| Alt Name: | OTI Song Contest La OTI | ||||
| Native Name: |
| ||||
| Genre: | Song contest | ||||
| Based On: | Eurovision Song Contest | ||||
| Developer: | Organización de Televisión Iberoamericana | ||||
| Country: | List of countries | ||||
| Language: | Spanish and Portuguese | ||||
| Num Episodes: | 28 contests | ||||
| Location: | Hosted by previous winner from 1972 to 1981 (List of host cities) | ||||
| Company: | Organización de Televisión Iberoamericana | ||||
| Related: | Festival Mundial de la Canción Latina (1969–1970) | ||||
| Italic Title: | no |
OTI Festival (Spanish; Castilian: Festival OTI de la Canción / Gran Premio de la Canción Iberoamericana, Portuguese: Festival OTI da Canção / Grande Prêmio da Canção Ibero-Americana), often known simply as La OTI, was an international song competition, organised annually between 1972 and 2000 by the Organización de Televisión Iberoamericana (OTI), featuring participants representing primarily Ibero-American countries. Each participating OTI member broadcaster submitted an original song primarily in Spanish or Portuguese to be performed on live television and transmitted to all OTI broadcasters via satellite.[1] It was preceded by the Festival Mundial de la Canción Latina, held in 1969 and 1970 in Mexico.
The festival was an Ibero-American spin-off of the Eurovision Song Contest. The first edition was held at the Palacio de Exposiciones y Congresos auditorium in Madrid on 25 November 1972 and the last one was held on 20 May 2000 in Acapulco. Since then, it has been cancelled due to the questioning of the voting system of the latter contests, the lack of sponsors, the low quality of the entrants and the withdrawal of some of the most iconic countries such as Brazil, Colombia and Spain. Twenty-seven countries have participated at least once in the festival, with Chile, Panama, Peru, Puerto Rico and Venezuela participating in all twenty-eight editions.
The main goal of the festival was to generate a process of cultural and artistic fellowship between the Spanish and Portuguese speaking countries. Although it was not as successful as the Eurovision Song Contest, it is its longest running and most successful spin-off to date, leaving a great mark in Latin America by giving many famous artists and hit songs.
See main article: Festival Mundial de la Canción Latina. Although the OTI contest was inspired in the Eurovision Song Contest, the festival was preceded by the Festival Mundial de la Canción Latina which was held in Mexico DF in 1969 and 1970.
The broadcasters that were eligible to participate in the OTI Festival needed to be active members of the Ibero-American Television Organisation. These active members were from countries which belonged to the Organization of Ibero-American States.
The participating countries were Spanish or Portuguese speaking countries, have large communities of Spanish or Portuguese speakers within their territory –such as the United States–, or have lingual or cultural ties with Latin American countries –as happened with the Netherlands Antilles–. The entrant songs were performed primarily in Spanish or Portuguese and were accompanied on stage by a full orchestra.
Both state financed and private broadcasters were able to join OTI as full members and in some cases different broadcasters collaborated during the airing of the event –as did the Venezuelan broadcasters Venevisión and RCTV–.
| Years | Country making its debut entry | |
|---|---|---|
| 1972 | ,,,,,,,,,,,, | |
| 1973 | ||
| 1974 | ,,,,,, | |
| 1976 | ||
| 1978 | ||
| 1986 | ||
| 1989 | ||
| 1991 | ||
| 1992 |
The OTI Song Contest was held for first time on 25 November 1972 at the Palacio de Exposiciones y Congresos of Madrid. Thirteen countries took part in the first edition of the event. Spain, Colombia, Brazil, Venezuela, Panama, Portugal, Bolivia, Chile, Peru, Uruguay, Argentina, the Dominican Republic, and Puerto Rico were the debuting countries.[2]
After the first edition, the rest of the Ibero-American countries progressively started taking part in the event. The festival expanded even further away from the traditional Ibero-American sphere, to the point that even the United States and the Netherlands Antilles took part in the event. In 1992 the festival reached its record of twenty-five participating countries.
Mexico and Spain were the most successful countries in the history of the competition with six victories each while Argentina won the contest four times. Brazil was the fourth most successful country with three victories.
The location of the festival was decided following various criteria. Initially, the winning country would organize and celebrate the contest the following year, but after the victory of Nicaragua in 1977, the country could not host the contest due to the Nicaraguan Revolution. In those years, many participating countries suffered from political and economical instability. For that reason, from that year on, the host city was decided by a bid process organized by OTI.
Spain and Mexico were the countries that hosted the contest the most, with six editions each one. In total, thirteen countries hosted the festival, out of the twenty-five that ever participated.
| Year | Date of Final | City | Venue | Presenter(s) | Host broadcaster | Orchestra |
|---|---|---|---|---|---|---|
| 1972 | 25 November 1972 |  Madrid | Palacio de Congresos y Exposiciones | TVE | RTVE Light Music Orchestra | |
| 1973 | 10 November 1973 |  Belo Horizonte | Rede Tupi | Rede Tupi Symphonic Orchestra | ||
| 1974 | 26 October 1974 |  Acapulco | Televisa | Acapulco Philharmonic Orchestra | ||
| 1975 | 15 November 1975 | Telemundo Studio 2 | Telemundo | Telemundo Symphonic Orchestra | ||
| 1976 | 30 October 1976 | Acapulco | Teatro Juan Ruiz de Alarcón | Televisa | Acapulco Philharmonic Orchestra | |
| 1977 | 12 November 1977 | Madrid | Centro Cultural de la Villa de Madrid | RTVE | RTVE Light Music Orchestra | |
| 1978 | 2 December 1978 |  Santiago | Teatro Municipal | Philharmonic Orchestra of Santiago | ||
| 1979 | 8 December 1979 | § | ||||
| 1980 | 15 November 1980 | Teatro General San Martín | Canal 7 ATC | rowspan="21" | ||
| 1981 | 5 December 1981 | Auditorio Nacional | Raúl Velasco | Televisa | ||
| 1982 | 27 November 1982 |  Lima | Coliseo Amauta | Panamericana Televisión | ||
| 1983 | 29 October 1983 |  Washington, D.C. | DAR Constitution Hall | |||
| 1984 | 10 November 1984 | Mexico City | Auditorio Nacional | Raúl Velasco | Televisa | |
| 1985 | Seville | Teatro Lope de Vega | TVE | |||
| 1986 | 15 November 1986 | Santiago | Teatro Municipal | |||
| 1987 | 24 October 1987 |  Lisbon | Teatro São Luiz | RTP | ||
| 1988 | 19 November 1988 |  Buenos Aires | Teatro Nacional Cervantes | |||
| 1989 | 18 November 1989 | Miami | Knight International Center | Univision | ||
| 1990 | 1 December 1990 | Las Vegas | Caesars Palace | |||
| 1991 | 14 December 1991 | Acapulco | Centro de Convenciones | Raúl Velasco | Televisa | |
| 1992 | 5 December 1992 | Valencia | TVE | |||
| 1993 | 9 October 1993 | |||||
| 1994 | 15 October 1994 | |||||
| 1995 | 11 November 1995 |  San Bernardino | Canal 13 | |||
| 1996 | 14 December 1996 |  Quito | Teatro Nacional | |||
| 1997 | 25 October 1997 | Lima | Plaza Mayor | América Televisión | ||
| 1998 | 14 November 1998 |  San José | Teatro Nacional | |||
| 1999 | 20 November 1999 | Veracruz | X | X | Televisa | |
| 2000 | 20 May 2000 | Acapulco | Centro de Convenciones | Televisa |
There was no OTI Song Contest in 1999 due to floods in the host city. The competition was cancelled in 2001 and beyond.
The voting system to decide the winner of the contest changed over the years. At first, the winner was decided telephonically by five national juries from every participating country. Each jury member voted only for their favorite song and the winner was the song which had more points at the end of the process. In 1977 the number of national jurors per country was changed to three due to the increase of the number of participating countries and to the resultingly much longer show.
From 1982 on, the winner was decided by a professional room jury composed by famous music personalities. One year later, the voting system was changed again in a way that the voting process was secret. Since that year, only the three most voted countries were revealed at the end of the show which often generated scandals and controversies.
| Year | Country | Song | Singer(s) | Songwriter(s) | |
|---|---|---|---|---|---|
| "Diálogo" | Claudia Regina & Tobías | ||||
| "Qué alegre va María" | Celia Bonfil | ||||
| "Hoy canto por cantar" | |||||
| "La felicidad" | Felipe Gil | ||||
| "" | María Ostiz | ||||
| "Quincho Barrilete" | Guayo González | Carlos Mejía Godoy | |||
| "El amor... cosa tan rara" | Denisse de Kalafe | ||||
| "Cuenta conmigo" | |||||
| "Contigo, mujer" | Ednita Nazario | ||||
| 1981 | "Latino" | ||||
| 1982 | "Puedes contar conmigo" | ||||
| 1983 | "Estrela de papel" | ||||
| 1984 | "Agualuna" | Fernando Ubiergo | |||
| 1985 | "El fandango aquí" | ||||
| 1986 | "Todos" | Damaris Carbaugh, & Eduardo Fabiani | Vilma Planas | ||
| 1987 | "La felicidad está en un rincón de tu corazón" | Alfredo Alejandro | |||
| 1988 | "Todavía eres mi mujer" | Carlos Castellón | |||
| 1989 | "Una canción no es suficiente" | Analí | Jesús Monarrez | ||
| 1990 | "Un bolero" | Carlos Cuevas | |||
| 1991 | "Adónde estás ahora" | ||||
| 1992 | "A dónde voy sin ti" | Francisco | |||
| 1993 | "Enamorarse" | Alejandro Abad | |||
| 1994 | "Canción despareja" | Claudia Carenzio | Pocho Lapouble | ||
| 1995 | "Eres mi debilidad" | Alejandro Abad | |||
| 1996 | "Mis manos" | Anabel Russ | |||
| 1997 | "Se diga lo que se diga" | Iridián | |||
| 1998 | "Fin de siglo: Es tiempo de inflamarse, deprimirse o transformarse" | Florcita Motuda | |||
| 2000 | "Mala hierba" | Hermanas Chirino |
Spanish singer Francisco is the only artist to have won the competition twice (1981 and 1992). Spanish songwriters Alejandro Abad (1993 and 1995) and Chema Purón (1992 and 1996) won the competition twice, as did Mexican songwriters Francisco Curiel and Pedro Cárdenas (1990 and 1997).
| Wins | Country | Years | |
|---|---|---|---|
| 6 | 1976, 1981, 1992, 1993, 1995, 1996 | ||
| 1973, 1975, 1985, 1989, 1990, 1997 | |||
| 4 | 1979, 1988, 1991, 1994 | ||
| 3 | 1972, 1978, 1983 | ||
| 2 | 1986, 2000 | ||
| 1974, 1980 | |||
| 1984, 1998 | |||
| 1982, 1987 | |||
| 1 | 1977 |
Although the OTI Song Contest has not been celebrated since 2000, the festival is still widely remembered in many countries, especially in Mexico, where the festival was always well received by the audience, even when the popularity of the festival was declining.[3] The contest was enormously popular there thanks to the "National OTI contest", which was the national final to select the Mexican entrant for the international OTI Festival. Many famous singers such as Juan Gabriel, Luis Miguel, Lucero, or the girl band Pandora, tried to represent their country in the OTI Festival, but they didn't win the national contest.
Many popular names from Spain took part in the OTI Festival including the band Trigo Limpio, that represented the country in 1977 before representing in the Eurovision Song Contest 1980. Marcos Llunas won the OTI Festival 1995, two years before representing Spain in the Eurovision Song Contest 1997. Betty Missiego who represented Peru in the OTI Festival 1972, represented Spain in the Eurovision Song Contest 1979. Other well known Spanish OTI contestants were Marisol, Dyango, Vicky Larraz, and Camilo Sesto.
Many of the names that took part in the OTI Festival for Portugal also represented in Eurovision, such as Anabela, Paulo de Carvalho, José Cid, Dora, Dulce Pontes, Adelaide Ferreira, Simone de Oliveira, and Tonicha.
One Eurovision winner has previously participated in the OTI Festival: Dave Benton, who sang for Netherlands Antilles in 1981, won the Eurovision Song Contest 2001 for, performing the song "Everybody" with Tanel Padar and 2XL.
As the mark of the OTI Festival in Latin America is still big, some organisations of diverse nature have tried to revive the festival. Some Mexican artists also made public their support to a return to the screens of the OTI Festival.
In March 2011, it was announced by some online newspapers that Televisa was preparing for the relaunch of the event in two stages, the first one, was to revive the "National OTI Contest", the Mexican national final, while the second one would be to revive the international and main OTI Festival. The aim of this attempt to bring to life the festival was to give the opportunity to young performers to show their talent. The festival at the end never took place, but it was neither cancelled.[4]
In June 2016, it was announced the relaunch of OTI as a media organisation. The broadcasting union was renamed as "Organización de Telecomunicaciones de Iberoamerica" (Iberoamerican Telecommunications Organisation) the organisation evolved from being a television contents exchange platform to include members of a broader nature such as newspapers and telephone-internet companies apart from TV and radio channels. This relaunch instantaneously sparked rumors about a possible relaunch of the festival that were later denied.[5]
In 2017 it was announced the start of an organisation called "Organización de Talento Independiente" (Independent Talent Organisation) which in Spanish casually coincides with the acronym "OTI". The main goal of the organisation was to try to recreate the festival between Mexican singers and artists from the Latin community of the United States. Although the festival was not a competition between broadcasters of different participating countries, the competition was held in the Mexican city of Puerto Peñasco, Sonora.[6]
In February 2022, RTVE announced Hispavision, a song festival where Spanish-speaking Latin American countries will take part alongside Brazil and Portugal as invited nations. The project was scheduled to start in 2023 and would be held in Cartagena, Colombia.[7] [8]
In 12 July 2022, the European Broadcasting Union (EBU) announced its expansion of the Eurovision Song Contest brand to Latin America. The planned contest will be produced by the same producers of other Eurovision spin-offs, including the American Song Contest and the upcoming Eurovision Song Contest Canada. They have begun searching for a viable host city.[9]