| Georgia | |
| Director: | Ulu Grosbard |
| Producer: | Ulu Grosbard Barbara Turner Jennifer Jason Leigh |
| Cinematography: | Jan Kiesser |
| Editing: | Elizabeth Kling |
| Distributor: | Miramax Films |
| Runtime: | 115 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $1.1 million[1] |
Georgia is a 1995 American independent film directed by Ulu Grosbard. It follows a barroom punk singer (Jennifer Jason Leigh) who has a complicated relationship with her older sister (Mare Winningham).[2] [3] [4]
Georgia won the Grand Prix of the Americas Award for Best Picture at the Montreal World Film Festival.[5] Leigh received Best Actress honors at the Montreal World Film Festival and the New York Film Critics Circle for her performance, while Winningham received an Independent Spirit Award for Best Supporting Actress as well as Best Supporting Actress nominations at the Academy Awards and from the Screen Actors Guild.
Georgia Flood is a successful folk music singer who is happily married and a mother of two. Her younger, unstable sister Sadie also sings but is less successful as a punk rock vocalist. After a touring gig with a blues singer goes awry, Sadie arrives at her sister’s Seattle-area farm, which happens to be their childhood home, and says she’s going to stay in town.
To get her career back on track again, Sadie asks her ex-boyfriend Bobby if she can return as the singer for his band. Bobby is reluctant to take her on due to her history of drug use, but relents. Sadie sings with the band at dive bars and a local bowling alley, but continues to abuse alcohol and heroin. She befriends Herman, the band's drummer and a fellow heroin addict. During a performance at a Jewish wedding, Sadie, disoriented from taking a bathroom swig of Nyquil, blanks out mid-song, forcing another band member to take over for her. Herman is eventually kicked out the band for his drug use.
While delivering groceries and liquor to Sadie at her motel room, a young man named Axel tells her he's a fan and expresses his admiration for her. They begin a relationship and soon get married. Axel, wanting Sadie to get out of the rut she’s in, asks Georgia if she can do something to help her. Georgia considers it, though she is clearly weary from her sister's continual dependence on her.
At a benefit concert, Georgia invites Sadie onstage to sing the Van Morrison song "Take Me Back" solo. The set is a painful one where Sadie is off-key and straining but her raw passion for the song comes through. Georgia comes onstage and sings with her to "save" the performance. On the tense car ride home, things come to a head between the sisters when Sadie protests Georgia's joining her onstage. Sadie gets out of the car and hitchhikes back to her motel room with Axel.
Georgia’s husband Jake suggests that his wife is being too hard on Sadie and doesn’t realize the difficulties of living in the shadow of a successful sibling. Soon after, Axel, exasperated from Sadie’s self-destruction and substance abuse, says he is going to visit his mom who is ill. Though Axel reassures her he’ll come back, Sadie realizes he is breaking up with her.
Sadie tries to look for a new gig and housing from Chasman, her old manager. Chasman refuses, saying he won't make enough money representing her. However, he offers her drugs, and the two get high together. In Oregon and in a state of drug withdrawal, a disheveled Sadie tries to board a flight back to Seattle but is denied because she isn’t wearing shoes. She makes a scene at the airport until a passenger lends her his sneakers. When Sadie arrives in Seattle, Georgia arrives and takes her to a hospital, where she is put through detox.
During Sadie’s treatment, the sisters slowly reconcile. Her bandmate Clay comes to visit her and sadly informs her that Herman overdosed while she was away. After her hospital stay, Georgia lets Sadie recover in her house. Some time later, the sisters have a difficult conversation on the porch. Georgia admits what she didn’t have the heart to say before, telling Sadie she can't sing. Sadie replies, "You wish."
The film ends with Sadie singing "Hard Times Come Again No More" with her band at a Portland bar. At a concert, Georgia is singing the same song. Accepting applause from a small crowd, Sadie says, "No one does that song better than my sister."
The film was a highly personal project for Jennifer Jason Leigh and Mare Winningham.[6] Leigh's mother, Barbara Turner, wrote the screenplay; Leigh and Turner co-produced it along with director Ulu Grosbard; and Winningham, a longtime friend who had been Leigh's camp counselor during their teen years, co-starred.[3] [7] [8]
The music in the film consists of 13 songs; to create a realistic effect, Leigh and Winningham were both filmed singing live.[9] The 13 songs included covers of songs by Gladys Knight & the Pips, Elvis Costello and Van Morrison.[3] In the talked-about centerpiece of the film, Sadie drunkenly performs a raw, grueling cover of Morrison's "Take Me Back" in a ragged Janis Joplin-style gut howl at an AIDS benefit concert.[4] [10]
John Doe of the band X plays a supporting role and performed as a member of Sadie's band.[3]
| Georgia | |
| Artist: | Various Artists |
| Type: | Soundtrack |
| Longtype: | to the film Georgia |
| Released: | June 18, 1996 |
| Genre: | Folk, country, alternative rock |
| Label: | Discovery Records |
| Length: | 45:59 |
The film's soundtrack was released on June 18, 1996.[11] [8]
Georgia premiered in the Un Certain Regard section at the 1995 Cannes Film Festival.[12] Georgia was released in the U.S. on December 8, 1995[13] and grossed $1,110,104.[1] [14]
On February 15, 2000, the film was released by Miramax Classics on DVD.[15] It was re-released on DVD on May 17, 2011. On April 7, 2023, it was released on Blu-ray in Australia.[16]
On review aggregate website Rotten Tomatoes, Georgia has an approval rating of 81% based on 26 reviews.
Susan Wloszczyna of USA Today described the film as "a painful though sadly humorous portrait of sisterhood".[17] Janet Maslin of The New York Times wrote, "With an exploratory style in the spirit of John Cassavetes, 'Georgia' turns Sadie inside out without giving a neatly dramatic structure to her story. The result is a film as maddening and unpredictable as the character herself, held together by a fierce, risk-taking performance and flashes of overwhelming honesty. Sadie would be unbearable if she didn't feel so real." In a 3.5/4-star review, Roger Ebert said Georgia "is not a simply plotted movie about descent and recovery, but a complex, deeply knowledgeable story about how alcoholism and mental illness really are family diseases; Sadie's sickness throws everybody off, and their adjustments to it don't make them healthier people." In The Seattle Times, John Hartl wrote, "The thoughtful script by Barbara Turner...makes certain that Georgia is neither a pushover nor a saint, while Sadie's misguided passion and ambition can be genuinely moving."[18]
James Berardinelli of ReelViews praised it as "a tour de force for Leigh... there are times when it's uncomfortable to watch this performance because it's so powerful", adding "Georgia doesn't possess an amazingly original narrative, but what distinguishes this picture is the depth of the characters and the amazing power with which the two leads breathe life into them."[19] Kenneth Turan of the Los Angeles Times wrote that “Leigh’s exceptional performance tears you apart… we’ve never seen anything like it before”, adding that "Georgia is not an easy film, but in the American independent arena, it outperforms everything in sight.”[20] Barbara Shulgasser of the San Francisco Examiner wrote, "What Leigh succeeds at conveying so well is the desperation of a young woman whose passion for art exceeds her capacity to express herself artistically...Because of [her] powerful performance we glean that Georgia
In a 2018 essay for Sight & Sound, Brad Stevens wrote of the film: "What makes this film so endlessly fascinating is its refusal to impose a definitive reading. Is Sadie a talentless amateur leeching off her sister’s talent? Or is she the voice of raw authenticity, her harsh vocal delivery a critique of Georgia’s soulless professionalism? [Ulu] Grosbard does not say, leaving us to fall back on our own judgement."
In 2020, USA Today named Georgia in the number 17 spot on its list of the 24 best films for country music fans.[22]
Jennifer Jason Leigh was voted the year's Best Actress by the New York Film Critics Circle and at the Montreal World Film Festival, nominated for an Independent Spirit Award, and was widely predicted to receive her first Oscar nomination for the role.[23] However, it was Mare Winningham who received an Oscar nomination (as well as an Independent Spirit Award and Screen Actors Guild nomination) as Best Supporting Actress,[24] while Leigh was overlooked by the Academy of Motion Picture Arts and Sciences.[25] Speaking to MetroActive magazine, Winningham said: “I felt incredibly honored and touched to be nominated...But it was hard to be separated from Jennifer, because she was the heart and soul of that film. While we were making the movie, I thought not only that she would get a nomination, but that she would win. I saw the kind of work she was doing. In my mind she will always be the greatest performance of that year, and a lot of other people thought so, too. Meryl Streep grabbed me at the Academy Awards. She said, 'Jennifer should be here!' and I said, 'I know!'”