| Vier Orchesterstücke | |
| Translation: | Four Orchestral Pieces |
| Composer: | Anton Bruckner |
| Catalogue: | WAB 96–97 |
The Four Orchestral Pieces (German: Vier Orchesterstücke) are four short orchestral pieces, which Anton Bruckner composed in the fall of 1862 during his tuition with Otto Kitzler.
During the summer of 1862, when studying with Otto Kitzler in Linz, Bruckner composed his first instrumental work, the String Quartet in C minor. Thereafter, Kitzler asked him to orchestrate the opening of the first movement of Beethoven's Sonate pathétique.[1] In the fall of the same year, Bruckner tried his hand at own orchestral compositions. These "first arms" resulted in four small orchestral pieces: the Marsch (March) in D minor and the Drei Sätze für Orchester (Three Pieces for orchestra).
The original manuscript is found in the Kitzler-Studienbuch:
A score of the Four Orchestral Pieces was given by Bruckner to his friend Cyrill Hynais, together with that of the Overture in G minor and the Symphony in F minor. These scores are stored in the archive of the German: Stadt- und Landesbibliothek of Vienna.[4]
The Four Orchestral Pieces were performed first by Franz Moißl on 12 October 1924 in Klosterneuburg. A piano transcription of the March by Max Auer (1930) was put in Band III/2, pp. 29–32 of the Göllerich/Auer biography. The orchestral score of the Three Orchestral Pieces was put in Band III/2, pp. 34–60 of the Göllerich/Auer biography.[4]
The Four Orchestral Pieces are edited in Band XII/4 of the current Bruckner's Gesamtausgabe.[5]
The March in D minor (WAB 96) used the orchestral setting of Mozart's late symphonies (2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings), and three trombones.
The March is in three parts:
Duration: about 4 minutes.[5]
The Three Pieces for orchestra (WAB 97) are charming, melodious little movements,[6] scored for a similar orchestral setting, with only one trombone.
Total duration: about 9 minutes.[5]
The main interest of the Four Orchestral Pieces lies in the fact that with these compositions Bruckner for the first time touched upon that field which he was to make his life's work: orchestral music. The March and the central section of the final piece have some slight indications of the Bruckner to come. The March contains already a passage which recurs much later in the Eighth Symphony.[2] [6]
The Four Orchestral Pieces have been recorded about ten times, mainly as addendum to the recording of a symphony. The first recording occurred in by Ludwig K. Mayer with the Berlin City Orchestra (78 rpm: Polydor 57213).
Some of the recordings can be downloaded from John Berky’s site.[7]