Garth Clark is an art critic, art historian, curator, gallerist, and art dealer from Pretoria, South Africa.
Clark is a writer and commentator on modern and contemporary ceramic art and a critic of the craft movement. For twenty-seven years, Clark and his partner Mark Del Vecchio owned and operated Garth Clark Gallery in New York City, with other locations across the country and the world. Clark lives in Santa Fe, New Mexico where he is the founding Editor-in-Chief of CFile Foundation's online journal and publishing projects.[1]
Garth Clark discovered his interest in ceramic arts while he was living in South Africa. He received his master's degree from the Royal College of Art, London, in modern ceramic history, and became an expert in British pottery.
Garth Clark Gallery, co-founded and co-operated by Garth Clark and Mark Del Vecchio, began its life on Wilshire Boulevard in Los Angeles in 1981 with the inaugural exhibition, Beatrice Wood: A Very Private View.[2] At their galleries in LA, Manhattan, Kansas City, and briefly London combined, Clark and Del Vecchio have been responsible for over 500 exhibitions (solo, group, theme, historical) over a period of 27 years.[3] The gallery served as a resource for modern and contemporary ceramic art during its existence, serving an international audience of museums and collectors.[4]
The gallery accelerated, sparked, and defined the careers of some artists in the field including Akio Takamori, Ron Nagle, Ruth Duckworth, Beth Cavener, Lucio Fontana, Ralph Bacerra, Carlo Zauli, Christine Nofchissey McHorse and more.
Among the museum exhibitions he has curated internationally are A Century of Ceramics in the United States, Hans Coper in American Collections, Free Spirit: The New Native American Potter, and The Artful Teapot.
Clark has written, edited and contributed to over sixty books on ceramic art and authored over two hundred essays, reviews, and monographs. Irving Blum, a contemporary art dealer called Clark, "ceramics’ great clarifier."[5]
In 2005, Clark received the College Art Association's Mather Award for distinguished achievement in art journalism (previously awarded to Robert Hughes at Time and Roberta Smith at the New York Times, amongst others) for his anthology Shards: Garth Clark on Ceramic Art.[6]
In addition, Clark has received lifetime achievements awards from several institutions, including Museum of Art and Design New York, National Council on Education for the Ceramics Arts, Friends of Contemporary Ceramics, Immigration Law Foundation, and the National Service to the Arts Award, Anderson Ranch, Aspen.[7]
He has been awarded honorary doctorates from Staffordshire University in England and Kansas City Art Institute in Missouri, USA.
In 1998, he was made a Fellow of the Royal College of Art, London and a member of the Court at the school's 100th Convocation (his alma mater).
As far as book awards, Clark has received an "Art Book of the Year" Award from the Art Libraries Society of America, the Mather Award (see above) and a bronze medal for of Ceramic Millennium from the Independent Publishers Association.