| C: | 四君子 |
| P: | Sìjūnzi |
| Wuu: | sy去 ciuin平 tsy上 |
| J: | sei3 gwan1 zi2 |
| Poj: | sì-kun-chú |
| Tl: | sì-kun-tsú |
| H: | xi55 giun24 zii31 |
In Chinese art, the Four Gentlemen or Four Noble Ones, is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum.[1] [2] The term compares the four plants to Confucian junzi, or "gentlemen". They are commonly depicted in bird-and-flower paintings, a broad category of classical Chinese art, and they are particularly popular subjects for ink wash painting.
The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues, such as uprightness, purity, humility, and perseverance despite harsh conditions. Each of them represent a different season (the plum blossom for winter, the orchid for spring, the bamboo for summer, and the chrysanthemum for autumn), the four are used to depict the unfolding of the seasons through the year.
Together, the Four Gentlemen have been used in Chinese painting since the time of the Song dynasty (960–1279) since the publication of Mixtures Pharmacopeia aka Heji Jufang and were later adopted elsewhere in East Asia by artists in Korea, Japan, and Vietnam. However, their individual meanings have been traced to far earlier times. For example, the first recorded description of bamboo as being a "gentleman" has been credited to the Duke Wu of Qin (697 to 678 BC) from the Zhou Dynasty.[3]
The Four Gentlemen (Sagunja 사군자), also translated as the Four Gracious Plants, were depicted in celadon pottery from the Goryeo period (918-1392). [4] As tastes changed within the Joseon period (1392-1897) and blue and white porcelains dominated the royal households, the level of the artistry of depictions in ceramics approached the level of refinement found in ink-wash paintings.
The Four Gentlemen were also frequently used in patterns on mother-of-pearl lacquerware, iron bowls, calligraphy boards, pencil cases, and stone crafts such as inkstones and braziers.[5] Within Korean folk painting (Baekdongjado (百童子圖):