. News: Ebert . Roger . Great Movies: Apocalypse Now . . November 28, 1999 .
  13. The Top 50 Greatest Films of All Time . https://web.archive.org/web/20120802102928/http://www.bfi.org.uk/news/50-greatest-films-all-time . dead . August 2, 2012 . September 2012 . . . Ian Christie (film scholar) . Ian . Christie.
  14. Book: MacMillan International Film Encyclopedia . Brian De Palma . MacMillan . 2001 . 59545175. Quoted in Web site: Brian De Palma . They Shoot Pictures, Don't They?.
  15. https://web.archive.org/web/20080218035827/http://www.ace-filmeditors.org/newace/dir_Mem.html "American Cinema Editors > Members"
  16. Web site: 65th Eddie Award Honorees . americancinemaeditors.org . American Cinema Editors . https://web.archive.org/web/20150424132651/http://americancinemaeditors.org/eddie-awards/eddie-honorees/ . April 24, 2015.
  17. 'Boyhood', 'Grand Budapest', 'Lego Movie' Score Big At 65th ACE Eddie Awards — Complete Winners List . Ross A. . Lincoln . Erik . Pedersen . . January 30, 2015 . Carol Littleton presented Greenberg with his career nod. The Oscar-winning editor of The French Connection has a résumé of required viewing spanning decades, but watching his tribute reel tonight, it stuck out that, if editing is the most important part of completing a film, he is one of the most quantifiably influential people in the past 40 years..