Gazeebow Unit Explained

Gazeebow Unit is a rap group from Newfoundland, Canada, founded by a group of teenagers in the provincial capital of St. John's.[1] Gazeebow Unit uses a home computer to develop their music; they integrate samples and downloaded drum loops.[2] The group was noted for its combination of the rap music styles with depictions of working-class Newfoundland culture and the use of the Newfoundland English dialect.[3]

History

Gazeebow Unit was formed in 2005 by young white rappers from a suburban community, calling themselves Mike $hanx, Alpabit, and M to the C.[4] They performed and recorded a number of satirical raps, including "Trikes & Bikes", "Mugsy" and "The Anthem". The group did not perform their music live at the time; instead they began distributing them online.[5]

In 2006, Gazeebow Unit began performing, and appeared as part of a Donnie Dumphy concert in St. John's.[6]

Critical reception

As well as gaining a large online audience of young rap fans, Gazebow Unit's raps attracted the attention of folklore experts, including Professor Philip Hiscock of Memorial University, who declared the trio's raps to be a form of folk music, blending the new rap form with traditional Newsfoundland culture and lyrics. There was disagreement, however, as to whether the members of the group were serious rappers.[7] Academic Sandra Clarke declared that the use of Newfoundland vernacular by Gazeebow Unit was parodic, imitating the "skeet" blue-collar white culture of Newfoundland, to which the suburban youth did not actually belong.[8] [9] Marina Terkourafi, on the other hand, describes their use of Newfoundland dialect as metaparodic.

Further reading

Notes and References

  1. Book: Quill & Quire. 19 April 2012. 2006. Greey de Pencier Publications. 13.
  2. https://www.theglobeandmail.com/news/national/st-johns-hip-hop-trio-attracts-the-attention-of-folklore-scholars/article18154093/ "St. John's hip-hop trio attracts the attention of folklore scholars"
  3. Book: Marina Terkourafi. The Languages of Global Hip Hop. 23 September 2010. A&C Black. 978-0-8264-3160-8. 234.
  4. Sandra Clarke. "Hip-hop in a Post-insular Community: Hybridity, Local Language, and Authenticity in an Online Newfoundland Rap Group". Article in Journal of English Linguistics 37(3):241-261 · August 2009
  5. Kelly Best. "Hip-hop on the East Side: A Multi-sited Ethnography of Breakdancing and Rap Music from St. John’s and Grand Falls, Newfoundland". Newfoundland and Labrador Studies, Volume 22, Number 1 (2007). Memorial University
  6. https://www.cbc.ca/news/canada/newfoundland-labrador/playin-with-a-travellin-brand-1.1006710 "Playin' with a travellin' brand"
  7. Niels Markus. "De representatie van Nederhop" - Erasmus University thesis
  8. Book: Sandra Clarke. Newfoundland and Labrador English. 19 April 2012. 1 April 2010. Edinburgh University Press. 978-0-7486-2617-5. 137–.
  9. https://core.ac.uk/download/pdf/77997607.pdf "PERFORMING “UP THE SHORE”