| Background: | person |
| Fredl Fesl | |
| Birth Name: | Alfred Raimund Fesl |
| Birth Date: | 7 July 1947 |
| Birth Place: | Grafenau, Bavaria, Allied-occupied Germany |
| Death Place: | Pleiskirchen, Bavaria, Germany |
| Genre: | Bavarian musical Kabarett |
| Occupation: | Musician |
| Instrument: | Guitar, trumpet, tuba, alto horn, piano |
| Years Active: | 1976–2006 |
| Spouse: | |
Alfred Raimund Fesl[1] (7 July 1947 – 25 June 2024), better known as Fredl Fesl, was a Lower Bavarian musician and singer who was said to be the one who invented Bavarian musical Kabarett.
Fesl grew up in the town of his birth, Grafenau in the Bavarian Forest and then moved with his parents to Greding in Middle Franconia. There, Fesl's parents ran an inn, Zum Bayerischen. In his childhood, Fesl was, according to the story, once expelled from a school for replying to a box on the ear from a teacher by boxing the teacher's ear back.[2] Further academic endeavours, though, were somewhat more successful. After finishing at the Volksschule, he passed the intake examination for the Oberrealschule in Ingolstadt (now called the Christoph-Scheiner-Gymnasium), where he lived at boarding school. In 1959, the family moved to Munich, where Fesl learnt from his father how to play the trumpet — this after his earlier failed attempts in Greding to teach his son to play the clarinet and the accordion. Fesl was, in both 1966 and 1967 the Upper Bavarian Junior Champion Weightlifter for the club ESV München Ost, to which he had belonged since 1962. Fesl did an apprenticeship as an artist blacksmith.[3] He learnt to play guitar while he was in the Bundeswehr, where he also became the joker in the background in his outfit, the Gebirgsjägertruppe ("Mountain Infantry"), which somewhat irked his superiors.
After Fesl had tried his hand at various occupations[4] (by his own word, he worked as a furrier, a film set builder, an extra, a locksmith, a fashion jewellery seller, a bulky-waste collector, an antique dealer and a beer lorry driver),[5] he wanted to establish himself as an artist blacksmith, setting himself up a workshop in Freising. According to Fesl himself, his career as a musician began when he found that he could get into cabaret theatres ("Kleinkunstbühnen") in Munich free if he showed up with a guitar and told the staff that he was one of the musicians who were to appear. One evening, when the actual artistes failed to show up, Fesl was asked to get up on the stage himself and perform. With his funny, chatty manner, he quickly won the audience's favour.[6] In 1976, at the Theater im Fraunhofer in Munich, he made his first record, entitled simply Fredl Fesl. After its release, he got his own television programme, Fredl und seine Gäste ("Fredl and his Guests").
One of Fesl's trademarks in his live appearances was the detailed speeches that he gave[7] before each number, which by his own admission were sometimes longer than the songs themselves. He ended his concerts by doing a handstand on the chair on which he had been sitting and playing his songs. Fesl was often associated with the song "Der Königsjodler" ("The King's Yodeller"), which he had earlier regularly performed. Other well known songs in Fesl's repertoire were "Der edle Rittersepp", "Anlass-Jodler", the "Taxilied" and the "Fußball-Lied". In the media, he was sometimes called "Bajubarde" ("Bayou Bard")[8] or "Bayerns bester Barde" ("Bavaria's Best Bard").[9]
For a few years, Fesl could regularly be heard in radio advertisements for the beer brand Veldensteiner. In 2008, there was a civil court case arising from the mention of Jürgen Klinsmann in one advertisement, which the brewer, Kaiser Bräu, lost. Klinsmann's actual complaint was that the Denglisch word "clean" was being used in the advertisement to refer to the first syllable in his last name. The presiding judge in the case stressed that it was "certainly not the worst case of violating personal rights, but name rights have been fundamentally violated." The offending beer commercial was banned, as well. Fesl had this to say about the proceedings: "There are worse things, mushy Semmelknödel for instance."[10] [11]
Beginning in 1997, Fesl found that he was suffering from Parkinson's disease and thus in late 2006, he had to cut his well attended farewell tour short. In 2009, to alleviate his Parkinson's symptoms, he had a "brain pacemaker" surgically implanted. His life with this illness was documented within the framework of the ZDF series 37°.[12] In 2015, his autobiography "Ohne Gaudi is ois nix" came out. The book contained memories from Fesl himself, along with some from companions such as Zither-Manä, Mike Krüger, Konstantin Wecker, Hans Well, Willy Astor and Martina Schwarzmann.
Fesl was also an inventor of sorts. Later in life, he came up with something called the Schunkelhilfe (roughly, "sway helper"), a modified, concave chair seat that was designed to make it easier for the sitter to sway back and forth in time to music. Fellow Kabarett artist Claudia Pichler called it Fesl's "possibly most pointless invention". Fesl explained his thinking thus:
He marketed his invention online.
Fesl's first wife was Karin, with whom he had two children. This marriage, however, did not last. Fesl never made public the exact nature of his marital woes, saying that the "yellow press" would be hounding him at once should he ever yield up the "fodder" that they sought.[13]
Fesl lived with his second wife Monika (née Fritzsche[13]) in Häuslaign,[14] an outlying centre of the Upper Bavarian municipality of Pleiskirchen[15] consisting of only one homestead (called an Einöde in southern Germany).[16] He had two daughters,[17] Daniela and Stefanie, by his first wife, Karin.
Outside his musical and humorous work, Fesl also owned an excavator. This was publicly known because Ottfried Fischer mentioned it in several episodes of his programme Ottis Schlachthof. He reportedly bought it for work on his estate.[18] Fesl himself mentioned using it to dig ponds.
After a year long battle with Parkinson's disease, Fesl died on 25 June 2024, at the age of 76.[19] [20]
Fesl called his works "Bavarian and melancomical songs" (the subtitle to his fourth album), which are sung in Lower Bavarian dialect, often have their roots in folk music and do not seldom contain puns. Fesl played guitar, tuba, trumpet, alto horn[21] and piano. Ottfried Fischer described him in his Kabarett talk show Ottis Schlachthof ("Otti's Slaughterhouse"} on Bayerisches Fernsehen in 1999 as a member of the uppermost guild of Bavarian singer-songwriters, as a genuine Pfundskerl (roughly, "great fellow") and as a rebel of the rather gentler kind with background and droll humour.
All references are in German.