| Geordie Greep | |
| Birth Name: | Geordie Wade Greep |
| Birth Date: | 1999 8, df=yes |
| Birth Place: | Walthamstow, London, England |
| Years Active: | 2011–present |
Geordie Wade Greep (born 20 August 1999)[1] [2] is an English musician. From 2017 to 2024, he was the frontman and lead guitarist of the rock band Black Midi, often considered part of the emerging wave of British rock music known as the Windmill scene.
While attending the BRIT School, he met Matt Kwasniewski-Kelvin, Cameron Picton, and Morgan Simpson; together they went on to form Black Midi. The group began performing live at Brixton pub The Windmill, the only venue to reply to Greep's emails requesting gigs.[3]
After signing with Rough Trade Records in 2019, the band enjoyed critical acclaim with their three studio albums, Schlagenheim, Cavalcade, and Hellfire. Following the hiatus of Black Midi, Greep began a solo career and is set to release his debut studio album, The New Sound via Rough Trade Records on 4 October 2024.
Greep is noted for his unique singing voice, partly due to his accent, which has been described as "geographically unclassifiable".[4] He often writes dramatic narratives in his songs, many of which are centered around specific characters, as seen in the Black Midi song "John L", for example.
Geordie Wade Greep was born on 20 August 1999 and raised in Walthamstow.[5] He has considered his upbringing in the town beneficial, citing its cultural diversity as "brilliant for a young person".[6] He has credited his father with helping him developing a taste for music in his youth, teaching him that " good and bad music, and there are no boundaries between genres".[7] His mother worked at a salsa club during his childhood, which resulted in him developing a distaste for the genre;[8] however, upon revisiting salsa music as an adult, he acquired a newfound appreciation for it.[9] He listened to his father's record collection of progressive rock, classical music, and country and was also interested in the "whiz-bang impact" of cartoon scores.[10]
Greep first took interest in the guitar when he was given the video game Guitar Hero for his seventh birthday. He grew fond of the music featured in the game, in particular "Take Me Out" by Franz Ferdinand, and later received an electric guitar for his eighth birthday. Around this time, his father would lend him CDs of Black Sabbath and Led Zeppelin from his own personal collection, as well as those of progressive rock bands such as Pink Floyd, Genesis, and King Crimson and jazz musicians such as Miles Davis.[11]
His first experiences of playing live music came at around age 11, when he began playing gospel music in churches, despite the fact he did not have a religious upbringing.[12] The performances had a profound effect on his musical development, bringing him experiences of improvising while playing, a practice that he has stated is lacking in the education of secular white musicians.[13]
What would become Black Midi first began when Greep met fellow guitarist Matt Kwasniewski-Kelvin at the BRIT School, which they both attended. During this time, he and Kwasniewski-Kelvin began to perform together regularly, busking in Bromley.[14] Through their MIDI lessons at the school, Greep would learn of the genre black MIDI.[15] Though he has stated he knew little about the genre, he suggested it to Kwasniewski-Kelvin as a potential band name.[15]
The two later met drummer Morgan Simpson, and their sound began to take on more rock and funk influences.[16] Their lineup would be completed when they enlisted bassist Cameron Picton a month before their first show at The Windmill, in Brixton.[17] After a later show at The Windmill, the group would find themselves approached by record producer Dan Carey, with whom they would record their debut single, "bmbmbm".[18] [19]
Their experience with Carey was positive, and the band naturally decided to work with him again for their debut studio album Schlagenheim.[20] Greep said of the process: "it went really well and started such a good relationship, so when it came time and we had the means to make an album, he just seemed like the best choice. I could just tell from the way he was talking about the music that he got it completely." However, instead of being released under Carey's Speedy Wunderground label, Schlagenheim was released under Rough Trade Records, with whom the band had signed earlier that year.[21] Schlagenheim was released to critical acclaim, being nominated for the 2019 Mercury Prize.[22]
Following the release of their single "Sweater" in 2020, Black Midi looked to move in a different direction with their next album.[23] Their songwriting process moved away from jamming and improvisation.[24] According to Greep, they would start bringing in songs they had completed on their own and would then play together. In order to capture the new direction of their sound, they worked with producer John "Spud" Murphy for what would become their sophomore studio album, Cavalcade.[25] The lyricism of Cavalcades songwriting would put greater emphasis on narratives, consisting of stories centered around characters written from third-person perspectives.[26]
Cavalcade was similarly acclaimed to Schlagenheim, with critics noting that it was more ambitious and difficult than it predecessor.[27]
The following year, Black Midi released their third studio album, Hellfire, a title Greep had originally suggested for Schlagenheim.[28] The role of producer was this time filled by Marta Salogni, with whom the band had previously recorded "John L" from Cavalcade.[29] In contrast to the third-person narratives of Cavalcade, the songs of Hellfire are largely written in first person. Greep has stated that the album was not explicitly inspired by the idea of hell, rather the concept served to tie the album's stories together under a cohesive theme.[30]
Hellfire, much like the group's first two albums, was released to widespread critical acclaim; their third, however, also achieved considerable commercial success, becoming their highest charting album in the UK to date, and their first album to chart in the US.[31]
After the release of Hellfire, Black Midi continued to tour into 2023, but would not release any studio material that year or the following. In August 2024, a representative of the band confirmed that they were on indefinate hiatus;[32] the announcement was preceded by postings from Greep on social media, in which he stated that "Black Midi was an interesting band that’s now indefinitely over."[33]
Earlier in 2024 and prior to the announcement, Greep had been performing solo live shows. Shortly after, on 20 August 2024, came announcement of his debut studio album The New Sound, with lead single "Holy, Holy".[34] He said of the album, "the main theme of the record is desperation; you don’t hear an unreliable narrator but someone who is kidding themselves that they have everything under control, but they don’t."[35]
Sonically, Black Midi's sound has been variously labeled as experimental rock,[36] [37] [38] art rock,[39] progressive rock,[40] [41] math rock,[41] [42] [43] post-punk,[44] and avant-prog.[45] [46] He has denied that the band's experimental sound was an intentional part of their formation, instead saying it was simply the result of the band playing together as friends first and foremost.[3] Greep's decision to play a baritone guitar came from his fondness for spaghetti Western music, learning from his father that baritone guitars played a part in its sound.[47] Stylistically, Black Midi's songs often start out as pastiches of other styles or genres that change and evolve through improvisation and experimentation. For example, Greep has said that "27 Questions" from Hellfire was inspired by Argentine tango.[7]
Greep has stated that his signature singing style was inspired by a desire to subvert typical rock vocal stereotypes, in order to avoid coming across as "macho", instead desiring a more melodic approach. In combination with his accent, his unique sound has been described by one critic as a "warped croon".
Lyrically, Greep prefers to write fictional stories into his songs rather than speak on real world issues, saying: "I can't speak too intelligently about any of that. I don't really have anything intelligent to say. Of course there are things going wrong all the time but when we write lyrics it's more about stories than real stuff."[48] Speculation surrounds much of Greep’s lyrics, as he leaves much to obscurity. However, he has gone on record as stating that “27 Questions” is his most personal lyrical work yet.[49]
Greep has taken a large amount of influence from classical music.[50] Classical music had influence on him from his youth, and he has called John Eliot Gardiner's recording of Mass in B minor his "two favourite hours of recorded music ever".[51] He has also named Igor Stravinsky, Béla Bartók and Alfred Schnittke as classical influences.[52]
Greep has also taken great influence from Frank Zappa and Boredoms, whose albums We're Only in It for the Money and Vision Creation Newsun respectively he has both listed as two of his all-time favourites.[51] His experience with Zappa goes back to playing "Willie the Pimp" with his electronics teacher at his school's winter concert.[53]
Greep is an avid fan of boxing, often expressing his admiration for the sport in interviews. He has named Sugar Ray Leonard as his favourite boxer.[24] Boxing has also had an influence on Black Midi's music, serving as the inspiration for the band's song "Sugar/Tzu", with Greep stating: "In boxing, there's the intensity, just nonstop—everything is over the top. That's kind of with our stuff as well. If there is a more emotional song or whatever, it's pushed to the max, it's very brash and almost comedically intense."[24] [54]
Greep is an active user of Twitter. Jazz Monroe said of Greep's activity: "Given his propensity for charming anachronism, it is surprising that Greep is fantastic at Twitter."[55] In 2023, several music publications reported on a short-lived Twitter feud between Greep and Michelle Zauner of Japanese Breakfast over the Beatles album Revolver.[56] [57]
with Black Midi
Solo