Françoise Grossen Explained

Françoise Grossen
Birth Date:1943
Birth Place:Neuchatel, Switzerland
Field:Sculpture, Fiber art
Training:School of Architecture, Polytechnical University, Lausanne, Switzerland; School of Arts & Crafts, Basel, Switzerland; Master of Arts, UCLA, Los Angeles, CA
Website:http://www.francoisegrossen.com/

Françoise Grossen (born 1943 in Neuchatel, Switzerland) is a textile artist known for her braided and knotted rope sculptures.[1] [2] She lives and works in New York City.[3] Grossen’s work has been acquired by the Metropolitan Museum of Art, New York; the Renwick Gallery, Smithsonian American Art Museum, Washington, DC; and the State Hermitage Museum, Saint Petersburg, Russia.

Biography

Françoise Grossen was born in Neuchatel, Switzerland in 1943. She studied architecture for a year at the Polytechnical University, Lausanne, Switzerland (1962–63) before becoming a textile major at the Kunstgewerbeschule in Basel, Switzerland (1963–1967). In 1963 Grossen spent six months as a French instructor in a professional school in the Democratic Republic of Congo and lived in Gabon for two years, an experience that would influence her later career.[4]

Upon her return from Gabon in 1967, Grossen received her degree in Textile Design from Kunstgewerbeschule. In 1968 she moved to the United States to study with Professor Bernard Kester at UCLA, where she received an M.A. in 1969. Shortly after graduating from UCLA, Grossen moved to New York City to work for Jack Lenor Larsen Inc. It was Larsen who gave Grossen her first show in his showroom on east 59th Street.[5] As her own work and commissions began to take off, Grossen left Larsen Inc. to establish her own studio practice, and to teach workshops at venues around the world. The artist received her American citizenship in 1983, and from 1980 to 2002 Grossen worked and lived in a studio near Almería in southern Spain. In 2002 Grossen returned to New York City, where she continues to live and work.[6]

Artwork

Grossen's work breaks away from the wall, rejecting traditional approaches to textile-based work. The artist is best known for her large architectural sculptures made from materials including manila rope and sisal, most of which hang freely from the ceiling. Travels to Africa influenced the braiding, plaiting and knotting techniques present in many of her works.

Shortly after arriving in the United States, Grossen was included in the seminal 1969 Wall Hangings exhibition at the Museum of Modern Art in New York City, where her large-scale fiber sculptures stood alongside works by contemporaries like Sheila Hicks, Claire Zeisler, Lenore Tawney and Eva Hesse. Around the same time she received international recognition at the IV Biennale International de la Tapisserie in Lausanne, Switzerland. Grossen went on to exhibit at subsequent International de la Tapisserie Biennales (V-VIII). Throughout the 1970s and 80s the artist had solo exhibitions at the Museum Bellerive, Zurich, Switzerland, The Hadler Galleries in New York City, Kaplan Baumann Gallery in Los Angeles, Reed College Art Galleries in Portland, Oregon, and the Musee d'Art et d'Histoire, Neuchatel, Switzerland. Grossen's most recent solo exhibition was at Blum & Poe in New York City, June 4 - August 14, 2015.[7] Recent group exhibitions include Fiber: Sculpture 1960–Present, which was held at the Institute of Contemporary Art, Boston and traveled to the Wexner Center for the Arts, Columbus, OH and the Des Moines Art Center, Des Moines, IA (2014–2015) and Revolution in the Making: Abstract Sculpture by Women, 1947-2016 held at Hauser Wirth & Schimmel, Los Angeles.

Over the course of her career, Grossen has created numerous large scale works for public places, institutions, corporate offices and hotels in New York, Chicago, Washington DC, Boston, Texas, California, and abroad. Her work is in international public and private collections, including the Metropolitan Museum of Art, New York; the Smithsonian Institution, Renwick Gallery, Washington, DC; and the State Hermitage Museum in Saint Petersburg, Russia.

Selected solo exhibitions

Selected group exhibitions

Museum collections

Recognition

Notes and References

  1. News: Mendelsohn. Meredith. Textile Artist Françoise Grossen Has Her First U.S. Gallery Survey. 17 July 2016. Architectural Digest. 31 May 2015.
  2. News: Schwendener. Martha. Review: Françoise Grossen, a Fabric Artist Inspired by Other Fields. 17 July 2016. The New York Times. 6 August 2016.
  3. News: Herriman. Kat. Artist Françoise Grossen Is All Tied Up. 17 July 2016. W Magazine. 1 June 2015.
  4. Book: Heller, Jules. North American Women Artists of the Twentieth Century: A Biographical Dictionary. Routledge. 2013. 9781135638825. New York. 228.
  5. Web site: Knotty, Sculptural Forms of Grace and Motion. Hammel. Lisa. 30 October 1976. New York Times. 15 September 2016.
  6. Web site: Artist's website. Grossen. Françoise. 2015. Françoise Grossen. 15 September 2016.
  7. Web site: FRANÇOISE GROSSEN. 2015. Blum & Poe. Blum & Poe. 5 March 2016.
  8. Book: FRANÇOISE GROSSEN: SCULPTURES. 1987. MUSEE D'ART ET D'HISTOIRE NEUCHATEL. Switzerland. von Allmen. Pierre.
  9. Book: Françoise Grossen: Sculptures. 1987. MUSEE D'ART ET D'HISTOIRE NEUCHATEL. 9789111016001. Switzerland. von Allmen. Pierre.
  10. Book: Skira. 978-88-572-3065-8. Smith. Elizabeth. Wagner. Anne. Paul Schimmel, Jenni Sorkin (eds.). Revolution in the Making: Abstract Sculpture by Women 1947-2016. Milano. 2016-09-06.
  11. Web site: 2016 American Craft Awards. American Craft Council. Price. Perry A.. 17 July 2016. https://web.archive.org/web/20160404194940/http://craftcouncil.org/post/2016-american-craft-council-awards. 4 April 2016. dead.

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