Geneviève de Brabant explained

French: Geneviève de Brabant
Type:Opéra bouffe
Composer:Jacques Offenbach
Image Upright:1.2
Librettist:
Language:French
Based On:Legend of Genevieve of Brabant.
Premiere Location:Théâtre des Bouffes-Parisiens

Geneviève de Brabant is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant.

For the 1867 version two additional characters, men-at-arms, were added to Act 2 and given a comic duet, in English-speaking countries widely known as the "Gendarmes' Duet" or the "bold gendarmes", from H. B. Farnie's English adaptation. As well as being a popular performance piece, it formed the basis for the U.S. "Marines' Hymn".

Performance history

The two-act French libretto was written by Louis-Adolphe Jaime and Étienne Tréfeu, and the opera was first staged at the Théâtre des Bouffes-Parisiens, Paris, on 19 November 1859. A new three-act version (in which the "Gendarmes' Duet" first appeared), revised by Hector-Jonathan Crémieux, was first given at the Théâtre des Menus-Plaisirs, Paris, on 26 December 1867. An expanded five-act version was devised for a production at the Théâtre de la Gaîté on 25 February 1875. A Paris revival in 1908 at the Théâtre des Variétés with Geneviève Vix in the title role ran for 58 nights.[1]

Geneviève de Brabant was first performed in Vienna (Die schöne Magellone) and Berlin in 1861 and Brussels and Madrid in 1869.[2] The New York premiere was on 22 October 1868, and Farnie's version was first seen in London at the Philharmonic Theatre in Islington, produced by and starring Emily Soldene as Drogan, with Selina Dolaro in the title role, on 11 November 1871. The production ran for a year and a half,[3] and revivals took place over the following decade with Soldene repeating her Drogan.[1]

Roles

RoleVoice typePremiere cast,
19 November 1859,
(Conductor: Jacques Offenbach)[4] [5]
Revised version in three acts
Premiere cast
26 December 1867
(Conductor: Jacques Offenbach)[6]
Revised version in
five acts
Premiere cast
25 February 1875
(Conductor: Jacques Offenbach)[7] [8]
Sifroid (1859) / Sifroy (1867, 1875) Duke of Curaçao, husband of GenevièvetenorLéonceGourdonHabay
GolobaritoneDésiréDaniel BacChristian
Vanderprout, bourgmeistertenorLe RicheGrivot
Charles Martel, King of FrancebassGuyotLe SageLegrenay
AlmanzorDuvernoy
Le jeune ArthurBonnet
Pitou, Private gendarmebassÉmile GabelÉmile Gabel
Grabuge, Sergeant gendarmebassPaul GinetScipion
Narcisse, poettenorDesmontsLignelMontaubry
Premier savantJean-Paul
Deuxième savantTautin
PéterpipLeroyJean-Paul
SaladinDestroges
Don QuichottePerron
Renaud de MontaubanGustave
L'ermite du RavinDeschampsThérésa
StockfishColleuille
RaoulMeyronnet
Don JuanGaspard
AlmavivaHenry
HerculeChevalier
OthelloGally
Barbe-BleueVictor
RoméoMallet
HectorAlexandre fils
HogierPaulin
ArnoldBarsagol
Mathieu LaensbergsopranoLise Tautin
Gratioso (1859) /Drogan (1867, 1875)sopranoZulma BouffarDenise Matz-Ferrare
Le chevalier noir
Isoline (1859, 1867) /Biscotte (1875)sopranoVallièreThérésa
La bohémiennesoprano
GenevièvesopranoMareshalBaudierBerthe Perret
Églantine (1859) / Brigitte (1867, 1875) Geneviève's confidantChabertDe Brigny-VarneyAngèle
Ugolin
LahireMarie Cico(M.) Henry
Clé de sol
BlondetteRose-Deschamps
LancelotLéoneJules Vizentini
IrmaNaldy
SilviaLasserre
EdwigeTaffanel
Premier pageKid
Deuxième pageJeanne
GildaFassio
MartheLécuyer
ChristineCollasE. Gilbert
Barberine
GuduleGourdonMaury
Grudelinde
FarolineColombeJulia H.
Irénée
HoublonneRose BruyèreDurieu
Griselis
DorothéeLouisaBaudu
YolandeYriart
Gretchen, RodoguneA. Rolland
RosemondeGuyas
Madame ArmideJacobusThérésa
BradamanteAntoinette
DulcinéeLalouvière
BibianeCastello
FidelineDavenay
MargotteGodin
CharlotteAlbouy
MaguelonneGobert
UrsuleVernet
RégineMoralès
NannyCapet
AgatheRoques
Chorus: Gentlemen, Knights, Councillors, Men and Women, Pages, Drummers, Kitchen boys, Musicians, Boatsmen, Bacchantes, etc.

Synopsis (1867)

Act 1

Place: the town of Curaçao in Brabant

Time: Around AD730At evening in the main square, the burgomaster Van der Prout announces the imminent return from a pilgrimage to the monastery of Mount Poupard of Duke Sifroid’s party. The Duke, married to the beautiful Geneviève of Brabant, has fallen under a curse which prevents them from having any children. To find a cure, a competition is organized and is won by Drogan, a young baker, offering a magic pie. Secretly in love with Geneviève, Drogan asks for his reward to be made the page of Geneviève. Upon his return, the Duke tastes the magic pie, and feels good (Couplets de la poule).

In Geneviève’s apartments, Drogan implores her to allow him to accept him as her page, and confesses that it is he who has been singing beneath her window each night. He leaves as the Duke joins Geneviève, but after an interruption announcing the imminent arrival of Charles Martel, the effects of the pie on the Duke begin, in the form of a terrible bout of indigestion. As the Duke tries to assuage his digestion with a cup of tea, his counsellor Golo and his poet Narcisse arrive to carry out a plot to seize the crown. Golo and Narcisse tell him that Geneviève and Drogan have been witnessed in an embrace: the Duchess and the page must be put to death. But then Charles Martel demands entry to the palace (Boléro), asking Sifroid and his knights to catch the 8.05 train and join his crusade to Palestine. Sifroid condemns Geneviève, then sets off with his soldiers, by the northern railway.

Act 2

With the help of her servant Brigitte, Geneviève has escaped, along with Drogan, and they find themselves seven months later in a forest. As two men-at-arms approach, they hide. The Gascon and Flemish men-at-arms tell how they have been tasked by Golo to kill a noble lady. Golo and Van der Prout come on the scene and after despatching the men-at-arms to hunt down Geneviève (Golo having put about the story that Sifroid has been killed in the crusades) he calls up the hermit of the ravine.Drogan appears disguised as the statue of the hermit, and warns the men to abandon their pursuit as Sifroid is at the Château d'Asnières with Charles Martel. Even though he was married many years before, Golo threatens Geneviève with marriage. The statue of the hermit comes to life (Drogan) and sends the men-at-arms packing. Geneviève decides to feign death, Drogan takes a lock of her hair, and rushes off to reach the Duke.

Meanwhile, Charles Martel and Sifroid have ended their trip at the Château d'Asnières, where they make merry. Sifroid is taken with a masked lady, Isoline, who explains how her husband left her. Drogan arrives and announces the death of Geneviève. Sifroid decides to set off again with his retinue back to Curaçao to meet Golo – who, Isoline reveals, is the husband who abandoned her.

Act 3

Geneviève and Brigitte are still in the forest with only a young hind for company. Drogan returns with four huntsmen, looking for Golo. Passing by on the way back from their 'crusade', Sifroid and Martel are stopped by the men-at-arms, but Geneviève recognises and vouches for her husband’s identity. Van der Prout swaps sides again and tells Sifroid that the treacherous Golo is planning to be crowned at a quarter to three. All continue back to Curaçao.

At the appointed hour Golo claims the crown, but he is denounced by Drogan and Sifroid has his crown restored. Isoline promises to punish her errant husband, and all ends well.

Recordings

These include a radio broadcast from 1956 reissued on INA Mémoire vive conducted by Marcel Cariven featuring Denise Duval, Deva Dassy, Michel Hamel, Jean Giraudeau, Robert Massard and André Balbon, and one from 1970 also conducted by Cariven on Bourg with Annick Simon, Monique Stiot, Bernard Plantey and Jean-Christophe Benoît among the cast.

References

NotesSources

External links

Notes and References

  1. [Kurt Gänzl|Gänzl Kurt]
  2. Loewenberg A. Annals of Opera. London, John Calder, 1978.
  3. Sherson, Erroll. London's lost theatres of the nineteenth century, p. 263 Ayer Publishing, 1925
  4. Yon, Jean-Claude. Jacques Offenbach. Editions Gallimard, Paris, 2000.
  5. Geneviève de Brabant, Au Ménestrel – Heugel, 1859
  6. Geneviève de Brabant, Calmann Lévy, 1882
  7. Noel E and Stoullig E. Les Annales du Théâtre et de la Musique, 1ere édition, 1875. G Charpentier et Cie, Paris, 1876.
  8. Geneviève de Brabant, Michel Lévy Frères