Feast (The Creatures album) explained

Feast
Type:studio
Artist:the Creatures
Cover:Creaturesfeast.jpg
Released:May 1983
Recorded:January 1983
Genre:Post-punk, Exotica
Length:35:46
Label:Polydor
Prev Title:Wild Things
Prev Year:1981
Next Title:Boomerang
Next Year:1989

Feast is the debut studio album by British duo the Creatures, composed of Siouxsie Sioux and musician Budgie, then-members of the band Siouxsie and the Banshees. It reached No. 17 in the UK Albums Chart and the single "Miss the Girl" peaked at No. 21. With their first album, the band embraced exotica, including "waves crashing on beaches", "found-sound effects from nature" and local Hawaiian chanters. Critic Ned Raggett described it as "a lush, tropical experience".

Recording and music

Siouxsie and Budgie decided where to record the album by randomly placing a pin on a map of the world; the result was the U.S. state of Hawaii. Several songs are about their experiences in that region, including "Festival of Colours" and "A Strutting Rooster".

Mark Brennan of Melody Maker said that the album's opening track "Morning Dawning" "begins with the sound of complicity: waves rushing against a beach, waves that are... the languid laps of dawn – a soundtrack for the netherland that are souvenirs between memories of dark and anticipations of light, the state between lingering in the past and launching into the future".[1]

The song title "Inoa ʻOle" is Hawaiian for "no name". "Ice House" was inspired by an obscure television play, while single "Miss the Girl" was inspired by the J. G. Ballard novel Crash. "Dancing on Glass" was based on an Indian musical; during the studio session, the sounds of broken glass were created by Siouxsie and Budgie dancing on broken mirrors while wearing tough shoes.

Release

Feast was released by Polydor Records on 15 May 1983, two years after the Wild Things EP. Feast was also the first album released on Wonderland, a label created in 1983 by the members of Siouxsie and the Banshees.

The album was entirely remastered in 1997 and reissued as part of the A Bestiary Of CD compilation, which was also released on Spotify.[2]

Critical reception

Feast was released to critical acclaim. Paul Prayag of Record Mirror praised the album, awarding it a score of 4 out of 5 and writing: "Siouxsie and Budgie are wandering deeper and deeper into a jungle that looks like having no easily definable boundaries".[3] Melody Maker described Feast as "an album of filtered brilliance, fertile, sensual and erotic; an album that, in its desperate naivety, attempts to articulate that moment when the monsoon ends, when the smell and the heat conspire in a perfumed mist and life sprouts instantly, green and luxurious".[4] Reviewer Mark Brennan said it was "breathlessly exotic and breathtakingly erotic". NME also hailed it: "The Creatures have assembled a multifarious sonic boom that is as various and kaleidoscopic as can be imagined. The humours of Sioux's frosty larynx are nakedly outlined against skins of sometimes fabulous quality. The drum sound on 'Ice House' must be one of the greatest on record".[5]

Personnel

The Creatures

with:

Technical

"Sea noises courtesy of Sunset Beach. Jungle noises courtesy of Rick and Donna's back garden. Broken glass courtesy of the night before."

Notes and References

  1. Brennan, Mark. "The Naked Lunch [''Feast'' review]". Melody Maker. 21 May 1983. P. 27
  2. Web site: A Bestiary Of - Compilation album by The Creatures. Spotify. 2023-05-18.
  3. Prayag, Paul. Feast review. Record Mirror. 28 May 1983.
  4. Sutherland, Steve. "Dancing on Glass". Melody Maker. 14 May 1983.
  5. Cook, Richard. "All Creatures Great And Small". NME. 14 May 1983.