| Fall Breaks and Back to Winter (W. Woodpecker Symphony) | |
| Type: | Instrumental |
| Artist: | The Beach Boys |
| Album: | Smiley Smile |
| Studio: | Brian Wilson's home studio, |
| Label: | Brother/Capitol |
| Composer: | Brian Wilson |
| Producer: | The Beach Boys |
"Fall Breaks and Back to Winter (W. Woodpecker Symphony)" is an instrumental composed by Brian Wilson for American rock band the Beach Boys. Released in 1967 as the third track on the group's album Smiley Smile, the composition derives from "Fire" – a piece recorded by Wilson several months earlier, but left unreleased due to his paranoia.
See also: The Elements: Fire. "Fall Breaks and Back to Winter (W. Woodpecker Symphony)" is an avant-garde composition with ambient elements, built on an uncertain discordant progression that repeats with a refrain melodically imitating the laugh of the cartoon character Woody Woodpecker, bookended by percussive chimes.[1] Wilson said of the piece that it was "sort of a song about a cold winter scene. We tried to paint a picture of winter and then spring, late summer, and then broke into winter. We used the Woody Woodpecker theme because it was descriptive to us of spring and summer."[2]
Biographer David Leaf noted its "bizarre woodpecking" percussion, the sentimental use of an accordion to imitate Woody Woodpecker's laugh, and droning wordless vocals by all of the Beach Boys which were originally an element of the shelved composition "". Musicologist Daniel Harrison described the piece (along with other Smiley Smile tracks) as "a kind of protomiminal rock music", and that "the lack of formal or harmonic development makes the listener focus upon other quaities such as instrumentation, timbre, and reverberation. A concentrated listening effort thus goes quickly to subtle details."[3]
Writer Richard Goldstein characterized "Fall Breaks and Back to Winter" as a precursor to the sound of experimental pop band Animal Collective.[4] In 1996, the instrumental was included in David Toop's Ocean of Sound, a 2-CD compilation album meant to accommodate his book of the same name.[5]
See also: List of cover versions of Beach Boys songs.
. Daniel Harrison (music theorist). Covach. John. Boone. Graeme M.. Understanding Rock: Essays in Musical Analysis. 1997. Oxford University Press. 9780199880126. http://www.lipscomb.umn.edu/rock/docs/Harrison1997_BeachBoys.pdf. After Sundown: The Beach Boys' Experimental Music. 33–57.