Frank La Forge Explained

Frank La Forge
Birth Place:Rockford, Illinois
Birth Date:October 22, 1879
Death Place:New York, New York
Instrument:Piano
Occupation:Composer, pianist, teacher, vocal coach
Years Active:1902–1953

Frank La Forge (October 22, 1879  - May 5, 1953) was an American pianist, vocal coach, teacher, composer and arranger of art songs.

Biography

He was born on October 22, 1879, in Rockford, Illinois.

La Forge was a boy soprano.[1] He first studied piano with his older sister, and went to Vienna in 1900 to study with Theodor Leschetizky. He recorded prolifically for the Victor Talking Machine Company, as both a soloist and accompanist starting in 1906. As a soloist, he recorded works by Chopin, Liszt and MacDowell. In performance he usually accompanied entirely from memory, considered an unusual feat for an accompanist. In his biography Pathways of Song, La Forge claimed that he had 'a repertoire of over five thousand memorized accompaniments embracing all schools'.[2] He toured Europe, Russia, and the United States as an accompanist to Marcella Sembrich. La Forge moved to New York City in 1920, where he became a music teacher, coach, and accompanist. He taught a number of important American singers, including Marian Anderson, Lawrence Tibbett, Marie Powers, Emma Otero and Richard Crooks. He served as accompanist for many vocal stars and instrumentalists of the day including Johanna Gadski, Ernestine Schumann-Heink and Margaret Matzenauer.[3] His longstanding musical relationship with Metropolitan Opera soprano Lily Pons from 1937 until his death, saw the production of recital tours with flutist Frank Versaci, down the eastern seaboard and in British Columbia.

La Forge died at the piano, performing at a Musicians Club of New York dinner in Manhattan on May 5, 1953, for which he had been president since 1935.[4] [5]

Musical works

La Forge composed around 40 songs for voice and piano in the years between 1906 and 1940, as well as a few piano solos, choral works, and at least one solo for violin and piano. Some of the songs are sacred, and most were published individually by G. Schirmer, while a few have been reissued in various song anthologies and collections of American art songs from the same publisher. Many of his early songs were composed to German texts and modeled on the German Lied. Later songs were composed in the more accessible 'concert ballad' style, which was quite popular at the time.[5] Many were written for specific singers to show off their individual talents.

The songs are known for their craftsmanship, full piano accompaniments, and tasteful musical style. His 1919 piece Song of the Open was highlighted by Upton as representative of American song from the era 1900-1930.[6]

He was also a highly successful arranger of folksongs; Villamil mentions 'an excellent set of Mexican folk songs'.[5] Perhaps more significant was his work as an important compiler of songs for students, in the collection of several volumes he created with Will Earhart, the Pathways of Song.

Published secular songs

published by G. Schirmer unless noted

Published sacred songs

published by G. Schirmer unless noted

Published choral works

Published piano solos

Published instrumental solos

Arrangements and editing

1. Pregúntales á las Estrellas (O ask of the stars, beloved), Mexican folk-song, 1922

2. Crepuscúlo (Twilight), Mexican folk-song, 1922

3. El Céfiro (The Zephyr), Mexican folk-song, 1922

4. La Paloma (The Dove) by Sebastián Yradier, 1922

5. La Golondrina (The Swallow), Mexican folk-song, 1922

6. En Cuba (Cuban Song) by Eduardo Sánchez de Fuentes, 1923

7. Estrellita (Little Star) by Manuel Ponce, 1923

8. Yo paso la Vida (In Sorrow and Sighing) by Jose Islas, 1926

External links

Notes and References

  1. Villamil, p. 254
  2. Pathways of Song
  3. Book: La Forge Webb. Laura. Among the Pleiades and other stars, musical memories of Frank La Forge. 1993. Dorrance.
  4. News: Frank La Forge, a Leading Accompanist Dies Playing Piano at Dinner . Frank La Forge of 1040 Park Avenue, piano accompanist, teacher of voice and of famous singers, dropped dead at 9:45 ... . . May 6, 1953 . 2015-01-08 .
  5. Villamil, p. 255
  6. Upton, p. 177
  7. recorded for Victor in 1908: http://victor.library.ucsb.edu/index.php/matrix/detail/200006795/B-4989-Gavotte
  8. unverified publication, but recorded for Victor in 1910-1911: http://victor.library.ucsb.edu/index.php/matrix/detail/200009842/B-9733-Souvenir_de_Vienne
  9. http://victor.library.ucsb.edu/index.php/matrix/detail/800006524/BVE-32177-Valse_de_concert recorded for Victor in 1925
  10. caption title: "Transcribed for and sung by Mme. Marcella Sembrich"

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