Screenplay: | Susan Cooper |
Director: | Jud Taylor |
Composer: | Johnny Mandel |
Country: | United States |
Language: | English |
Executive Producer: | Marian Rees |
Producer: | Dorothea G. Petrie |
Cinematography: | Thomas Burstyn |
Editor: | Paul LaMastra |
Runtime: | 100 minutes |
Network: | CBS |
Foxfire is an American drama television film that premiered on CBS on December 13, 1987, as part of the Hallmark Hall of Fame anthology series. It is directed by Jud Taylor from a teleplay by Susan Cooper, based on the play of the same name by Cooper and Hume Cronyn. The film stars Jessica Tandy, Cronyn, and John Denver, with Tandy and Cronyn both reprising their roles from the 1982 Broadway production.[1]
The film was honored with the Peabody Award and was nominated for a Golden Globe Award for Best Miniseries or Television Film. It won two Primetime Emmy Awards, for Outstanding Lead Actress for Tandy and Outstanding Art Direction, from a total of eight nominations (including Outstanding Drama/Comedy Special).
John Denver plays the country singer son of Annie Nations (Jessica Tandy), a woman passionately committed to both her farmland in the Blue Ridge Mountains and to the revered memory of her late husband, Hector (Hume Cronyn). Ultimately, she must make a life-changing decision, to accede to her son's wish that she move off the Mountain and sell her land to a real estate developer, or to spend her remaining years cloaked in her memories.
According to Hume Cronyn, the older people living in the mountains led lives "which were to some degree narrow, parochial, insular - but also enormously rich. These pioneers carved both a living and a tough joyous way of life out of unwelcoming mountain soil".
The character of Annie Nations is based on real-life Arie Carpenter. "Aunt Arie" told young students who came to interview her, "They want me to sell an' move away from here, but I won't do it. It's just home - That's all".[2]
Foxfire was filmed on locations in North Carolina's Blue Ridge Mountains.[3]
The film received positive reviews from critics. John J. O'Connor of The New York Times stated, "although the surface of Foxfire is gentle, as basically decent people try to understand each other and themselves, the subtext is far from comforting." O'Connor concluded his review by writing, "Foxfire is a sturdy vehicle. Heartily urged on by Mr. Cronyn, Miss Tandy takes it for a memorable spin."[3] Don Shirley of the Los Angeles Times called the film "immensely affecting" and opined, "the holidays are when many people pause to ponder the themes of then and now, holding on and letting go, living and dying. And Foxfire illuminates these themes with an irresistible glow." Shirley also wrote that it "preserves the gorgeously tuned performances of Cronyn and Tandy."[4]