| For the Record | |
| Type: | album |
| Artist: | Torae |
| Cover: | Torae, 'For the Record', front artwork, Aug 2011.jpg |
| Recorded: | October 2010 – May 2011 |
| Genre: | East Coast hip hop |
| Label: | Internal Affairs Entertainment, Fat Beats |
| Prev Title: | Double Barrel |
| Prev Year: | 2009 |
| Next Title: | Off the Record |
| Next Year: | 2012 |
For the Record is the debut studio album by American rapper Torae, released on November 1, 2011 via his own imprint Internal Affairs Entertainment, in conjunction with Fat Beats Distribution.[1] [2] It was preceded by the collaborative project Double Barrel in 2009 with producer Marco Polo.
The album was executive produced by Torae, along with Rich "Filthy Rich" Ahee and Amber Ravenel. The music production was handled by renowned beatsmiths DJ Premier, Large Professor, Diamond D, and Pete Rock, as well as 9th Wonder, Illmind, and Marco Polo among others. The sole guest appearances are provided by Wes, Pav Bundy and MeLa Machinko. The album was mastered by Ricardo Gutierrez at Stadium Red in New York City.[2] The album was supported by two singles – "That Raw" produced by Pete Rock, and "Do the Math" produced by Large Professor.[3] [4]
Upon its release, For the Record received generally favorable reviews from music critics. In his review for HipHopSite.Com, Nene Wallace Reed observed that "Three things help to make Torae the artist he is; his raw talent, his ear for production and his honesty. The combination of the three make the album a winner. For the Record is not only a strong introduction to Torae as an individual, it's out and out one of the best albums of 2011." Jeff Leon of KevinNottingham wrote, "Torae delivers a solid ode to Hip Hop and a declaration of who he is and where he wants to go. Not all the beats on the record work perfectly and the emcee still has room to grow, but with this one, Torae leaves an indelible mark and shows that he's well on his way to becoming a Hip Hop heavyweight."
RapReviews founder Steve "Flash" Juon wrote, "There is nothing bad or whack about For the Record, so it may just be that at only 48 minutes long I'm simply disappointed there wasn't more content. Then again it may be that Torae suffers from Brooklynite soundalike syndrome, because to some degree he comes across like a less charismatic Jay-Z or Saigon, and as dope as his lines are they are often lacking in forceful intent." Will Georgi wasn't hesitant to dub the album a classic. Writing for Okayplayer, he believed that "For the Record is the sound of a sharp MC rhyming over some dope beats from some of the best producers in the scene. If that doesn't make it a classic record, I don't know what is." DJBooth reviewer Nathan S. wrote, "It'd be a mistake to stick the ol' 'underground' label on For the Record – you don't have to have a backpack full of Krylon to enjoy it – but it's safe to say Torae's not aiming for crossover radio success. This is a hip-hop album for people who love hip-hop and who want to hear the music they love, not the music a radio programmer thinks they should love."
Sample credits
Credits for For the Record adapted from AllMusic.[5]