Fune (album) explained

Fune
Type:Studio
Artist:P-Model
Cover:P-MODEL - Fune.jpg
Recorded:1995
Studio:Studio Wireself, Tokyo
Woodstock Studio, Karuizawa
Innig Recording Hostelry, Fujisawa ("Rocket Shoot" maxi-single)
Length:51:56
Language:Japanese, Thai
Label:Nippon Columbia
Prev Title:Big Body
Prev Year:1993
Next Title:Electronic Tragedy/〜ENOLA
Next Year:1997

is the tenth studio album by P-Model and the first by its "revised" lineup.

Overview

Following the dissolution of the "defrosted" lineup of P-Model, leader Susumu Hirasawa focused on his solo career, releasing Aurora and performing accompanying concerts. Some of the live shows featured a backing band, select members of which were sought by Hirasawa to join P-Model. Wataru Kamiryo, who worked with Hirasawa as the drummer of Soft Ballet in a special 1991 guest show, agreed to join. Kenji Konishi, a friend of Hirasawa's since 1979 who had collaborated with him intermittently since 1985, offered himself as a member, to Hirasawa's surprise. To fill out the fourth member role, Konishi convinced Hajime Fukuma, a chat room friend of his to join the band.[1] This lineup debuted with two shows in December 1994.

The recording of Fune started immediately after Hirasawa finished his solo album Sim City. His main technological interest of the time had switched from Amiga personal computers to the rapidly growing internet, leading the band to produce music based around this idea. Although the band members did use the internet on the making of the album, its presence on the recording process was minimal compared to their latter releases. Konishi and Fukuma worked alongside Hirasawa on his home studio; vocals, drums and analog multitrack mixing were done on a conventional recording facility.[2]

As a concept album, it tells a story of the band dividing itself into two parties to sail through cyberspace and connect the opposing ideals of the spiritual and the technological. Hirasawa commented, "No, honestly, I think this might be the most easy-to-understand release in P-Model's history of works. The overall intended message is 'Come over here, it's super interesting, I'm already into it too, you're definitely gonna get hooked!'; a passionate invitation to the computer network."[3]

Konishi had equal creative control as Hirasawa. His rhythmic style of songwriting coupled with Kamiryo's use of an acoustic drum kit resulted in a beat-heavy album. P-Model's overall sound changed due to the heavy layering of tracks with synths and other assorted electronics.

Track listing

All tracks written by Susumu Hirasawa, except where noted. All tracks arranged by P-Model, except "Tide", by Hirasawa and Kenji Konishi.

Personnel

Release history

DateLabel(s)FormatCatalogNotes
1995Nippon ColumbiaCDTDCL-91201Promotional version released to stores and press. Booklet contains an extensive biography and discography by Kasiko Takahasi.[5]
COCA-13083

Chaos Union, TeslakiteCHTE-0012Remastered by Hirasawa. Part of Disc 8 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside the "Rocket Shoot" maxi-single. Re-released with new packaging by Kiyoshi Inagaki.
Columbia Music Entertainmenton Demand CDCORR-10199
CDCOCP-36928Subtitled +3. Digitally remastered, with the "Rocket Shoot" maxi-single for bonus tracks.
Digital Downloadnone

Corrective Errors

Corrective Errors
remix of Fune
Type:Remix
Artist:P-Model
Length:56:28
Label:disk UNION (DIW Records), SYUN
Producer:P-Model
Chronology:P-Model live/rearrange
Prev Title:The Way of Live
Prev Year:1994
Next Title:SCUBA RECYCLE
Next Year:1995

Corrective Errors~remix of 舟 is an album of remixes by Hajime Fukuma and Kenji Konishi of songs from Fune, released on Hirasawa's own indie label SYUN. Released before Fune itself, it provided an early glimpse into the album. A single featuring a slightly different mix of "Wrecked Ship Saksit re-mix" was released as a special gift to consumers of SYUN releases. This was the last P-Model release pressed on vinyl.

Release history

DateLabel(s)FormatCatalogNotes
disk UNION (DIW), SYUNCDSYUN-007

Chaos Union, TeslakiteCHTE-0020Remastered by Hirasawa. Part of Disc 16 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside its single. Re-released with new packaging by Kiyoshi Inagaki.

References

  1. Web site: Yotsumoto. Toshimi. 【P-MODEL特集】アウトテイク・コメント紹介!. Keyboard Magazine. Rittor Music. 17 September 2010. 11 November 2014. 3 November 2014. https://web.archive.org/web/20141103082536/http://rittor-music.jp/keyboard/magazine/notes/451. deviated.
  2. Book: Takahasi, Kasiko. 2010. 1999. 改訂DIGITAL復刻版 音楽産業廃棄物. Music Industrial Wastes Rev.2.4. P-Model Side – Open Source. 3rd. Fascination. 115.
  3. hrsw_kiji_bot. 平沢インタビュー記事bot. 686761389919096832. 12 January 2016. いやマジで、P-MODELの歴作を通じて一番分かり易い作品になったのではないかと思う。貫かれるメッセージの概要は「こっちへおいでよ、凄い面白いんだよ、僕も夢中なんだ、君も絶対ハマるって!」というコンピューター・ネットワークへの熱い誘い。【舟】.
  4. Web site: スキルシート.
  5. Web site: ja:舟コレクション. http://denshifuru.blog112.fc2.com/blog-entry-21.html. 電子降る日記 I am only my MODEL. Japanese.

External links