| Friendship | |
| Type: | studio |
| Artist: | Ray Charles |
| Cover: | FriendshipCharles.jpg |
| Border: | yes |
| Genre: | Country |
| Length: | 28:51 |
| Label: | Columbia, Epic |
| Producer: | Billy Sherrill |
| Prev Title: | Do I Ever Cross Your Mind |
| Prev Year: | 1984 |
| Next Title: | The Spirit of Christmas |
| Next Year: | 1984 |
Friendship is a studio album by American singer and pianist Ray Charles. It was produced by Billy Sherrill and released in August 1984 by Columbia Records and Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart.[1]
The album was one of several in the mid-1980s that featured Charles returning to country music after a two-decade absence; he had previously recorded the two-volume Modern Sounds in Country and Western Music to much acclaim in 1962. For Friendship, Charles collaborated with several established country stars in a series of duets. Whereas the Modern Sounds singles were not explicitly released to country radio, the singles from Friendship were, and the album provided Charles with his highest-charting hits on the country charts, including a number-one country hit with Willie Nelson, "Seven Spanish Angels".
Friendship was first released in August 1984 by Columbia Records and Epic Records. It reached the number-one position on the Billboards Top Country Albums and remained on the chart for 70 weeks. According to Stephen Thomas Erlewine, the album was "a big hit, really the last genuine hit when Charles was alive", as well as "the pinnacle of his '80s country-pop records, the one where Ray truly captured the sound of the era". It was later reissued by Columbia as Ray Charles and Friends' Super Hits.[2] In 2005, Friendship was reissued again by Columbia in partnership with Legacy Recordings.
In a retrospective review for AllMusic, Erlewine judged the album's best moments to be "merely pleasant; at its worst, it's simply dull" and "more of a testament to the power of Sherrill's Music City machine than it is to Charles' greatness." Robert Christgau was more enthusiastic reviewing the album's 2005 reissue, saying the duet concept worked "pretty darn good on the only memorable album of his Nashville foray". He cited "We Didn't See a Thing" as a highlight of both Charles and George Jones' late-period recordings and also applauded the two bonus songs, despite their deviation from the original album's stylistic concept.
| Chart (1984–1985) | Peak position |
|---|---|
| Australian (Kent Music Report)[3] | 87 |
| Canadian Albums (RPM) | 81 |