Fernando Leal Audirac Explained

Fernando Leal Audirac
Birth Date:1958 11, df=yes
Birth Place:Mexico City
Field:Painting
Movement:Realism, figurative art

Fernando Leal Audirac (born 16 November 1958 in Mexico City, Mexico) is a visual artist, painter,[1] sculptor, etcher and designer. He is a specialist of classical painterly techniques, such as fresco, encaustic, egg tempera, oil, that he reinterprets in a contemporary key, combining them with modern technology.[2] [3]

Life

Fernando Leal Audirac was born in Mexico City into a family of artists. His father Fernando Leal (1896–1964) was one of the founders of the Mexican Muralist movement of the Twenties.[4]

From 1974 to 1978, Fernando Leal Audirac studied Medieval and Renaissance painterly techniques under the direction of Master Guillermo Sánchez Lemus. Together with Professor Manuel Serrano, he founded in 1978 the "Restauro" workshop in Mexico City, specializing in the research of contemporary reinterpretation of the classic artistic techniques such as fresco, encaustic, egg tempera and oil painting.[5] [6]

In the period from 1980 to 1985 he practiced lithography and etching at the "Taller de Gráfica Popular" with Master Printmaker José Sánchez.

1989 to 1993, he was a founding member and academic tutor of the Curatorial Commission of the Mexican National Council for the Arts (Comisión Consultiva del FONCA).[7]

In the 1980s, he founded an intellectual Salon (the Friday Group) at his home, attended by prominent personalities of the international cultural scene, among whom: Juan Acha, Arturo González Cosío, Ernesto de la Peña, Michael Tracy, José Luis Cuevas, Miguel Peraza, Phil Kelly, Mahia Biblos, Jens Jesen, Pierre Restany, Shifra Goldman, Arnold Belkin, Francis Alÿs, and Jan William.

In 1993 he was the first artist of his generation to have a solo exhibition at the Palace of Fine Arts in Mexico City. In 1995 he represented Mexico at the Centennial of the Venice Biennale, where he exhibited again in 2001. In 1996 he was appointed guest professor at École nationale supérieure d'art in Nancy, France.

He has shown his works in galleries and museums in the US, Germany, Italy, Spain, France, Hungary, Romania, Korea and Latin America. He has written numerous essays on art and literature and participated in several international symposia regarding art, science and environment organized by the European Environmental Tribunal.[8] [9]

Since 1993, he lives between Milan, Italy and Mexico City.

Works

Transportable frescos

Leal Audirac has developed a particular type of transportable frescoes on double-curved synthetic surfaces which constitute a fragment of an imaginary architectural space.[10] He has executed in 2004 the life "Portrait of Pope John Paul II" which is considered as one of the largest papal portraits in the world.[11] [12]

Oil paintings

Two oil paintings that are central in his production are Image of the Absolute (1977–1991), which was exhibited in 1992 in the Frankfurter Kunstverein and The Shadow and the Night with which he participated in the Venice Biennale in 1995. Juan Acha, Jorge Juanes, Peter Weiermair and Pierre Restany have written extensively on these works.

Encaustic

This ancient Greek-Roman technique, revitalized by 20th century American artists such as Fernando Leal and Jasper Johns, has been central to Leal Audirac's research. In November 2010 he has exposed a new series of large format encaustics at Art Seefeld Galerie in Zürich. The Value of a Brushstroke and The Gardens of Erbaluce belong to this collection.

Egg tempera

Focusing on a synthesis between Western and Eastern traditions, Leal Audirac executed in 1994 the painterly-graphic work entitled The Finite Stream, a large format painting (2x20 m) in which he reconstructed the ancient technique of egg tempera by analyzing the Eastern graphic problem of Linearity from a Western painterly perspective.[13]

Multimedia

Since 2008 he has been working on a multimedia project entitled The Invisible Cat, conceived around an imaginary painting inspired by Francisco de Goya. The project combines painting, sculpture, 3D animation and installations.

Design

He is also designer in the super-luxury car and yachting sector. In 2009 he executed a painterly intervention on the Catalan sportive car Tramontana R with a special type of metallic paint, enriched with gold and precious gems powder, making it one of the most expensive cars in the world. Based on the executive plans of the Tramontana car and of a yacht, he developed a series of mathematical sculptures, like The Golden Sea and Touch me that change color with light and the spectator's movements, shimmering from purple to cobalt blue and from gold to green.

Exhibitions

Personal Exhibitions (selected)

Collective exhibitions (selected)

Literature

Monographs

Exhibition catalogues

Works illustrated by Fernando Leal Audirac

External links

Notes and References

  1. Book: New York Media, LLC. New York Magazine. 5 May 1997. New York Media, LLC. 104–. 0028-7369.
  2. Book: Corgnati, Martina . Fernando Leal Audirac: La Stagione Che Rimane . 2004 . Silvana Editoriale . 978- 8882156428 . 26 .
  3. Web site: Editors & Contributors: Fernando Leal Audirac. 1 May 2016. 24 June 2016. https://web.archive.org/web/20160624231912/http://www.intellectbooks.co.uk/journals/view-Contributor,a=A/view-Contact-Page,id=16778/. dead.
  4. Book: Flores, Tatiana E. . Mexico's Revolutionary Avant-Gardes: From Estridentismo to ¡30–30! . registration . 2013 . Yale University Press . 978-0300184488 . 376 .
  5. Book: Serafini, Giuliano. Fernando Leal Audirac: Traducción: Elissabeta Di Castro. 31–35 .
  6. Web site: El Antirretrato Del Dr. Villanueva. Ocho oleos de Fernando Leal Audirac. Estudio crítico por Juan Acha. 1991. Galeria de Arte Mexicano. Spanish. 29 April 2016.
  7. Web site: Fernando Leal Audirac: o en el gran estilo. Spanish. 22 April 2016. 11 June 2016. https://web.archive.org/web/20160611045432/http://www.arts-history.mx/sitios/index.php?id_sitio=4836280&id_seccion=320831&id_subseccion=442743&id_documento=2089. dead.
  8. Web site: Fernando Leal Audirac . European Environmental Tribunal . 22 April 2016.
  9. Web site: El arte de devolver belleza. Spanish. 7 August 2011 . 1 May 2016.
  10. Book: Rossi, Sergio. Arte come fatica di mente : da Leonardo al Novecento. 2012 . Lithos editrice – Roma. 978-8897414223. 169 .
  11. Web site: En la Plaza de San Pedro con Juan Pablo II. Spanish. 28 April 2016.
  12. Web site: Fernando Leal Audirac. El artista mexicano que retrató a Su Santidad Juan Pablo II. Real Estate- Market & Lifestyle . Spanish. 28 April 2016.
  13. Acha, Juan, "Su estética gráfica", in: Fernando Leal Audirac, Obra de 1975–1993, published by Espejo de Obsidiana, Mexico City, 1993, pages 61–72
  14. Web site: Fernando Leal Audirac: Obra de 1975 a 1993. Fernando Leal Audirac. Espejo de Obsidiana Ediciones. Spanish. 1993. 978-9686258325. 1 May 2016.
  15. Web site: FERNANDO LEAL AUDIRAC: La stagione che rimane . Fernando Leal Audirac . Silvana Editoriale . Italian . 2003 . 12 May 2016 . dead . https://web.archive.org/web/20160601160308/http://www.silvanaeditoriale.it/catalogo/prodotto.asp?id=1607 . 1 June 2016 . dmy .
  16. Web site: La monumentalidad de lo intimo. Fernando Leal Audirac. Italian. 2007. 978-9685011860. 29 April 2016.

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