| Honorific Prefix: | Excelentísimo Señor Don | ||||||||||
| Fernando Fernán Gómez | |||||||||||
| Honorific Suffix: | OAXS MMT | ||||||||||
| Birth Name: | Fernando Fernández Gómez | ||||||||||
| Birth Date: | 28 August 1921 | ||||||||||
| Birth Place: | Lima, Peru | ||||||||||
| Death Place: | Madrid, Spain | ||||||||||
| Resting Place: | Cementerio de la Almudena | ||||||||||
| Years Active: | 1943–2006 | ||||||||||
| Parents: |
| ||||||||||
| Spouse: | María Dolores Pradera (1945–1957) Emma Cohen (2000–2007) | ||||||||||
| Children: | Fernando and Helena Fernán Gómez | ||||||||||
| Module: |
| ||||||||||
Fernando Fernández Gómez (28 August 1921 – 21 November 2007), better known as Fernando Fernán Gómez, was a Spanish actor, screenwriter, film director, theater director, novelist, and playwright. Prolific and outstanding in all these fields, he was elected member of the Royal Spanish Academy in 1998. He was born in Lima, Peru while his mother, Spanish actress Carola Fernán-Gómez, was making a tour in Latin America. He would later use her surname for his stage name when he moved to Spain in 1924.
Fernán Gómez was regarded as one of Spain's most beloved and respected entertainers. He received two Silver Bears for Best Actor at the Berlin International Film Festival, the Prince of Asturias Award for the Arts, the National Theater Award, the Gold Medal of the Spanish Film Academy, and six Goya Awards, among other honours. He appeared in 200 films between 1943 and 2006,[1] which included The Spirit of the Beehive (1973), Ana and the Wolves (1973), Mama Turns 100 (1979), Belle Époque (1992), The Grandfather (1998), Butterfly's Tongue (1999), and All About My Mother (1999). Throughout his career he worked with directors such as Carlos Saura, Víctor Erice, Pedro Almodóvar, Fernando Trueba, Luis García Berlanga, Juan Antonio Bardem, José Luis Garci, Jaime de Armiñán, Manuel Gutiérrez Aragón, Mario Camus, José Luis Cuerda, José Luis Sáenz de Heredia, José Antonio Nieves Conde, Rafael Gil, Edgar Neville, Antonio Pietrangeli, Luigi Comencini, and G. W. Pabst.
He directed over 25 films, including El extraño viaje (1964), and Life Goes On (1965), both great classics of the Spanish cinema that were very limited distribution due to Franco's censorship.[2] [3] His film Voyage to Nowhere (1986) earned him critical acclaim, becoming the most awarded Spanish film at the 1st Goya Awards ceremony.[4]
According to his memoir,[5] he was probably born in Lima on 28 August 1921, even though his birth certificate indicates that he was born in the Argentine capital, Buenos Aires. His mother, the theater actress Carola Fernán Gómez, was touring South America when he was born in Lima, and his birth certificate was issued days later in Argentina, a country whose nationality he retained, in addition to Spanish nationality, which was granted to him in 1984. He was an extramarital son, his father was also the actor Luis Fernando Díaz de Mendoza y Guerrero, whose mother, the prominent theater actress María Guerrero, prevented the marriage between Fernando Fernán Gómez's parents.[6]
After some acting school works, he decided to study Philosophy and Letters in Madrid, which he subsequently abandoned when the Spanish Civil War began, but his true vocation led him to the theater. During the Civil War he received classes at the CNT School of Actors, making his professional debut in 1938 at the company.[7] There he was discovered by the Spanish playwright Enrique Jardiel Poncela, who offered him his first major opportunity in 1941, the role as "Redhead" in the play We Thieves Are Honourable.[8]
In 1943, Fernán Gómez joined the film studio Cifesa and made his first movie appearance in Cristina Guzmán, directed by Gonzalo Delgrás.[9] Between the 1940s and 1960s, he established himself as a leading actor in the Spanish film industry, mostly in comic roles (Anchor Button, The Last Horse, I Want to Marry You, Captain Poison, The Pelegrín System, That Happy Couple, Airport, The Other Life of Captain Contreras, Faustina, La becerrada), but also in some more dramatic (El destino se disculpa, Carnival Sunday, Life in Shadows, Reckless, The Tenant, ).
He was very much in demand during the 1970s and 1980s, expanding his range as an actor in many films of the new Spanish cinema: starring alongside Geraldine Chaplin in Ana and the Wolves and its sequel Mama Turns 100, The Love of Captain Brando, Pim, pam, pum... ¡fuego!, The Remains from the Shipwreck, Maravillas, Feroz, The Court of the Pharaoh, Requiem for a Spanish Peasant, Half of Heaven, Moors and Christians, and in the role as Leopoldo de Gregorio, 1st Marquess of Esquilache in Esquilache. In 1973 he starred The Spirit of the Beehive, reaching an international audience for his role as a mournful intellectual father who has a small beehive inside his house.[10] [11] That same year he played Don Quixote in the Spanish-Mexican comedy Don Quijote cabalga de nuevo, co-starring Cantinflas as Sancho Panza. In 1977, he won the Silver Bear for Best Actor at the 27th Berlin International Film Festival for his role as a middle-aged man who decides one day to live in the bathroom and never leave it in The Anchorite,[12] and again at the 35th Berlin International Film Festival in 1985 for his role as a broke Roman law professor who offers himself as a slave to an old student in exchange for house and food in Stico.[13] He also won the for Best Actor for his role in at the 1984 Venice Film Festival.[14] The 1990s was a less active period for him, but he enjoyed something of a revival, featuring in six major projects: The Dumbfounded King, the two winners of the Academy Award for Best Foreign Language Film Belle Époque and All About My Mother,[15] The Grandfather, which he won a second Goya Award for Best Actor in 1999 for his praised role as Don Rodrigo, Count of Albrit, an old Spanish aristocrat,[16] [17] Plenilune, and the hit Butterfly's Tongue playing Don Gregorio, a republican schoolteacher. In between, he was part of the cast of the comedy show Los ladrones van a la oficina (The thieves go to the office), awarded an Onda Award in 1993,[18] and later in the popular prime time television series Cuéntame cómo pasó (Remember When). In the 2000s he appeared in Visionaries, The Shanghai Spell, Tiovivo c. 1950, and Something to Remember Me By. One of his last great performances was in the film In the City Without Limits, again with Geraldine Chaplin, where he plays a dying man who suffered fearful delusions.[19]
During his acting career he would also play supporting roles in different foreign films such as Voice of Silence, The Bachelor, starring Alberto Sordi, The Pyjama Girl Case, with Ray Milland, and .
In the 1950s he began to direct movies, obtaining a nomination for Best Film at the Mar del Plata International Film Festival for his 1958 comedy La vida por delante,[20] which led to a sequel, La vida alrededor. His first films tended to be humorous satires (The Wicked Carabel, For Men Only, Don Mendo's Revenge). In 1964 he filmed El extraño viaje, a dark portrait of Spanish rural repression.[21] It was voted seventh best Spanish film by professionals and critics in 1996 Spanish cinema centenary,[22] and included in a British Film Institute list published in 2016 by film director Pedro Almodóvar among the 13 great Spanish films that inspired him.[23] The latter was followed by Life Goes On, one of the most terrifying and merciless moral portraits of Francoist Spain,[24] [25] My Daughter Hildegart, Mambru Went to War, that gave him the first Goya Award for Best Actor,[26] Voyage to Nowhere, a film based on his own novel which describes a troupe of impoverished actors traipsing from village to village, achieving the Goya Awards for Best Film, Best Director and Best Adapted Screenplay in 1987,[27] [28] The Sea and Time, winner of the Special Jury Prize at the 1989 San Sebastián International Film Festival,[29] and Lázaro de Tormes, from which he received in 2001 his second Goya Award for Best Adapted Screenplay.[30]
On television, he directed and starred two notable productions: the fantasy TV movie , which he won the Grand Prix for Best Director at the 9th International Television Festival Golden Prague in 1973,[31] and the miniseries , a historical comedy set in the 17th Century.
In addition to his extensive career in front and behind the screen, Fernán Gómez wrote several stage plays, novels, memoirs, articles, and poems. The most successful was the play Las bicicletas son para el verano (Bicycles Are for the Summer) in 1977,[32] showing the sufferings of a family and their neighbours in besieged Madrid during the Civil War. He won the for that work in 1978,[33] and it has been adapted into a popular film in 1984, directed by Jaime Chávarri.
As theater director he staged plays such as Dear Liar (1962), by Bernard Shaw; The Kreutzer Sonata (1963), by Leo Tolstoy; Thought (1963), by Leonid Andreyev; and comedies Gravemente peligrosa (1962), Mayores con reparos (1965) and La vil seducción (1967).[34]
He was runner up of the Premio Planeta de Novela for his 1987 historical novel El mal amor.[35] In 1993 he also obtained the Premio de Novela Espasa-Humor for his comedy novel El ascensor de los borrachos.[36]
In 1998 he published his memoirs titled El Tiempo Amarillo: Memorias (1921-1997). The work has 700 pages and was presented at the Círculo de Bellas Artes in Madrid.[37]
On October 27, 1995, he received the Prince of Asturias Award for the Arts from the hands of Prince Felipe.[38] In 1999 the San Sebastián International Film Festival granted to him the Donostia Award.[39]
On January 30, 2000, he entered the Royal Spanish Academy for his artistic accomplishments, where he took possession of Seat B with the speech titled "Aventura de la palabra en el siglo xx".[40]
In 2001, he received the Gold Medal of Merit in Labour by the Spain's Council of Ministers for a lifetime of effort and work.[41]
He finally awarded the Honorary Golden Bear at the 55th Berlin International Film Festival for his lifetime achievemt in 2005.[42] [43]
He married the Spanish singer María Dolores Pradera in 1945, with whom he had a daughter, the actress Helena Fernán Gómez, and a son, Fernando. They divorced in 1957. Later then, he had a long relationship with actress Emma Cohen, marrying in 2000.[44]
Fernando Fernán Gómez died in Madrid on 21 November 2007 from a heart failure aggravated by pneumonia and colon cancer.[45] On 19 November 2007, he was admitted to the Oncology area of the Madrid University Hospital La Paz to be treated for pneumonia. Carmen Caffarel, head of the Instituto Cervantes, said "We've lost the great man of Spanish theater and film of the second half of the 20th century".[46]
Pedro Almodóvar highlighted him as "an artist who represents the history of Spanish cinema from its beginnings to the present day." The "excellence" in all his work, Almodóvar noted, was felt in his work as an actor: "He made the difficult as easy as possible, thanks to limitless versatility". That made him capable of "going from Don Mendo's Revenge on Bertolt Brecht". But he was also an "essential director in both film and theater", to the point of being "a complete and irreplaceable artist." "With delightful comedies such as La vida por delante and La vida alrededor, or the very scathing and masterpiece El extraño viaje". Concluding "I will always remember him, and I will continue watching his films".[47]
After the President of the Government José Luis Rodríguez Zapatero announced the death of the actor, the Government of Spain posthumously awarded Fernán Gómez the Grand Cross of the Civil Order of Alfonso X, the Wise on 23 November.[48] The mayor of Madrid, Alberto Ruiz-Gallardón, also announced that the Cultural Center of the Villa de Madrid would be renamed the Fernán Gómez Theater.[49] As he was a lifelong anarchist, his coffin was covered in a black and red anarchist flag and was later cremated in the Almudena Cemetery in Madrid.[50]
| Year | Title | Director | Writer | Notes | |
|---|---|---|---|---|---|
| 1954 | Co-directed with Luis María Delgado | ||||
| 1955 | El mensaje | ||||
| 1956 | El malvado Carabel | ||||
| 1958 | La vida por delante | ||||
| 1959 | La vida alrededor | ||||
| 1960 | Sólo para hombres | ||||
| 1961 | La venganza de Don Mendo | ||||
| 1964 | |||||
| El extraño viaje | |||||
| 1965 | |||||
| 1966 | Mayores con reparos | ||||
| 1970 | |||||
| 1971 | Cómo casarse en 7 días | ||||
| 1974 | |||||
| 1976 | La querida | ||||
| 1977 | |||||
| 1979 | Gulliver | ||||
| 1980 | |||||
| 1984 | Los Zancos | ||||
| 1985 | Stico | ||||
| 1986 | Mambrú se fue a la guerra | ||||
| El viaje a ninguna parte | Also based on his novel | ||||
| 1987 | Mi General | ||||
| 1989 | El mar y el tiempo | Also based on his novel | |||
| 1991 | |||||
| 1994 | Siete mil días juntos | ||||
| 1997 | Pesadilla para un rico | ||||
| 2001 | Lázaro de Tormes | Co-directed with José Luis García Sánchez Final film |
| Year | Title | Role | Director | Notes | |
|---|---|---|---|---|---|
| 1943 | Cristina Guzmán | Bob | Gonzalo Delgrás | ||
| Autumn Roses | Adolfo Barona | Juan de Orduña and Eduardo Morera | |||
| Fantastic Night | Enamorado | Luis Marquina | |||
| La chica del gato | Paco | Ramón Quadreny | |||
| Viviendo al revés | Ignacio F. Iquino | ||||
| A Palace for Sale | Ladislao Vajda | ||||
| Fin de curso | Himself (uncredited) | Ignacio F. Iquino | |||
| Rowspan=4 | 1944 | Turbante blanco | Ignacio F. Iquino | ||
| Una chica de opereta | Salvador Viana | Ramón Quadreny | |||
| Mi enemigo y yo | Antonio Aguilar 'Tony' | Ramón Quadreny | |||
| Empezó en boda | Raffaello Matarazzo | ||||
| Rowspan=6 | 1945 | El destino se disculpa | Teófilo Dueñas | José Luis Sáenz de Heredia | |
| The Road to Babel | Marcelino Pastor | Jerónimo Mihura | |||
| Espronceda | Mister Wilde | Fernando Alonso Casares | |||
| Bambú | Antonio | José Luis Sáenz de Heredia | |||
| Domingo de carnaval | Matías | Edgar Neville | |||
| Se le fue el novio | Miguel Novak | Julio Salvador | |||
| Rowspan=3 | 1946 | Es peligroso asomarse al exterior | Silvio | Alejandro Ulloa, Arthur Duarte | |
| Eres un caso | Inocencio | Ramón Quadreny | |||
| Los habitantes de la casa deshabitada | Gregorio | Gonzalo Delgrás | |||
| 1947 | Noche sin cielo | Emilio | Ignacio F. Iquino | ||
| Rowspan=9 | 1948 | Botón de ancla | Enrique Tejada y Sandoval | Ramón Torrado | |
| Embrujo | Mentor | Carlos Serrano de Osma | |||
| La muralla feliz | Don Fulgencio Ríos | Enrique Herreros | |||
| The Black Siren | Gaspar de Montenegro | Carlos Serrano de Osma | |||
| La próxima vez que vivamos | Pablo | Enrique Gómez | |||
| Pototo, Boliche y compañía | Ramón Barreiro | ||||
| Hoy no pasamos lista | Don Manuel | Raúl Alfonso, Rafael Alonso | |||
| Encrucijada | Pedro Lazaga | Short | |||
| La mies es mucha | Padre Santiago Hernández | José Luis Sáenz de Heredia | |||
| Rowspan=3 | 1949 | Vida en sombras | Carlos | Lorenzo Llobet Gracia | |
| Rosas de otoño | Adolfo Barona | Eduardo Morera and Juan de Orduña | |||
| Wings of Youth | Rodrigo | Antonio del Amo | |||
| Rowspan=5 | 1950 | Saturday Night | Carlos | Rafael Gil | |
| Ninety Minutes | Sr. Marchand | Antonio del Amo | |||
| Tiempos felices | Enrique Gómez | ||||
| El último caballo | Fernando | Edgar Neville | |||
| La noche del sábado | Director de orquesta (uncredited) | Rafael Gil | |||
| Rowspan=4 | 1951 | Balarrasa | Javier Mendoza 'Balarrasa' | José Antonio Nieves Conde | |
| I Want to Marry You | Ramón | Jerónimo Mihura | |||
| La trinca del aire | Zanahoria | Ramón Torrado | |||
| Captain Poison | Jorge de Córdoba | Luis Marquina | |||
| Rowspan=4 | 1952 | The Pelegrín System | Héctor Pelegrín | Ignacio F. Iquino | |
| Facultad de letras | Fernando | Pío Ballesteros | |||
| The Eyes Leave a Trace | Agente Díaz | José Luis Sáenz de Heredia | |||
| Cincuenta años del Real Madrid | Himself | Rafael Gil | |||
| Rowspan=5 | 1953 | La voce del silenzio | Fernando Layer - assistente spirituale | Georg Wilhelm Pabst | |
| Esa pareja feliz | Juan Granados Muñoz | Juan Antonio Bardem, Luis García Berlanga | |||
| Airport | Luis | Luis Lucia Mingarro | |||
| Nadie lo sabrá | Pedro Gutiérrez | Ramón Torrado | |||
| Manicomio | Carlos | Fernando Fernán Gómez, Luis María Delgado | |||
| Rowspan=3 | 1954 | Rebellion | Federico Lanuza | José Antonio Nieves Conde | |
| El mensaje | |||||
| Morena Clara | Ramsés 45 / Don Lope de Baena y Carrasco / Don Enrique de Baena Rodríguez | Luis Lucia Mingarro | |||
| Rowspan=4 | 1955 | The Other Life of Captain Contreras | Alonso Contreras | Rafael Gil | |
| El guardián del paraíso | Manuel | Arturo Ruiz Castillo | |||
| Congress in Seville | Dr. Guillermo Kroll | Antonio Román | |||
| Lo scapolo (El soltero) | Armando | Antonio Pietrangeli | |||
| Rowspan=4 | 1956 | La gran mentira | Fernando Fernán Gómez (uncredited) | Rafael Gil | |
| El fenómeno | Claudio Henkel | José María Elorrieta | |||
| Viaje de novios | Juan Torregrosa Orózco | León Klimovsky | |||
| El malvado Carabel | Amaro Carabel | ||||
| Rowspan=6 | 1957 | La ironía del dinero | Frasquito (segment "Sevilla") | Edgar Neville and Guy Lefranc | |
| Un marido de ida y vuelta | Ramírez (uncredited) | Luis Lucia Mingarro | |||
| Faustina | Mogon | José Luis Sáenz de Heredia | |||
| Un marido de ida y vuelta | Pepe López Garcerán | ||||
| Los ángeles del volante | Juanito | Ignacio F. Iquino | |||
| Las muchachas de azul | Juan Ferrandis | Pedro Lazaga | |||
| Rowspan=3 | 1958 | The Tenant | Evaristo González | José Antonio Nieves Conde | |
| La vida por delante | Antonio Redondo | Fernando Fernán Gómez and José Luis de la Torre | |||
| Ana dice sí | Juan | Pedro Lazaga | |||
| Rowspan=4 | 1959 | Luna de verano | Juan | Pedro Lazaga | |
| Soledad | Manuel | Mario Craveri | |||
| Bombas para la paz | Alfredo | Antonio Román | |||
| La vida alrededor | Antonio Redondo | ||||
| Rowspan=3 | 1960 | Crimen para recién casados | Antonio Menéndez | Pedro Luis Ramírez | |
| Les Trois etc. du Colonel (Los tres etc. del coronel) | Le guérillo Lorenzo | Claude Boissol | |||
| Sólo para hombres | Pablo Meléndez | ||||
| Rowspan=3 | 1961 | Adiós, Mimí Pompón | Heriberto Promenade | Luis Marquina | |
| La vida privada de Fulano de Tal | José María Forn | ||||
| Fantasmas en la casa | Pedro Luis Ramírez | ||||
| Rowspan=2 | 1962 | La venganza de Don Mendo | Don Mendo Salazar - Marqués de Cabra | ||
| ¿Dónde pongo este muerto? | Manuel Carrasco | Pedro Luis Ramírez | |||
| Rowspan=3 | 1963 | La becerrada | Francisco Rodríguez 'Juncal' | José María Forqué | |
| Sargento Detective Miguel Mora | Jesús Franco | ||||
| Benigno, hermano mío | Arturo González hijo | ||||
| Rowspan=2 | 1965 | El mundo sigue | Faustino | ||
| Un vampiro para dos | Baron de Rosenthal | Pedro Lazaga | |||
| Rowspan=3 | 1966 | Ninette y un señor de Murcia | Andrés Martínez Segura | ||
| La Mujer de tu prójimo | Enrique Carreras | ||||
| Mayores con reparos | Fernando/ Miguel/ Manuel | ||||
| 1968 | La vil seducción | Ismael Bolante | José María Forqué | ||
| Rowspan=4 | 1969 | Carola de día, Carola de noche | Hombre del motocarro | Jaime de Armiñán | |
| Un adulterio decente | Dr. Leopoldo Cumberri | Rafael Gil | |||
| Estudio amueblado 2.P. | Miguel Aguirrezabala | José María Forqué | |||
| Las panteras se comen a los ricos | José | Ramón Fernández | |||
| Rowspan=4 | 1970 | De profesión, sus labores | Federico | Javier Aguirre | |
| ¿Por qué pecamos a los cuarenta? | Dr. Alejandro Quesada | Pedro Lazaga | |||
| Crimen imperfecto | Salomón | ||||
| Growing Leg, Diminishing Skirt | Amadeo - Duque de Daroca | Javier Aguirre | |||
| Rowspan=3 | 1971 | Cómo casarse en 7 días | Uncredited | ||
| Las Ibéricas F.C. | Federico | Pedro Masó | |||
| Los gallos de la madrugada | Afilador | José Luis Sáenz de Heredia | |||
| 1972 | El triangulito | Lázaro López | José María Forqué | ||
| Rowspan=4 | 1973 | Don Quijote cabalga de nuevo | Don Quijote / Alonso Quixano | Roberto Gavaldón | |
| La leyenda del alcalde de Zalamea | Don Lope | Mario Camus | |||
| Ana y los lobos | Fernando | Carlos Saura | |||
| The Spirit of the Beehive | Fernando | Víctor Erice | |||
| Rowspan=3 | 1974 | Vera, un cuento cruel | Roger | Josefina Molina | |
| Yo la vi primero | Doctor | ||||
| El amor del capitán Brando | Fernando | Jaime de Armiñán | |||
| Rowspan=4 | 1975 | Pim, pam, pum... ¡fuego! | Julio | Pedro Olea | |
| Yo soy Fulana de Tal | Rodolfo Pellejo | Pedro Lazaga | |||
| Jó, papá | Julio | Jaime de Armiñán | |||
| Sensualidad | Carlos Baena | Germán Lorente | |||
| Rowspan=3 | 1976 | Imposible para una solterona | Manuel | Rafael Romero Marchent | |
| La querida | Eduardo | ||||
| El anacoreta | Fernando Tobajas | Juan Estelrich | |||
| Rowspan=8 | 1977 | Más fina que las gallinas | Don Enrique | Jesús Yagüe | |
| Parranda | Escribiente | Gonzalo Suárez | |||
| Bruja, más que bruja | Tío Justino | ||||
| Las cuatro novias de Augusto Pérez | Augusto Pérez | José Jara | |||
| Gulliver | Martín | Alfonso Ungría | |||
| Chely | Nicolás | Ramón Fernández | |||
| Reina Zanahoria | J. J | Gonzalo Suárez | |||
| The Pyjama Girl Case | Forensics detective | Flavio Mogherini | |||
| Rowspan=2 | 1978 | Hermano Prefecto | José María Gutiérrez Santos | ||
| Ricardo Franco | |||||
| Rowspan=3 | 1979 | Madrid al desnudo | Baltasar | Jacinto Molina | |
| Milagro en el circo | Macario | Alejandro Galindo | |||
| Mamá cumple cien años | Fernando | Carlos Saura | |||
| Rowspan=2 | 1980 | Cuentos eróticos | Don Enrique (segment "Tiempos rotos") (voice) | ||
| Yo qué sé | Emma Cohen | Short | |||
| Rowspan=3 | 1981 | Maravillas | Fernando | Manuel Gutiérrez Aragón | |
| Apaga... y vámonos | Prof. Benjamín Rodero | Antonio Hernández | |||
| 127 millones libres de impuestos | Félix | Pedro Masó | |||
| Rowspan=2 | 1982 | Copia cero | Carlos | Eduardo Campoy | |
| Bésame, tonta | Director general | Fernando González de Canales | |||
| Rowspan=3 | 1983 | Interior roig (Interior rojo) | Eugenio Anglada | ||
| Soldados de plomo | Don Dimas | José Sacristán | |||
| Juana la loca... de vez en cuando | Sir Henry | José Ramón Larraz | |||
| Rowspan=3 | 1984 | Feroz | Luis | Manuel Gutiérrez Aragón | |
| Los zancos | Ángel | Carlos Saura | |||
| La noche más hermosa | Luis | Manuel Gutiérrez Aragón | |||
| Rowspan=6 | 1985 | Stico | Don Leopoldo Contreras de Tejada | Jaime de Armiñán | |
| De hombre a hombre | Silvestre | Ramón Fernández | |||
| Luces de bohemia | Ministro | Miguel Ángel Díez | |||
| Réquiem por un campesino español | Don Valeriano | Francisco Betriú | |||
| La corte de Faraón | Roque | José Luis García Sánchez | |||
| Marbella, un golpe de cinco estrellas | Germán | Miguel Hermoso | |||
| Rowspan=5 | 1986 | Pobre mariposa | Exiliado español | Raúl de la Torre | |
| Mambrú se fue a la guerra | Emiliano | ||||
| El viaje a ninguna parte | Don Arturo | ||||
| La mitad del cielo | Don Pedro | Manuel Gutiérrez Aragón | |||
| Delirios de amor | Antonio González Vigil, Luis Eduardo Aute, Cristina Andreu and Félix Rotaeta | ||||
| Rowspan=4 | 1987 | Cara de acelga | Madariaga | José Sacristán | |
| Mi general | General Mario del Pozo | Jaime de Armiñán | |||
| Moros y cristianos | Don Fernando | Luis García Berlanga | |||
| El gran Serafín | Padre Bellot | José María Ulloque | |||
| Rowspan=3 | 1989 | Esquilache | Esquilache | Josefina Molina | |
| El río que nos lleva | Don Ángel | Antonio del Real | |||
| El mar y el tiempo | Eusebio | ||||
| Rowspan=3 | 1991 | Fuera de juego | Don Aníbal | ||
| El rey pasmado | Gran Inquisidor | Imanol Uribe | |||
| Marcellino (Marcelino, pan y vino) | Il priore | Luigi Comencini | |||
| Rowspan=2 | 1992 | Chechu y familia | Don José | Álvaro Sáenz de Heredia | |
| Belle Époque | Manolo | Fernando Trueba | |||
| 1993 | Cartas desde Huesca | Mainar | Antonio Artero | ||
| 1995 | Así en el cielo como en la tierra | Dios Padre | José Luis Cuerda | ||
| Rowspan=3 | 1996 | El sueño de los héroes | Taboada | Sergio Renán | |
| Tranvía a la Malvarrosa | Catedrático | José Luis García Sánchez | |||
| Pesadilla para un rico | Presidente | ||||
| Rowspan=2 | 1997 | La hermana | Don Julián | Juan José Porto | |
| Pintadas | José | Juan Estelrich Jr. | |||
| 1998 | El abuelo | Don Rodrigo de Arista Potestad | José Luis Garci | ||
| Rowspan=4 | 1999 | Todo sobre mi madre | Padre de Rosa | Pedro Almodóvar | |
| Pepe Guindo | Manuel Iborra | ||||
| Plenilunio | Padre Orduña | Imanol Uribe | |||
| La lengua de las mariposas | Don Gregorio | José Luis Cuerda | |||
| 2000 | Voz | Javier Aguirre | |||
| 2001 | Visionarios | Gobernador | Manuel Gutiérrez Aragón | ||
| Rowspan=2 | 2002 | En la ciudad sin límites | Max | Antonio Hernández | |
| El embrujo de Shanghai | Capitán Blay | Fernando Trueba | |||
| Rowspan=2 | 2003 | Variaciones 1/113 | Voice | ||
| Bibliofrenia | Profesor Arturo Fuentes | Marcos Moreno | |||
| Rowspan=2 | 2004 | Tiovivo c. 1950 | Tertuliano | José Luis Garci | |
| ¡Hay motivo! | Self (segment: Epílogo) (voice) | Various | |||
| Rowspan=2 | 2005 | Para que no me olvides | Mateo | Patricia Ferreira | |
| Pablo G. del Amo, un montador de ilusiones | Himself | Diego Galán | |||
| Rowspan=2 | 2006 | Medea 2 | Mensajero | ||
| Mia Sarah | Paul | Gustavo Ron | Final film role | ||
| Year | Title | Director | Writer | Notes |
|---|---|---|---|---|
| 1973 | Juan soldado | TV movie | ||
| 1974-1975 | El pícaro | TV Miniseries; 13 episodes | ||
| 1992 | Cuentos de Burgos | Episode "La Intrusa" | ||
| 1994 | La Mujer de tu Vida 2 | Episode "Las Mujeres de mi Vida" | ||
|
|
See main article: National Theater Prize.
See main article: Goya Awards.
| Year | Award | Film | Result | |
|---|---|---|---|---|
| 1987 | Goya Award for Best Actor | Best Actor | Mambru Went to War | |
| 1987 | Best Director | Voyage to Nowhere | ||
| 1987 | Best Screenplay | Voyage to Nowhere | ||
| 1993 | Best Supporting Actor | Belle Époque | ||
| 1999 | Best Actor | The Grandfather | ||
| 2001 | Best Adapted Screenplay | Lázaro de Tormes | ||
See main article: Fotogramas de Plata.
| Year | Award | Film | Result |
|---|---|---|---|
| 1952 | Best Spanish Movie Performer | Reckless | |
| 1970 | Best TV Performer | La última cinta | |
| 1974 | Best TV Performer | Juan soldado | |
| 1987 | Best Movie Actor | Delirios de amor Mambru Went to War Half of Heaven Voyage to Nowhere | |
| 1998 | Lifetime Achievement Award | ||
See main article: CEC Awards.
| Year | Award | Film | Result |
|---|---|---|---|
| 1951 | Best Actor | The Last Horse | |
| 1952 | Best Actor | Reckless | |
| 1959 | Best Original Story | La vida por delante | |
| 1974 | Best Actor | The Spirit of the Beehive Ana and the Wolves | |
| 1979 | Best Actor | The Remains from the Shipwreck | |
| 1992 | Best Original Screenplay | Fuera de juego | |
| 1999 | Best Actor | The Grandfather | |
| 2007 | Best Supporting Actor | Mia Sarah | |
See main article: Sant Jordi Awards.
| Year | Award | Film | Result |
|---|---|---|---|
| 1985 | Best Spanish Actor | Feroz La noche más hermosa Los zancos | [53] |
| 1987 | Best Film | Voyage to Nowhere | [54] |
| 1990 | Best Spanish Film | The Sea and Time | [55] |
See main article: TP de Oro.
See main article: Actors and Actresses Union Awards.
See main article: Berlin International Film Festival.
| Year | Award | Film | Result | |
|---|---|---|---|---|
| 1977 | Silver Bear for Best Actor | The Anchorite | ||
| 1985 | Silver Bear for Best Actor | Stico | ||
| 2005 | Honorary Golden Bear |
See main article: San Sebastián International Film Festival.
| Year | Award | Film | Result | |
|---|---|---|---|---|
| 1989 | Special Jury Prize | The Sea and Time | ||
| 1999 | Donostia Lifetime Achievement Award |
See main article: Venice Film Festival.
See main article: Mar del Plata International Film Festival.
See main article: Festival de Gramado.
See main article: Festival International de Programmes Audiovisuels.
Web site: Real Decreto 1181/1981, de 8 de mayo, por el que se concede la Medalla al Mérito en las Bellas Artes, en su categoría de Oro, al Actor y Director don Fernando Fernán-Gómez. . . 147 . 14139 . Madrid .