Flaming Swords | |
Type: | studio |
Artist: | Fievel Is Glauque |
Cover: | Flaming Swords.jpg |
Studio: | La Savonnerie (Brussels) |
Genre: | Experimental / Jazz[1] |
Label: | Math Interactive |
Prev Title: | God's Trashmen Sent to Right the Mess |
Prev Year: | 2021 |
Flaming Swords is the debut studio album by Belgian-American band Fievel Is Glauque. It was released on November 25, 2022, on Math Interactive. It was the band's first full-length studio release, following their 2021 compilation album God's Trashmen Sent to Right the Mess.
Fievel Is Glauque co-founders Zach Phillips and Ma Clément wrote the music of Flaming Swords over the course of several months while Phillips was living in Clément's native Brussels.[2] Phillips explained, "Musically, Ma directed melodic impetus and I directed harmonic and rhythmic framing ... Lyrically, we fought and embraced our initial impulses alternatingly; above all, we tried to trust and document the psychodynamics of the process itself rather than attempting to express concrete, prefab emotional or intellectual messaging.[3]
Joined by session musicians Anatole Damien, Raphaël Desmarets, Johannes Eimermacher, Gaspard Sicx, and Eric Kinny, the latter a pedal steel guitarist who first introduced Phillips to Clément, the group recorded the entirety of the album's 18 tracks live to tape in one day at La Savonnerie in Brussels.[4] Regarding the album's recording session, Phillips remarked, "That was a really long day ... I got there at, like, nine in the morning and we didn't leave until 1AM."
Fievel Is Glauque announced the album alongside the release of its lead single, "Save the Phenomenon", on October 5, 2022, while the band was on tour opening for Stereolab.[5] On November 9, 2022, the band released the album's second single, "Clues Not to Read", which serves as the album's closer and is its longest track by nearly two minutes.[6] [7]
Flaming Swords was met with critical acclaim. In an 8.1/10 review for Pitchfork, Travis Shosa wrote, "Cramming highly technical and conversational fusion compositions within sub-two-minute songs, the album has the allure of a puzzle box with no right or wrong answers: just barrages of instrumental hooks and Delphic ponderings of the human condition." Bill Pearis of BrooklynVegan called the album "a stylish mix of Tropicália, jazz, '70s laid-back grooves, skronky prog, movie samples and just a little punk, almost entirely played as tight little vignettes."[8]
Jason Friedman of Paste wrote, "Flaming Swords