| Birth Name: | George Francis Abbott |
| Birth Date: | 25 June 1887 |
| Birth Place: | Forestville, New York, U.S. |
| Death Place: | Miami Beach, Florida, U.S. |
| Education: | University of Rochester (BA) Harvard University |
| Period: | 1913 - 1995 |
George Francis Abbott (June 25, 1887January 31, 1995) was an American theatre producer, director, playwright, screenwriter, film director and producer whose career spanned eight decades.[1] He received numerous honors including six Tony Awards, the Pulitzer Prize, the Kennedy Center Honors in 1982.[2] [3] [4] the National Medal of Arts in 1990.[5] and was inducted into the American Theatre Hall of Fame.
Starting as an actor he later became known for producing numerous Broadway productions such as Pal Joey (1940), On the Town (1944), Call Me Madam (1950), Wonderful Town (1953), The Pajama Game (1954), Damn Yankees (1955), New Girl in Town (1957), Once Upon a Mattress (1959), Fiorello! (book, 1959), A Funny Thing Happened on the Way to the Forum (1962), Broadway (1987), Damn Yankees (1994).
Abbot also acted in numerous films in the 1920s and 1930s. He received an Academy Award for Best Writing nomination for All Quiet on the Western Front (1930). He later directed the movie musicals adaptations of The Pajama Game (1957), and Damn Yankees (1958).
Abbott was born in Forestville, New York, to George Burwell Abbott (May 1858 Erie County, New York – February 4, 1942 Hamburg, New York) and Hannah May McLaury (1869 – June 20, 1940 Hamburg, New York). He later moved to the city of Salamanca, which twice elected his father mayor. In 1898, his family moved to Cheyenne, Wyoming, where he attended Kearney Military Academy. Within a few years, his family returned to New York, and he graduated from Hamburg High School in 1907.[1]
In 1911 he obtained a Bachelor of Arts degree from the University of Rochester,[1] [6] where he wrote his first play, Perfectly Harmless, for the University Dramatic Club. Abbott then attended Harvard University, to take a course in playwriting from George Pierce Baker.[6] Under Baker's tutelage, he wrote The Head of the Family, which was performed at the Harvard Dramatic Club in 1912.[7] He then worked for a year as "author, gofer, and actor" at the Bijou Theatre in Boston, where his play The Man in the Manhole won a contest.[6]
Abbott started acting on Broadway in 1913, debuting in The Misleading Lady.[1] [8] While acting in several plays in New York City, he began to write; his first successful play was The Fall Guy (1925).[1] [8]
Abbott acquired a reputation as an astute "show doctor". He frequently was called upon to supervise changes when a show was having difficulties in tryouts or previews prior to its Broadway opening.[9] His first hit was Broadway, written and directed in partnership with Philip Dunning, whose play Abbott "rejiggered".[10] It opened on September 16, 1926, at the Broadhurst Theatre and ran for 603 performances. Other successes followed, and it was a rare year that did not have an Abbott production on Broadway.
He also worked in Hollywood as a film writer and director while continuing with his theatre work.
Among those who worked with Abbott early in their careers are Desi Arnaz, Gene Kelly, June Havoc, Betty Comden, Adolph Green, Leonard Bernstein, Jules Styne, Stephen Sondheim, Elaine Stritch, John Kander, Fred Ebb, Carol Burnett and Liza Minnelli.[11] He introduced the "fast-paced, tightly integrated style that influenced" performers and especially directors such as Jerome Robbins, Bob Fosse and Hal Prince.[8]
In 1963, he published his autobiography, Mister Abbott.[1]
Abbott was married to Edna Lewis from 1914 to her death in 1930; they had one child. Actress Mary Sinclair was his second wife. Their marriage lasted from 1946 until their 1951 divorce.[12] He had a long romance with actress Maureen Stapleton[7] from 1968 to 1978. She was 43 and he was 81 when they began their affair, then ten years later Abbott left her for a younger woman.[13] His third wife was Joy Valderrama. They were married from 1983 until his death in 1995.[12]
Abbott was a vigorous man who remained active past his 100th birthday by golfing and dancing. He died from complications of a stroke on January 31, 1995, at his home on Sunset Island off Miami Beach, Florida, at age 107. The New York Times obituary read, "Mrs. Abbott said that a week and a half before his death he was dictating revisions to the second act of Pajama Game with a revival in mind, in addition to working on a revival of Damn Yankees.
At the age of 106, he walked down the aisle on opening night of the Damn Yankees revival and received a standing ovation. He was heard saying to his companion, 'There must be somebody important here.'" Just thirteen days before his 107th birthday, Abbott made an appearance at the 48th Tony Awards, coming onstage with fellow Damn Yankees alumni Gwen Verdon and Jean Stapleton at the end of the opening number, a medley performed by the nominees for Best Revival of A Musical, which included Grease, She Loves Me, Carousel, and his own Damn Yankees.[14]
He was cremated at Woodlawn Park Cemetery in Miami and the ashes were taken by his wife.[15]
In addition to his wife, who died in 2020 at 88, Abbott was survived by a sister, Isabel Juergens, who died a year later at the age of 102; two granddaughters, Amy Clark Davidson and Susan Clark Hansley; a grandson, George Clark, and six great-grandchildren.[14]
In 1965, the 54th Street Theatre was rechristened the George Abbott Theatre in his honour. The building was demolished in 1970.[7] [16] New York City's George Abbott Way, the section of West 45th Street northwest of Times Square, is also named after him.
He received New York City's Handel Medallion in 1976, honorary doctorates from the Universities of Rochester and Miami, and the Kennedy Centre Honors in 1982.[2] [3] [4] He was also inducted into the Western New York Entertainment Hall of Fame[17] and the American Theatre Hall of Fame. In 1990, he was awarded the National Medal of Arts.[18]
Source: Playbill [19]
| Year | Title | Credit | |
|---|---|---|---|
| 1918 | The Imposter | Writer, actor (Lem) | |
| 1926 | Love 'Em and Leave 'Em | Writer | |
| 1927 | Hills of Peril | Playwright, A Holy Terror | |
| 1928 | Four Walls | Playwright, writer | |
| 1929 | Coquette | Playwright | |
| 1929 | The Carnival Man | Director | |
| 1929 | Broadway | Playwright, writer | |
| 1929 | The Bishop's Candlesticks | Director | |
| 1929 | Why Bring That Up? | Director, writer | |
| 1929 | The Saturday Night Kid | Playwright, Love 'Em and Leave 'Em | |
| 1929 | Night Parade | Playwright, Ringside | |
| 1929 | Half Way to Heaven | Director, writer | |
| 1930 | El Dios del mar | Writer | |
| 1930 | All Quiet on the Western Front | Writer | |
| 1930 | The Fall Guy | Playwright | |
| 1930 | Manslaughter | Director, writer | |
| 1930 | The Sea God | Director, writer | |
| 1931 | The Leap into the Void | Writer | |
| 1931 | Stolen Heaven | Director; writer | |
| 1931 | The Incorrigible | Playwright, Manslaughter | |
| 1931 | Sombras del circo | Playwright, Halfway to Heaven | |
| 1931 | À mi-chemin du ciel | Playwright, Halfway to Heaven | |
| 1931 | Secrets of a Secretary | Director, writer | |
| 1931 | My Sin | Director; writer | |
| 1931 | The Cheat | Director | |
| 1932 | Halvvägs till himlen | Writer | |
| 1932 | Those We Love | Playwright | |
| 1933 | Lilly Turner | Playwright | |
| 1934 | Heat Lightning | Playwright | |
| 1934 | Straight Is the Way | Playwright, Four Walls | |
| 1936 | Three Men on a Horse | Playwright | |
| 1938 | Broadway | Writer | |
| 1939 | On Your Toes | Playwright | |
| 1940 | Too Many Girls | Director | |
| 1940 | The Boys from Syracuse | Playwright, director | |
| 1941 | Highway West | Playwright, Heat Lightning | |
| 1942 | Broadway | Playwright | |
| 1947 | Beat the Band | Playwright | |
| 1957 | The Pajama Game | Writer, director, producer | |
| 1958 | Damn Yankees | Writer, director, producer |
Source: Playbill[19]