| Fortress | |
| Producer: | John Davis John Flock |
| Cinematography: | David Eggby |
| Editing: | Tim Wellburn |
| Distributor: | Dimension (North America and Japan; through Miramax Films)[1] Roadshow Film Distributors (Australia) |
| Country: | Australia United States |
| Runtime: | 91 minutes |
| Language: | English |
| Budget: | $15 million[2] |
| Gross: | $48 million |
Fortress is a 1992 science fiction action film directed by Stuart Gordon and shot at Warner Bros. Movie World in Queensland, Australia. The story takes place in a dystopian future. The main character, John Henry Brennick (Christopher Lambert), and his wife Karen B. Brennick (Loryn Locklin) are sent to a maximum security prison because she is pregnant with a second child, which is against a strict one-child policy.
The film was a financial success, but critical reviews were mixed.
A sequel, , was released in 2000, with Lambert reprising his role.
In 2017, the United States is a military dictatorship. Ex-army officer John Henry Brennick and his wife Karen attempt to cross the Canada–United States border to the Free City of Vancouver in the Canadian Soviet Socialist Republic to have a second child. A strict one-child policy forbids a second pregnancy, even after the loss of the firstborn, so Karen wears a magnetic vest to conceal her pregnancy from security scanners. A guard notices the vest and raises the alarm.
Brennick is caught, believing Karen to have escaped, and sentenced to thirty-one years at the Fortress, a maximum security prison run by the Men-Tel Corporation. The prisoners are used as slave labor to further expand the Fortress as part of the prison-industrial complex. Inmates are implanted with "intestinators" which induce severe pain or death for physical control and mental conditioning. Prison Director Poe oversees the Zed-10 computer that monitors daily activities. The prison is underground in the desert, within a pit that can only be crossed by a retractable bridge. The overcrowded cells are secured by laser walls.
John is imprisoned with inmates Abraham, a model prisoner who works as Poe's manservant and is awaiting parole; D-Day, a machine and demolitions expert; young offender Nino Gomez; and Stiggs, who tries to extort John. John learns that Karen is being held in an upper level with their unborn child, who is now officially owned by Men-Tel and will be incinerated at birth.
Stiggs' friend Maddox instigates a brawl with John; Maddox is shot by a security turret and falls to his death. John grabs Maddox's intestinator and gives it to D-Day before he is taken for a mind-wipe as punishment.
Poe, infatuated with Karen, tells her that if she lives with him, he will release John from the mind-wipe chamber. She accepts. Poe is revealed to be a cyborg. Four months later, a heavily pregnant Karen uses her access to the prison computer in Poe's quarters to restore John from his mind-wiped state. She steals a holographic map and gives it to Abraham to pass on to John. D-Day dismantles Maddox's intestinator and uses a component to remove the others' intestinators.
During a work shift, John's group puts their intestinators in an air-duct and stage a brawl, causing Zed to trigger the devices and blow the duct open to prepare their escape. Poe promptly flushes the duct with steam and sends in "Strike Clones": networked cyborgs armed with flamethrowers and machine guns. Stiggs is shot dead, but the rest of the group seize a Strike Clone and use its weaponry to destroy the remaining Clones.
Zed alerts Poe to Karen's actions. He reveals to her that her child, like all Men-Tel-owned babies, will be extracted by caesarean section and made a cyborg. Poe strangles Abraham.
Hijacking a gun turret to use as an elevator, John's group travels to Zed's control room. John takes Poe hostage and orders him to release Karen. Poe gives the order but Zed refuses, stating that Men-Tel does not negotiate during hostage situations. A gun turret kills Poe, leaving John's group without leverage. D-Day hacks into Zed and activates a feedback virus, triggering a complete system crash causing all automated security to fail, allowing the prisoners to escape. John and Gomez rescue Karen, hijack a truck, and escape to Mexico where Karen enters labour and gives birth to their child, while an INTERPOL red notice is issued for their recapture.
Fortress was filmed at Village Roadshow Studios and Warner Bros. Movie World[2] Director Stuart Gordon spoke of wanting to address the prison system particularly the shift it experienced during the Presidencies of Ronald Reagan and George H. W. Bush where prisons became less focused on rehabilitation and more on punishment.[2] Gordon took visual inspiration for the look of the prison, wanting to keep the film within the realm of possibility despite its sci-fi setting, from Pelican Bay State Prison which Gordon described as having a "Hellish" atmosphere.[2] While the script was written in mind with someone more physically imposing like Arnold Schwarzenegger, Gordon felt the main character should be more of an everyman which lead to Christopher Lambert being cast in the role.[2] Lambert often insisted on doing his own stunts which became a point of mild disagreement between Gordon and Lambert.[2]
Fortress was released on VHS and Laserdisc in 1994 by Live Home Video, and re-released along with the DVD in 1999 by Artisan Entertainment. Columbia TriStar also released the film on VHS, Laserdisc and DVD in some other territories in 1993–2004, while Sony Pictures Home Entertainment re-released the DVDs from 2006–2017. The film also released on DVDs with Full Uncut Editions in UK and Germany. The film was released on Blu-ray for the first time on 27 January 2013 by Echo Bridge Home Entertainment[3] and released in Spain on 9 December 2015 by Resen.[4] In July 2017, Nameless Media (under the label of SPHE) also released the film on Blu-ray and DVD, including a Steelbook covers and a figurine model of the Strike Clone.
The original ending of Fortress has been edited from some versions of the film. After reaching Mexico, Brennick, his wife, and Gomez end up at a barn where she starts going into labor. Gomez goes out to the truck to get a blanket for the soon-to-arrive baby. The Fortress computer, Zed-10, manages to establish a remote linkup with the truck, overriding its internal controls. The truck suddenly comes to life and runs Gomez down, killing him. Brennick shoots the truck with the Strike Clone machine gun until it seems to jam. He then sets it on fire with the flamethrower attachment. The truck crashes into the barn, exploding. Brennick climbs into the burning ruins to find his wife sitting against an old tractor, clutching her newborn baby.
Fortress grossed A$2,855,154 at the box office in Australia.[5] Internationally it grossed a total of US$40 million, turning into a profitable movie for having been shot with a budget of $12,000,000.[6]
The film holds a 38% 'Rotten' score on review aggregator Rotten Tomatoes, based on 16 reviews with an average rating of 4.7/10.[7] Stephen Holden of The New York Times said: "Like so many other futuristic movies, Fortress is a lot better at setting up its premise than in developing a story around it, [but] for all its faults, [it] has an unusually energetic imagination. At its best, it blends RoboCop, The Handmaid's Tale, and Brave New World into something scary, original and grimly amusing".[8]
Nathan Shumate of Cold Fusion Video Reviews said: "It's a good little film, kept very interesting by a multitude of plot twists. [...] The beauty of this movie is that it's not terribly ambitious; [director Stuart] Gordon knew that it was not meant to be this generation's defining science fiction film, and so instead had fun with it. The characters are colorful and engaging, and the actors are b-movie all-stars; the story moves along at a fair clip; and the prison itself is a novel setting, with plenty of inconsistencies in future technology but none that sit up and insist that you notice them".[9]
James Berardinelli of ReelViews said: "Fortress has [...] an impressive visual style, [...] the set design is excellent, and the action scenes are well-paced, [but it's] hampered by a poorly-constructed story line [and] never gets on track. Instead of entering the rarefied atmosphere inhabited by such films as Aliens and the original Terminator, it falls in line with the likes of Freejack and Alien 3".[10]
See main article: Fortress 2: Re-Entry. A sequel titled Fortress 2: Re-Entry was released in 2000.