| Futurama | |
| Type: | Album |
| Artist: | Be-Bop Deluxe |
| Cover: | Be Bop Deluxe Futurama.jpg |
| Released: | July 1975 |
| Recorded: | 1975 |
| Studio: | Rockfield Studios, Wales; Sarm Studios, London; Abbey Road Studios, London |
| Genre: | Progressive rock |
| Length: | 35:31 |
| Label: | Harvest |
| Producer: | Roy Thomas Baker |
| Prev Title: | Axe Victim |
| Prev Year: | 1974 |
| Next Title: | Sunburst Finish |
| Next Year: | 1976 |
Futurama is the second album by the band released in 1975 and generally classified musically as a progressive rock album.[1] [2]
After the line-up of changed, the band recorded the album with founder member and (drums). The album was recorded at in Wales[3] and produced by, who also produced Queen.[4]
Futurama was released in July 1975 by record label Harvest.
Subsequently, in October 1976, reached number 36 in the UK singles charts as the lead track on the The American market was harder to break for British acts during the 1970s due to the hangover from the 1960s and problems with availability of records in the US for breaking acts such as, whose first album was only available as an import.[5]
The album was re-released in early 1991 with three bonus tracks.[6]
Although critics were not always open to the mix of styles, and Nelson's music received a fairly warm welcome from the music critic of The New York Times. started his article with a fairly scathing dismissal of English musical acts:
"Every month or is it week? seems to bring a new rock band from Britain, eager to catch a few leftover crumbs from the Anglophilia of the 1960s. Most fail completely; others latch onto an FM cult success; a very few, unpredictably, make it big..."[7]
Although his opening seems to dismiss British music as hanging on to fame gained during the 1960s, Rockwell goes on to say:
"Be-Bop Deluxe is redeemed by the brilliance of [the band's] playing, and particularly Nelson's guitar playing. His records put Nelson right up there with the other great masters of the electric guitar."[7]
In described the album as:
"Top-heavy with massed guitars and melodic ideas pursued on a whim and just as quickly abandoned, it nevertheless contained two of the most perfect pop singles never to make the charts – and [4]
Q Magazine described the album as ' an accomplished melding of pomp, prog and pop'.
with: