| Season Number: | 5 |
| Bgcolour: |
|
| Num Episodes: | 10 |
| Network: | HBO |
| Episode List: | List of Game of Thrones episodes |
The fifth season of the fantasy drama television series Game of Thrones premiered on HBO on April 12, and concluded on June 14, 2015.[1] It was broadcast on Sunday at 9:00 pm in the United States, consisting of 10 episodes, each running approximately 50–60 minutes. The season primarily adapts the storylines from A Feast for Crows and A Dance with Dragons, the fourth and fifth novels in George R. R. Martin's A Song of Ice and Fire series, though it also uses the remaining elements from the third novel, A Storm of Swords, as well as the upcoming sixth novel The Winds of Winter.[2] [3] [4] It also contains original content not found in Martin's novels.[5] The series is adapted for television by David Benioff and D. B. Weiss.
Like previous seasons in Game of Thrones, the fifth season continues storylines primarily set within the fictional land of Westeros, while a few storylines are set in another continent, Essos. After the murders of King Joffrey and his grandfather Tywin Lannister, Cersei Lannister’s young, indecisive son, Tommen, rules Westeros as king. Tyrion flees to Essos, where he meets Daenerys Targaryen, who struggles to rule Slavers' Bay and regain control over her growing dragons. The Lannister family encounters new enemies, including a religious cult that Cersei foolishly empowers; they arrest her and Queen Margaery; Cersei confesses some sins and is released after a walk of atonement. Jon Snow becomes Lord Commander of the Night's Watch and serves under Stannis Baratheon, who pursues his claim to the Iron Throne by marching on the rebuilt Winterfell. Littlefinger has left Sansa Stark at Winterfell; she marries Ramsay Bolton, who rapes and imprisons her. Stannis is defeated and killed, while Sansa makes an escape with Theon. After Jon loses Night's Watchmen trying to rescue thousands of Wildlings from the White Walkers, several of his men mutiny and kill him. In Braavos, Arya Stark receives training as an assassin but disobeys her trainers, who blind her. Jaime retrieves princess Myrcella from Dorne, but she is murdered.
HBO ordered the fifth season on April 8, 2014, together with the sixth season, which began filming in July 2014.[6] The season was filmed primarily in Ireland, Northern Ireland, Croatia and Spain.
Game of Thrones features a large ensemble cast, including Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke and Kit Harington. The season introduced a number of new cast members, including Jonathan Pryce and Alexander Siddig.
Critics praised the show's production values and cast, giving specific accolades for Dinklage's portrayal of Tyrion Lannister. Viewership yet again rose compared to the previous season. This season set a Guinness World Record for winning the highest number of Emmy Awards for a series in a single season and year, winning 12 out of 24 nominations, including Outstanding Drama Series.[7] [8]
See also: List of Game of Thrones episodes.
See also: List of Game of Thrones characters.
The recurring actors listed here are those who appeared in season 5. They are listed by the region in which they first appear:
The writing staff for the fifth season includes executive producers and showrunners David Benioff and D. B. Weiss, producer Bryan Cogman, and Dave Hill, who was promoted to staff writer this season after previously working as an assistant to Benioff and Weiss.[9] Author George R. R. Martin, who had written one episode for each of the first four seasons, did not write an episode for the fifth season as he was working to finish writing the sixth novel of the series, The Winds of Winter.[10] The directing staff for the fifth season is Michael Slovis (episodes 1 and 2), Mark Mylod (episodes 3 and 4), Jeremy Podeswa (episodes 5 and 6), Miguel Sapochnik (episodes 7 and 8), and David Nutter (episodes 9 and 10). Nutter is the only returning director with the rest being first-time Game of Thrones directors.[11]
This season features more original material than previous seasons.[12] [13] The deviations from Martin's novels are in part attributable to the way the television series has covered most of the novel series' published material and in part to the directors' opinions of the actors' abilities. For example, Sansa Stark arrives at Winterfell to marry Ramsay Bolton in "High Sparrow," a plotline that had been given to a minor character in the novels.[14] [15] [16] In an interview, show writer David Benioff explains that Sophie Turner's development as an actress was one of the reasons that they decided to give her character more dramatic scenes, saying, "Even if [child actors] come in and do a great audition, it’s so hard to know if they’re going to quite literally grow into the parts. With Sansa and Arya in particular, their storylines have become quite dark. It was such a gamble and the fact that they’ve both become such great wonderful actresses is a bit of a miracle."[17] Bryan Cogman added that it made more sense to give the Winterfell storyline to a proven actress who was already popular with viewers than to bring in a new character.[17]
Other changes include the portrayal of Tommen as old enough to interact with Margaery and the Faith Militant as an adult, the speeding up or streamlining of several subplots, and the introduction of fewer new characters. According to Benioff and Weiss, "We felt we'd capsize the show if we put in every single character from the books."[18] Critics particularly liked the decision to have Tyrion actually meet Daenerys at the end of "The Gift," which has yet to happen as of A Dance with Dragons.[19] [20] David Benioff cited the television adaptation's faster pace as part of the rationale behind this decision.[21]
Filming for the fifth season began in July 2014 in Belfast[22] and ended in December 2014. Locations in Northern Ireland included Titanic Studios, Belfast[23] and the cliff edge of Binevenagh Mountain. The Winterfell sets were in the village of Moneyglass.[24]
Some of the scenes that take place in the principality of Dorne were filmed in Spain,[23] beginning in October 2014.[25] Locations explored for the production included the Alcázar of Seville and the University of Osuna.[26] On October 14, some scenes were filmed on the Roman bridge of Córdoba.[27] Benioff and Weiss said that season 5 would include flashbacks, which they had previously avoided, and that Córdoba would represent the city of Volantis.[28]
Cersei's "walk of atonement" from A Dance with Dragons was filmed in Dubrovnik, Croatia, in the Stradun street between the Dubrovnik Cathedral and the Sponza Palace[29] in early October 2014. The production reportedly employed a body double for Lena Headey for part of the scene in which Cersei appears naked.[30] Meereen scenes were once again shot in Diocletian's Palace in Split, and on Klis Fortress north of Split.
A town on the coast of the Bay of Kaštela in Croatia, the 16th century Kaštel Gomilica stood in for some parts of Braavos.[23]
A very small portion of one episode was filmed in Calgary, Alberta, Canada: the scenes featuring Jon Snow's wolf Ghost (played by animal actor Quigly) who also appears in season 6.[31]
The fifth season adds previously recurring actors Indira Varma (Ellaria Sand), Michiel Huisman (Daario Naharis), Nathalie Emmanuel (Missandei), Dean-Charles Chapman (Tommen Baratheon), Tom Wlaschiha (Jaqen H'ghar) and Michael McElhatton (Roose Bolton) to the series' main cast.[32]
In the fifth season, the region of Dorne is introduced as a location. Alexander Siddig joins the cast as Doran Martell, the ruling Prince of Dorne, and elder brother of Oberyn Martell, while his son Trystane Martell is portrayed by Toby Sebastian. The role of Cersei's daughter Myrcella Baratheon, who is Doran's ward and betrothed to Trystane is played by Nell Tiger Free. The role was portrayed by Aimee Richardson in the first two seasons. DeObia Oparei portrays Areo Hotah, the captain of the Dornish palace guard. The three eldest bastard daughters of Oberyn Martell (collectively known as the "Sand Snakes") are portrayed by Keisha Castle-Hughes (Obara Sand), Jessica Henwick (Nymeria Sand), and Rosabell Laurenti Sellers (Tyene Sand).
In King's Landing, Jonathan Pryce joins the cast as the High Sparrow, the leader of the militant faithful in King's Landing, while Hannah Waddingham portrays Septa Unella, one of the "Most Devout", the ruling council of the Faith of the Seven.[33] Nell Williams was cast as a young Cersei Lannister seen in flashbacks,[34] while Jodhi May was cast as Maggy the Frog, a fortune-teller.[35]
Across the Narrow Sea, Enzo Cilenti joins as Yezzan, a Yunkish nobleman and slave trader,[36] while Adewale Akinnuoye-Agbaje was cast as Malko, a slaver, who does not appear in the novels.[37] At Castle Black and beyond the Wall, new cast members include Michael Condron as Bowen Marsh, First Steward of the Night's Watch.[38] J. J. Murphy, who was cast as Night's Watch officer Denys Mallister, died in August 2014 shortly after filming his first scenes; his role was not recast.[39] One role that was recast for season 5 was Ross O'Hennessy as the Lord of Bones. O'Hennessy replaces Edward Dogliani who was last seen in the season 3 premiere "Valar Dohaeris".[40] Charles Dance, whose character died in the previous season, returned for one episode to portray Tywin Lannister's corpse.[41] Isaac Hempstead-Wright (Bran Stark), Kristian Nairn (Hodor) and Ellie Kendrick (Meera Reed) are absent this season because their part in the story has reached the end of A Dance with Dragons.[42] [43]
See main article: Game of Thrones: Season 5 (soundtrack). The soundtrack for the season was released digitally on June 9, 2015, and on CD on July 17, 2015.[44]
The fifth season was met with mostly positive reviews, though many deemed it to be weaker than its predecessors. On Metacritic, the season (based on the first four episodes) has a score of 91 out of 100 based on 29 reviews, indicating "universal acclaim".[45] On Rotten Tomatoes, the fifth season has a 93% approval rating from 574 critics with an average rating of 8.6 out of 10. The site's critical consensus reads, "Bloody action and extreme power plays return full throttle, as Game of Thrones enjoys a new-found liberation from the world of the source material, resulting in more unexpected thrills."
The Daily Telegraph stated in regards to the premiere episode, "Essentially, this was an exercise in scene setting, the chess pieces being laid out on the board."[46] New York Daily News praised the season to have "little trouble keeping its pedal to the metal" due to its "cold-blooded characters treating personnel turnover as the natural order", when other shows "are starting to run out of gas by Season 5".[47] Slant Magazine gave the season 3.5 out of 4 and stated, "There's plenty of death in the fifth season of the show, and it's understood as a cautionary symbol of power."[48] Vanity Fair called this season "rich, satisfying and fantastically put together".[49] Variety gave the season a positive review and stated, "Operating on a scale like nothing else on TV, and creatively liberated to play a long game stretching into the future, perhaps no project better distinguishes HBO's status as the leading premium player."[50] IndieWire gave the season a score of 'B+' and found the "first few episodes skew dry, concerned largely with the establishment of allegiances", but still praised them for keeping the audiences "connected to those who have managed to survive thus far in the battle for power."[51]
The Boston Globe gave the season a positive review and stated, "The funny thing about Game of Thrones is that it's built on familiar genres and yet it appeals to those who may not be fans of those genres."[52] James Poniewozik of Time gave the season a positive review and stated, "Game of Thrones is flying, full tilt, toward a destination off the edge of our map of the known world. I can't wait to see what it finds there."[53] Salon.com gave the season a positive review and stated, "In the fifth season, the story has been distilled to just the moments of pathos and characterization and gorgeous direction that make the story work."[54] Slate was concerned about the fact that the season "pulls even further away from the novels (the Sansa plot will drive some fans crazier than King Aerys)", though still thought it was "better for it".[55]
The A.V. Club gave the season a score of 'A−' and stated, "Benioff and Weiss are making the same show but with slightly different rhythms, relying more on character shading and interplay than on staging the next massacre."[56] Christopher Orr of The Atlantic found the season to be an improvement over the source material in terms of pace and focus.[57] David Wiegand of the San Francisco Chronicle gave the season 4 out of 4 and eulogized the "greater sense of urgency",[58] while The New York Times praised the "overall feeling of recharging and regeneration".[59] Mary McNamara of the Los Angeles Times gave the season a positive review and stated, "Breathtaking, heartbreaking, awe-inspiring and addictive, it remains the single most remarkable feat of television, possibly ever, increasingly admirable for its ability to grow rather than simply sustain."[60]
The only major publication to give the season a negative review was John Doyle of The Globe and Mail who stated, "A certain character says to someone who had been believed to be dangerous: "You're not terrifying, you're boring!" I'm with that character, all the way. Yes, everyone's a critic, Ms. Atwood."[61]
The sixth episode, "Unbowed, Unbent, Unbroken" was heavily criticized due to the showrunners' decision to have a well-liked character suffer a sexual assault. It received a rating of 54% on Rotten Tomatoes, lower than any previous episode of the show.[62] The eighth episode, "Hardhome", received significant praise and was immediately regarded as one of the best episodes in the series.[63] According to Business Insider, "Despite the attacks, Game of Thrones remains a steady hit."
Season 5 featured more significant changes from the novels. Some of the changes were more well-received than others (the sexual assault scene was heavily criticized and caused great controversy).[64] The various plotlines for the season also differed significantly in reception. The Dornish subplot received an overwhelmingly negative reception.[65] In particular, the hyped Sand Snakes were maligned by critics and fans alike, as many found them cheesy and unlikeable.[66] In contrast, Tyrion's storyline was highly praised. Many fans felt that his subplot progressed overly slowly in the novels, and his meeting with Daenerys was particularly lauded.[67]
The gross viewing figure per episode for the show, which include streaming, DVR recordings and repeat showings, averaged at 20 million this season.[68] [69]
Live +7 ratings were not available, so Live +3 ratings have been used instead.
Business Insider noted a significant difference in the ratings between this season and previous seasons. The typical pattern involves "Solid premiere viewings followed by a slow but steady gain of momentum through to the finale. Historically, the finale episodes of each season have beaten the premiere for total number of viewers". However, this season showed a significant decline from 8 million viewers at the premiere to 5.4 million at the seventh episode, "The Gift". Business Insider cites two likely reasons for the lower ratings: backlash over the rape scene in "Unbowed, Unbent, Unbroken", one of many deviations from the novels throughout the season that "have upset fans," and increased online streaming through HBO Now. It also acknowledged a possible effect of the first four episodes leaking online before the season premiere and the decision to air on Memorial Day weekend in the United States (a weekend that had been skipped in previous seasons). Business Insider reached out to HBO for comment, HBO responded that it is seeing an increase in overall viewer numbers this season taking into account streaming services, which are not included in Nielsen ratings.[70] [71] The dip in ratings did not extend to the eighth and ninth episodes, "Hardhome," and "The Dance of Dragons", which were both seen by over 7 million viewers.[72] The season finale, "Mother's Mercy" was seen by 8.11 million people, setting a new record and making it the most watched episode of the series.
See main article: List of awards and nominations received by Game of Thrones. For the 5th Critics' Choice Television Awards, the series was nominated for Best Drama Series.[73] For the 31st TCA Awards, the series was nominated for Program of the Year and Outstanding Achievement in Drama.[74] For the 67th Primetime Emmy Awards, the series received 24 nominations, the most of any series. It won 12 awards, including Outstanding Drama Series, Peter Dinklage for Outstanding Supporting Actor in a Drama Series, Benioff and Weiss for Outstanding Writing for a Drama Series for "Mother's Mercy", and David Nutter for Outstanding Directing for a Drama Series for "Mother's Mercy".[7] Nominations included Lena Headey and Emilia Clarke both for Outstanding Supporting Actress in a Drama Series, Diana Rigg for Outstanding Guest Actress in a Drama Series, and Jeremy Podeswa for Outstanding Directing for a Drama Series for "Unbowed, Unbent, Unbroken".[75]
| Year | Award | Category | Nominee(s) | Result | |
|---|---|---|---|---|---|
| 2015 | AFI Awards | AFI TV Award | Game of Thrones | [76] | |
| 5th Critics' Choice Television Awards | Best Drama Series | Game of Thrones | |||
| Most Bingeworthy Show | Game of Thrones | ||||
| 31st TCA Awards | Outstanding Achievement in Drama | Game of Thrones | |||
| Program of the Year | Game of Thrones | ||||
| Gold Derby TV Awards 2015 | Best Drama Series | Game of Thrones | [77] | ||
| Best Drama Supporting Actor | Peter Dinklage | ||||
| Best Drama Supporting Actress | Lena Headey | ||||
| Best Drama Guest Actress | Diana Rigg | ||||
| Best Drama Episode | "Hardhome" | ||||
| "Mother's Mercy" | |||||
| Ensemble of the Year | The cast of Game of Thrones | ||||
| Artios Awards | Outstanding Achievement in Casting – Television Series Drama | Nina Gold | [78] | ||
| EWwy Award | Best Supporting Actress, Drama | Maisie Williams | [79] | ||
| Sophie Turner | |||||
| 67th Primetime Emmy Awards | Outstanding Directing for a Drama Series | David Nutter for "Mother's Mercy" | [80] | ||
| Jeremy Podeswa for "Unbowed, Unbent, Unbroken" | |||||
| Outstanding Writing for a Drama Series | David Benioff and D. B. Weiss for "Mother's Mercy" | ||||
| Outstanding Drama Series | Game of Thrones | ||||
| Outstanding Supporting Actor in a Drama Series | Peter Dinklage as Tyrion Lannister | ||||
| Outstanding Supporting Actress in a Drama Series | Emilia Clarke as Daenerys Targaryen | ||||
| Lena Headey as Cersei Lannister | |||||
| 67th Primetime Creative Arts Emmy Awards | Outstanding Casting for a Drama Series | Nina Gold, Robert Sterne, and Carla Stronge | |||
| Outstanding Cinematography for a Single-Camera Series | Fabian Wagner for "Hardhome" | ||||
| Anette Haellmigk for "Sons of the Harpy" | |||||
| Rob McLachlan for "The Dance of Dragons" | |||||
| Gregory Middleton for "Unbowed, Unbent, Unbroken" | |||||
| Outstanding Costumes for a Fantasy Series | Michele Clapton, Sheena Wichary, Nina Ayres, Alex Fordham for "The Dance of Dragons" | ||||
| Outstanding Guest Actress in a Drama Series | Diana Rigg as Lady Olenna Tyrell | ||||
| Outstanding Hairstyling for a Single-Camera Series | Kevin Alexander, Candice Banks, Rosalia Culora, Gary Machin, Laura Pollock, Nicola Mount for Mother's Mercy | ||||
| Outstanding Make-up for a Single-Camera Series (Non-Prosthetic) | Jane Walker and Nicola Matthews for "Mother's Mercy" | ||||
| Outstanding Production Design for a Fantasy Program | Deborah Riley, Paul Ghirardani, Rob Cameron for "High Sparrow", "Unbowed, Unbent, Unbroken", and "Hardhome" | ||||
| Outstanding Prosthetic Makeup for a Series | Jane Walker, Barrie Gower, and Sarah Gower for "Hardhome" | ||||
| Outstanding Single-Camera Picture Editing for a Drama series | Tim Porter for "Hardhome" | ||||
| Katie Weiland for "The Dance of Dragons" | |||||
| Outstanding Sound Editing for a Series | Tim Kimmel, Paula Fairfield, Bradley C. Katona, Peter Bercovitch, David Klotz, Jeffrey Wilhoit, Dylan T. Wilhoit for "Hardhome" | ||||
| Outstanding Sound Mixing for a Series | Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters for "Hardhome" | ||||
| Outstanding Special Visual Effects | Steve Kullback, Joe Bauer, Adam Chazen, Jabbar Raisani, Eric Carney, Stuart Brisdon, Derek Spears, James Kinnings, Matthew Rouleau for "The Dance of Dragons" | ||||
| Outstanding Stunt Coordination for a Series | Rowley Irlam | ||||
| E! Online Best. Ever. TV. Awards | Outstanding Drama Series | Game of Thrones | [81] | ||
| Hollywood Post Alliance | Outstanding Sound | Tim Kimmel, Paula Fairfield, Bradley Katona, Paul Bercovitch, Onnalee Blank, Mathew Waters for "Hardhome" | [82] | ||
| Outstanding Color Grading | Joe Finley for "Hardhome" | ||||
| Outstanding Editing | Tim Porter for "Hardhome" | ||||
| Outstanding Visual Effects | Joe Bauer, Steve Kullback, Derek Spears, Eric Carney, Jabbar Raisani for "The Dance of Dragons" | ||||
| British Society of Cinematographers | Best Cinematography in a Television Drama | Fabian Wagner for "Hardhome" | [83] | ||
| ACO/BSC/GBCT Operators TV Drama Award | David Morgan, Sean Savage, Ben Wilson, David Worley for "Hardhome" | [84] | |||
| Australian Production Design Guild | Production Design for a Television Drama | Deborah Riley | [85] | ||
| 20th Satellite Awards | Best Supporting Actor – Series, Miniseries or Television Film | Peter Dinklage | [86] | ||
| Best Television Series – Genre | Game of Thrones | ||||
| IGN Awards | Best TV Series | Game of Thrones | [87] | ||
| Best TV Episode | "Hardhome" | ||||
| Best TV Drama Series | Game of Thrones | ||||
| Best TV Villain | Iwan Rheon as Ramsay Bolton | ||||
| IGN People's Choice Awards | Best TV Series | Game of Thrones | |||
| Best TV Episode | "Hardhome" | ||||
| Best TV Drama Series | Game of Thrones | ||||
| Best TV Villain | Iwan Rheon as Ramsay Bolton | ||||
| 2016 | Guinness World Records | Largest TV drama simulcast | Game of Thrones | [88] | |
| Most viewers sharing a single torrent file simultaneously | Game of Thrones | [89] | |||
| 42nd People's Choice Awards | Favorite TV Show | Game of Thrones | [90] | ||
| Favorite Cable Sci-Fi/Fantasy TV Show | Game of Thrones | ||||
| Favorite Cable Sci-Fi/Fantasy TV Actress | Emilia Clarke | ||||
| Shorty Awards | Favorite TV Show | Game of Thrones | [91] [92] | ||
| GIF of the Year | Game of Thrones Come At Me Bro | ||||
| Empire Awards | Best TV Series | Game of Thrones | [93] | ||
| Art Directors Guild Awards 2015 | One-Hour Single Camera Fantasy Television Series | Deborah Riley for "High Sparrow", "Unbowed, Unbent, Unbroken" and "Hardhome" | [94] | ||
| Screenwriters Choice Awards | Best Television Drama | Game of Thrones | [95] | ||
| Hollywood Makeup Artist and Hair Stylist Guild Awards | Best Period and/or Character Makeup – Television | Jane Walker | [96] | ||
| Best Period and/or Character Hair Styling – Television | Kevin Alexander, Candice Banks | ||||
| Webby Award | Best Overall Social Presence | Game of Thrones | [97] | ||
| Location Managers Guild Awards | Outstanding Locations in Period Television | Robert Boake and Tate Araez | [98] | ||
| Cinema Audio Society Awards | Outstanding Achievement in Sound Mixing - Television Series – One Hour | Ronan Hill, Richard Dyer, Onnalee Blank, Mathew Waters, Brett Voss for "Hardhome" | [99] | ||
| American Cinema Editors Awards 2016 | Best Edited One-Hour Series For Non-Commercial Television | Katie Weiland for "The Dance of Dragons" | [100] | ||
| Tim Porter for "Hardhome" | |||||
| Costume Designers Guild Awards | Outstanding Period/Fantasy Television Series | Michele Clapton for Game of Thrones | [101] | ||
| 68th Directors Guild of America Awards | Dramatic Series | David Nutter for "Mother’s Mercy" | [102] | ||
| American Society of Cinematographers | Outstanding Achievement in Cinematography in Regular Series | Fabian Wagner for "Hardhome" | [103] | ||
| 73rd Golden Globe Awards | Best Television Series – Drama | Game of Thrones | [104] | ||
| 13th Irish Film & Television Awards | Best Television Drama | Game of Thrones | [105] | ||
| Actor in a Supporting Role – Television | Liam Cunningham | ||||
| MTV Millennial Awards | Killer Series of the Year | Game of Thrones | [106] | ||
| 21st National Television Awards | Best International Show | Game of Thrones | [107] | ||
| Producers Guild of America Awards 2015 | "Norman Felton Award for Outstanding Producer of Episodic Television, Drama" | David Benioff, D. B. Weiss, Bernadette Caulfield, Frank Doelger, Carolyn Strauss, Bryan Cogman, Lisa McAtackney, Chris Newman, Greg Spence | [108] | ||
| 42nd Saturn Awards | Best Fantasy Television Series | Game of Thrones | [109] | ||
| Best Supporting Actor on Television | Kit Harington | ||||
| Best Supporting Actress on Television | Lena Headey | ||||
| Best Performance by a Younger Actor in a Television Series | Maisie Williams | ||||
| Brenock O'Connor | |||||
| 22nd Screen Actors Guild Awards | Outstanding Action Performance by a Stunt Ensemble in a Drama Series | Boian Anev, Richard Bradshaw, Jonathan Cohen, Christopher Cox, Jacob Cox, Matt Crook, Rob DeGroot, Levan Doran, Clint Elvy, James Embree, Bradley Farmer, Richard Hansen, Bobby Holland-Hanton, Radoslav Ignatov, Borislav Iliev, Rowley Irlam, Erol Ismail, Milen Kaleychev, Paul Lowe, Jonathan McBride, Sian Milne, David Newton, Radoslav Parvanov, Ian Pead, Jan Petrina, Rashid Phoenix, Andy Pilgrim, Dominic Preece, Marc Redmond, Paul Shapcott, Ryan Stuart, Pablo Verdejo, Calvin Warrington-Heasman, Annabel E. Wood, Danko Yordanov, and Lewis Young | [110] | ||
| Outstanding Performance by An Ensemble in a Drama Series | Alfie Allen, Ian Beattie, John Bradley, Gwendoline Christie, Emilia Clarke, Michael Condron, Nikolaj Coster-Waldau, Ben Crompton, Liam Cunningham, Stephen Dillane, Peter Dinklage, Nathalie Emmanuel, Tara Fitzgerald, Jerome Flynn, Brian Fortune, Joel Fry, Aidan Gillen, Iain Glen, Kit Harington, Lena Headey, Michiel Huisman, Brenock O'Conner, Daniel Portman, Iwan Rheon, Owen Teale, Sophie Turner, Carice Van Houten, Maisie Williams and Tom Wlaschiha | ||||
| Outstanding Performance by a Male Actor in a Drama Series | Peter Dinklage | ||||
| Best UK TV Actress | Sophie Turner | [111] | |||
| Golden Reel Awards | Best Sound Editing in Television, Short Form: FX/Foley | Tim Kimmel for "Hardhome" | [112] | ||
| Best Sound Editing in Television, Short Form: Dialogue / ADR | Tim Kimmel for "Hardhome" | ||||
| Best Sound Editing in Television, Short Form: Music | David Klotz for "Hardhome" | ||||
| USC Scripter Award | Best Adapted Screenplay | David Benioff and D. B. Weiss for "Hardhome" | [113] | ||
| Visual Effects Society Awards 2015 | Outstanding Visual Effects in a Photoreal Episode | Joe Bauer, Steve Kullback, Eric Carney, Derek Spears, Stuart Brisdon for "The Dance of Dragons" | [114] | ||
| Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project | Florian Friedmann, Jonathan Symmonds, Sven Skoczylas, Sebastian Lauer' for "Mother's Mercy" - Wounded Drogon | ||||
| James Kinnings, Michael Holzl, Joseph Hoback, Matt Derksen for "Dance of Dragons" - Drogon Arena Rescue | |||||
| Outstanding Created Environment in an Episode, Commercial, or Real-Time Project | Dominic Piche, Christine Leclerc, Patrice Poissant, Thomas Montminy-Brodeur for "City of Volantis" | ||||
| Rajeev B R., Loganathan Perumal, Ramesh Shankers, Anders Ericson for "Drogon Arena" | |||||
| Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project | David Ramos, Antonio Lado, Piotr Weiss, Félix Bergés for "Hardhome" | ||||
| Outstanding Compositing in a Photoreal Episode | Eduardo Díaz, Guillermo Orbe, Oscar Perea, Inmaculada Nadela for "Hardhome" | ||||
| Dan Breckwoldt, Martin Furman, Sophie Marfleet, Eric Andrusyszyn for "Drogon Arena" | |||||
| Travis Nobles, Mark Spindler, Max Riess, Nadja Ding for "Drogon Lair" | |||||
| Writers Guild of America Awards 2015 | Episodic Drama | David Benioff and D. B. Weiss for "Mother's Mercy" | [115] | ||
| Television Drama Series | David Benioff, Bryan Cogman, Dave Hill, D. B. Weiss | ||||
| Canadian Society of Cinematographers | TV series Cinematography | Robert McLachlan for "The Dance of Dragons" | [116] | ||
| TV series Cinematography | Gregory Middleton for "Unbowed, Unbent, Unbroken" | ||||
The season was simulcast to 170 countries by HBO and its broadcast partners. In some countries, it aired the day after its first release.[117] [118] [119] Sky Atlantic, the network serving the United Kingdom and Ireland, aired the premiere the day after HBO, but joined the simulcast for the rest of the season.[120]
A half-hour documentary, Game of Thrones: A Day in the Life, aired on HBO on February 8, 2015. It covered one day of production of season 5 on three sets in Belfast, Dubrovnik and Osuna from the viewpoint of key crew members.[121] The first official trailer for season 5 was released on January 30, 2015,[122] and the season's second trailer was released on March 9, 2015.[123] The world premiere of the first episode of the fifth season was held at the Tower of London on March 18, 2015.[124]
The season was released on Blu-ray and DVD on March 15, 2016, in region 1 and March 14, 2016, in region 2.[125] [126]
On April 11, prior to the airing of the season's first episode, screener copies of the first four episodes were leaked to several file sharing sites.[127] According to TorrentFreak, 18 million different IP addresses downloaded the leaked episodes, totaling 32 million downloads during the first week.[128] The fifth season of Game of Thrones was the most-pirated TV series in 2015.[129]